The Duchess of Duke Street

This extraordinary series, so greatly loved by Britons, deserves a new generation to view and be mesmerized by the wonderful acting, writing, direction, and costumes. It is still compelling 25 years after it was made and still ranks as one of the most superb examples of what truly grand television can be. Most of the show feels as if you are sitting front-row in a theatre with the actors within inches of your seat but occasionally the production ventures outside when, perhaps, it starts waxing a tad towards "drawing room soap opera." Still, trust me, this series, and its stalwartly resilient characters, will become forever etched in your heart, as they have in mine.

When you are finished with this series, it is truly like losing a good friend. You are more than sad to see it go and lament the loss of anything else to watch. (Yes, there's always "Upstairs, Downstairs," but, for my money, the Duchess has more beauty, comedy and heartwrenching drama than the "Upstairs" gang could even contemplate!)

Gemma Jones carries this incredible piece of work on her more than capable shoulders. She truly IS Louisa Trotter and is totally believable as the indefatigable Victorian/Edwardian independent woman who becomes the "best cook in England". The concept and the writing is superb and the supporting cast are just about perfect. How this never made Gemma a major star on both sides of the Atlantic is a mystery to me. Maybe it was because she was so good, she was never seen as anyone else. She seems to have worked consistently but with never the vehicle to propel her higher up the ladder. Check out John Welsh as Merriman and John Cater as Starr. If anything this series outdoes Upstairs Downstairs in this particular genre, as great as UD was. A special mention for Christopher Cazenove who was never better as he is as Charlie Tyrell.

The first recommendation I get is undoubtedly Pride and Prejudice(Collin Firth version),when talking about British TV series, the second probably would be Brideshead Revisited or Fawlty Towers, yet no one recommends The Duchess of Duke Street to me before. It is by sheer luck that I come across this series-and what enjoyment it gives me! how many times it sets me think like I have never thought before! and what a treasure it is!

The first two or three episodes are quite plain, and indeed, dull, I would say; as the story unfolds itself, however, I become quite captivated-I never knew before any female characters from any TV series can be such as Louisa Trotter: she's pretty(quite common among all TV series), but damn headstrong as a bull, and she says 'bloody' as often as a man does, never cares very much about deportment and carriage herself;what strikes me as rarer and harder to find among women is her force-she has passion for cooking, and on no occasion allows any one or anything whatsoever to hinder her from realizing her dream of being the best cook in England. Such a woman is uncommon even in today's world. For how many times have we been dragged away from the path to our true dream by this or that seemingly reasonable excuse! How many people have been regretting in their winter season of life-oh, if only I did! In short, this is quite a thought-provoking series, can be even better than Pride and Prejudice and Brideshead Revisited in a way. A pity to be sure, that The Duchess of Duke Street is not well-known now, well, in America at least.

However I am a bit disappointed that in the later parts of the series, too much is focused on Louisa's relationships-I don't like such a good topic to evolve into a kind of romantic soap opera, there's already too many of them stuffed in the American TV markets-the focus of which really disappoints me, since I do consider the middle of the series very promising. Well, that's the only flaw I find with this series, and that's why I give a 9 star instead of a perfect 10.

There is still great pleasure to be had from this series. Set in the earlier 1900s in London, it is the story of a young woman who begins as a kitchen hand and, through talent and determination, becomes a great chef and hotelier, (though she refuses to lose her cockney speech).

Louisa Trotter, played by the truly WONDERFUL Gemma Jones, must be one of the most memorable characters in television history. A creature of so many moods - haranguing her staff in the kitchen, deliriously in love, vulgar when she's angry, prickly with her mother, sentimental about her affair with the old King - it's hard to know whether to laugh at her, or cry. But there is one constant about her - her artistry in her profession, and that is always awe-inspiring.

During a long series, relationships between characters can acquire great reality. Louisa's covert affection for her staff, her enduring love for Charlie (Christopher Cazenove), and her deep friendship with the Major (Richard Vernon) - mainly because of the exquisite playing of the cast - have an extraordinary conviction.

This show was one of the best British series ever imported to the States. I watched every episode and was the most entertained by the story, the relationships, the detail to clothing, the acting, and especially as I was a working chef at the time, the food. Seeing Gemma Jones make her character so real from her very humble beginnings at the bottom of the kitchen staff to become a renowned chef and hotel owner was probably a fantasy of mine in the 20th century. I absolutely loved this show and wish I could get it on DVD. I wish we had more good TV like this today. To me even Upstairs Downstairs which I also loved was not as good because the story was more long winded and drawn out. Would someone please bring back good drama to TV.