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If you watch this thing, do yourself a favor and don't ask too many questions. Just sit back and enjoy this train wreck for the campy schlock it is. I think this movie would be even better if the people making it hadn't taken it as seriously as they did. Some of the other reviews have gone into more details, but I don't think that's necessary. This thing has to be experienced to be believed. Give it ten minutes and you'll know whether you can stand the rest of it. For B-movie fans, it's a rare and amazing treat. For the rest, it will be a hideous, head-shaking, mess that will have them constantly asking "WHY??" Watching this with one of them will make the movie even more fun. No one will be the same after watching this. It's a little like taking a reality-altering drug.

Others have said it already, but this is definitely one to check out. I bought an English version of this from some guy in Brazil (subtitled in Portuguese), but I saw it several times before on Saturday afternoon TV (Captain USA really did it up when he showed this -- even singing the Yeti song during the breaks!) My favorite things about Yeti:

He looks like a hippie -- coincidence?

He keeps changing in size -- hanging under the helicopter, he appears to be about 10 feet tall. Later, laying on his back in the warehouse, his foot is about 10 feet long!

Great movie line -- listen for the background extra during the Toronto rampage scene who yells, "Look out! He's got a tree!"

It turns into a crime movie -- honestly, I never saw it coming.

So check this one out -- you'll never look at fish bones without thinking of the Yeti!

LOL! Not a bad way to start it. I thought this was original, but then I discovered it was a clone of the 1976 remake of KING KONG. I never saw KING KONG until I was 15. I saw this film when I was 9. The film's funky disco music will get stuck in your head! Not to mention the film's theme song by the Yetians. This is the worst creature effects I've ever seen. At the same time this film remains a holy grail of B-movies. Memorable quotes: "Take a tranquilizer and go to bed." "Put the Yeti in your tank and you have Yeti power." I remember seeing this film on MOVIE MACRABE hosted by Elvira. There is one scene where it was like KING KONG in reverse! In KING KONG he grabs the girl and climbs up the building, but in this film he climbs down the building and grabs the girl (who was falling)! Also around that year was another KONG clone MIGHTY PEKING MAN (1977) which came from Hong Kong. There is a lot of traveling matte scenes and motorized body parts. This film will leave you laughing. It is like I said, just another KING KONG clone. Rated PG for violence, language, thematic elements, and some scary scenes.

I'd read somewhere that seventies was the lost decade to film industry, who wrote it wasn't necessarily wrong, making a simple research we can see it, nevertheless for a die hard cinephiles, it doesn't matter at all, including myself, those trash pictures from this period of time fits perfect with ours tastes, meanwhile a weak Italian production a kind King King's cute, where a giant frozen Yeti is found on a melting glacier, comes to life by electric discharge (my God!!), a true friendly monster is taking to serve as freak spectacle on a stadium to promote sales to a powerful enterprise, the results all us already known by previous picture, not quite.... this one has a slight variance, beware for a unexpected surprise !!!

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First watch: 2014 / How many: 2 / Source: DVD-R / Rating: 5

"Yeti - Giant of the 20th Century" is more than just a film. It's a phenomenon. And rather than just be watched, it should be studied and analyzed!

Being one of the worst movies ever made, and simultaneously also being one of the most popular crowd-pleasing movies at festivals, is quite an accomplishment. Sitting through this two-hour "experience" evokes a truckload of sentiments and impressions, varying from massively entertained onto deeply annoyed. "Yeti" superficially appears to feature all the characteristics of a raw and gritty euro-exploitation flick, but deep down it desires to be seen as an endearing and Disney type of family movie. Every aspect is shamelessly copied from somewhere else. The music is a rip-off of Carl Orff's Carmina Burana, the script recycles the plot of the "King-Kong" movies, the young-kind-and-his-dog element comes from "Lassie", and the Yeti himself blatantly imitates Tina Turner's mega-mullet haircut.

The grandchildren of megalomaniacal business tycoon Morgan Hunnicut discover a completely intact but deep-frozen Yeti that apparently drifted from the Himalayas to Northern Canada over the course of a few million years. After a lengthy thawing process, which inexplicably includes hanging underneath a helicopter in an oversized phone booth, the loudmouthed Hunnicut comes up with the brilliant idea to transport the Yeti to New York for a sensational commercial stunt. Meanwhile, the furry giant fell in love with Hunnicut's 16-year-old niece (the big perv!) and evil business competitors attempt to destroy it by turning off the air-conditioning. So cruel!

The highlights - or lowlights if you wish - are too numerous to list. Beautiful Antonella Interlenghi makes the creature's nipple hard, there's a romantic interlude featuring a fishbone, the Yeti turns a skyscraper's elevator into a toy, and the titular primitive dude's height changes continuously. The last half hour is so exaggeratedly sentimental and sappy that it nearly ruins all the fun, and the "miraculous" return of Indie is a twist that even Disney would find too childish.

There's nothing really to say about this 'movie'.

I do enjoy the occasional 'bad movie' but this is an absolute dog... I would gladly gnaw my own arm off to escape this puerile insult to film-making.

The Yeti falls in love with the girl because she accidentally made his nipple go hard. That means that someone actually constructed a huge 'fake yeti nipple' out of plastic, with the ability to make it go hard. This film is ready to go that extra mile to be stupid.

