The Duchess of Duke Street

There is still great pleasure to be had from this series. Set in the earlier 1900s in London, it is the story of a young woman who begins as a kitchen hand and, through talent and determination, becomes a great chef and hotelier, (though she refuses to lose her cockney speech).

Louisa Trotter, played by the truly WONDERFUL Gemma Jones, must be one of the most memorable characters in television history. A creature of so many moods - haranguing her staff in the kitchen, deliriously in love, vulgar when she's angry, prickly with her mother, sentimental about her affair with the old King - it's hard to know whether to laugh at her, or cry. But there is one constant about her - her artistry in her profession, and that is always awe-inspiring.

During a long series, relationships between characters can acquire great reality. Louisa's covert affection for her staff, her enduring love for Charlie (Christopher Cazenove), and her deep friendship with the Major (Richard Vernon) - mainly because of the exquisite playing of the cast - have an extraordinary conviction.

The first recommendation I get is undoubtedly Pride and Prejudice(Collin Firth version),when talking about British TV series, the second probably would be Brideshead Revisited or Fawlty Towers, yet no one recommends The Duchess of Duke Street to me before. It is by sheer luck that I come across this series-and what enjoyment it gives me! how many times it sets me think like I have never thought before! and what a treasure it is!

The first two or three episodes are quite plain, and indeed, dull, I would say; as the story unfolds itself, however, I become quite captivated-I never knew before any female characters from any TV series can be such as Louisa Trotter: she's pretty(quite common among all TV series), but damn headstrong as a bull, and she says 'bloody' as often as a man does, never cares very much about deportment and carriage herself;what strikes me as rarer and harder to find among women is her force-she has passion for cooking, and on no occasion allows any one or anything whatsoever to hinder her from realizing her dream of being the best cook in England. Such a woman is uncommon even in today's world. For how many times have we been dragged away from the path to our true dream by this or that seemingly reasonable excuse! How many people have been regretting in their winter season of life-oh, if only I did! In short, this is quite a thought-provoking series, can be even better than Pride and Prejudice and Brideshead Revisited in a way. A pity to be sure, that The Duchess of Duke Street is not well-known now, well, in America at least.

However I am a bit disappointed that in the later parts of the series, too much is focused on Louisa's relationships-I don't like such a good topic to evolve into a kind of romantic soap opera, there's already too many of them stuffed in the American TV markets-the focus of which really disappoints me, since I do consider the middle of the series very promising. Well, that's the only flaw I find with this series, and that's why I give a 9 star instead of a perfect 10.

This extraordinary series, so greatly loved by Britons, deserves a new generation to view and be mesmerized by the wonderful acting, writing, direction, and costumes. It is still compelling 25 years after it was made and still ranks as one of the most superb examples of what truly grand television can be. Most of the show feels as if you are sitting front-row in a theatre with the actors within inches of your seat but occasionally the production ventures outside when, perhaps, it starts waxing a tad towards "drawing room soap opera." Still, trust me, this series, and its stalwartly resilient characters, will become forever etched in your heart, as they have in mine.

When you are finished with this series, it is truly like losing a good friend. You are more than sad to see it go and lament the loss of anything else to watch. (Yes, there's always "Upstairs, Downstairs," but, for my money, the Duchess has more beauty, comedy and heartwrenching drama than the "Upstairs" gang could even contemplate!)

If you loved the BBC mini-series "Upstairs, Downstairs", you will adore "The Duchess Of Duke Street". Produced by some of the same people, with many of the same actors popping up in character roles, it almost feels like a re-visiting of the Bellamy household to some extent. It's the same Victorian-Edwardian time period, similar examinations of the class differences between servants and masters, same colorful, plucky people going through life discussing politics, war, scandals, etc. Gemma Jones as Louisa Trotter is utterly fantastic in her role, showing multi-layers of this Cockney girl's character that are absolutely fascinating to watch. Gemma had the role of a lifetime in Louisa, and she is simply unforgettable. Christopher Cazenove is so handsome as Charlie Hazelmere he just about takes your breath away. He brightens up every scene he is in with his presence, adorable smile and flashing eyes. Joanna David is touching as the tragic and anorexic Margaret. All the secondary characters will touch your heart and leave a lasting impression: Mary, Starr, The Major, and the hysterically funny Mr. Merriman (same actor who played Soames' father in the original "The Forsyte Saga"). This series is definitely worth the money to obtain all 31 episodes in the currently offered two VHS boxed sets. Just wish it were on DVD. After I purchased mine I watched the entire series straight through on one weekend; it was completely addictive. The video prints for Duchess are of much better quality than the ones for Upstairs, Downstairs, which were grainy and off-colored for the most part. Plus another positive: each tape has three episodes blended into one, without being interrupted by end titles and music. This allows for smooth transitions and a more enjoyable viewing experience, almost like watching a movie. Duchess Of Duke Street is a must-have series for all people who love quality British television.

2006 Update: there are now DVDs for this series, Series One. Hooray! We're anxiously awaiting a DVD box collection here in the US for Series Two.

Yup, it was the seventies that was the golden age of the miniseries, and it was the British who ruled, with PBS acting as as kind of Prince Regent, offering up such televisual feasts as Upstairs Downstairs, Poldark, and the Duchess of Duke Street.

To people over a certain age, Gemma Jones will be forever remembered as Louisa Trotter, the plucky lower middle class girl, practically sold into service by her selfish mother, who works her way up in the world to become the proprietress of the best gentle-person's hotel in London, the lover of the Prince of Wales, and a legend in her own time.

The Duchess of Duke Street is an artifact of a crossroads of two very special times - the 1960's, when there was a serious interest in the not-too-distant past (the Belle Epoque, the Edwardian Period, the Roaring Twenties, etc.), and the 1980's when the interest in the past had more to do with escapism and romanticism and produced some of the most beautiful visuals in film history. Because of this, The Dutchess is a treat, full of historical detail, with wonderful fictionalizations of Edwardian fact (Prince Edwards practice of taking mistresses for example).

The series paved the way for some of the great miniseries to come - including Brideshead Revisited, the 1980's production of Love in a Cold Climate, Flickers, and To Serve Them All My Days - and ensured that a certain segment of television viewers had grand images of Edwardian London and Art Nouveau imprinted in its memory.