This King Kong rip-off features giant Yeti being found in Northern Canada like a frozen ready meal and is promptly melted by a keen scientist on behalf of a multi-millionaire. The millionaire wants to exploit that Yeti for monetary gain and the scientist wants to do science type things with it.

Neither of them really think things through and they melt the thing while it's suspended from a helicopter in a cage and the next thing you know the Yeti is in a bad mood and everyone else is panicking. "Look out - he's got a tree!"

One person exclaims before the Yeti makes friends with the millionaire's niece and nephew, or at least thinks the niece is his other half due to the aforementioned nipple scene. He also gives the two of them while reserving a fish the size of a dolphin for himself.

Romance blossoms (rather one-sidedly) as the Yeti combs the nieces hair with a giant fishbone and after they heal a random gunshot wound the Yeti received, everyone becomes buddies. Except Tony Kendall who of course is a two-faced bad guy working for a rival company on the side.

Yeti should really be one of the greatest bad films ever made, but it's about twenty minutes too long and by the end I wasn't sure if it was made to be aimed at kids, due to the Yeti going mental and killing about a dozen bad guys. You've got to dig that slow-mo reunion scene at the end mind you.

The Yeti himself really looks like he has Barry Gibb's head placed on Burt Reynolds body and did an awful lot of screaming and window smashing, but not much rampaging as he was supposed to be a good guy. There's a lot of interaction between him and the kids which slows the film down, but I don't know - it's hard to hate a yeti film.

Whoever gave this 9 out of 10, or 10 out of 10, which is half the reviews here, needs to be shot.....theres no other way around it..

YETI deserves the 8 star rating because it is the one of the greatest bad movies ever made. I saw it at a midnight screening in L.A. and people were roaring and cheering at the insanity - this movie is one of those cinematic trainwrecks where you think it cant get any stranger and THEN IT DOES! The millionaire who funds the project to thaw the Yeti looks like Chris Penn and John Goodman both poured into an ill-fitting suit - the guy playing the scientist is one of the worst actors to ever appear on screen - and yes, there is a mute boy (who sorta kinda looks like a girl) and he's mute ever since he survived a plane crash that killed both his parents (hmmm- maybe therapy for the kid??). Then this hottie Italian girl is seen by Yeti (once he thaws - which takes FOREVER) -- and he is instantly in love with her - what is one of the most hysterical things about the movie is that this giant Yeti makes "bedroom eyes" at her - it's like a large Barry White trying to seduce a groupie. In fact, once the large Yeti picks up the hottie and has her against his chest - she accidentally touches the Yeti's nipple and yes, the film takes the time to show his large grey nipple GET HARD!!!! Yikes of all YIKES! Plus there's a collie dog in it because the Italian producer must have heard that American audiences like dogs and he sorta kinda tried to get a Lassie - there's also this insane scene where the Yeti eats a giant fish - keeps the large fishbone and uses it to comb the Italian girl's hair "Gee, thanks Yeti - now my hair is smooth and smells like dead trout. You're the best." This film is more bizarre than something Ed Wood could have ever dreamt up. If you are a fan of classic cinema crap - seek this baby out.

Wow. Just wow. The level of weirdness that was brought to us by the Italian film community proves one thing thing...no idea is too wild, no intellectual property sacrosanct.

What was supposed to be a silly knock on the King Kong franchise, we instead get a bizarre Italian knock-off made possible with the help of the Canadian film industry. What could go wrong? Cringe. Lots and lots of cringe.

We start with the icky way the film look at the main female character of Jane. The actress was maybe 16 in this film, and all thought she is weirdly sexualized by the yeti. It's made worse where the Chandler character seems drawn to her, and the guy looks way older than his 40 years. It was just uncomfortable to watch during the first half of the movie. It is definitely a feather in the hat of this film's infamy.

At least with the second half of the film, we resort to the weird "action" that has plenty of twists and turns. The yeti constantly changes size and scope snd the bad animatronic version of the creature is hilarious in the close-ups. They really tried their hardest to make this King Kong. But of course, it failed spectacularly with dumb twists and nonsensical action sequences.

Yeti is just a bad product of its time, a window into an era where the internet couldn't expose the trash being produced in other countries. But goodness all mighty, at least we can witness it now.

I can understand Italian producers wanting to cash in on the publicity Dino De Laurentiis' remake of KING KONG generated, but seeing the end results here I am utterly perplexed as to why these particular Italian producers thought they could make a passable clone with such little money and lack of technical know-how! How bad are the effects? Well, in many cases when you see the giant yeti (the size of which keeps changing throughout the movie!), you can *see through him*, because of the cheap way the effects artists combined two separate shots! The shoddy effects also add to such already bizarrely hilarious moments like the fish skeleton and the shot of the yeti's nipple (you read that last one right!)

As you can probably guess, this is a remarkably goofy film, especially since it seems aimed at a family audience because of two child characters central to the action, as well as the scientist character acting somewhat clownish. What's surprising is how violent the movie is, with several graphic deaths (not all caused by the yeti!) At least these scenes help wake you up, because despite all the incompetence, it all becomes pretty tiresome quickly. Some Canadians may be interested in how it was extensively shot in the Toronto area, and even taking place there instead of being disguised as an American location. Though upon watching it, they'll soon see why they haven't heard of it before! If you want to see a more successful Italian movie shot in Canada (and also taking place there!), check out "Strange Shadows In An Empty Room", which was shot around the same time.

People talk about the missing link between man and ape. The similarities, the actions and mannerisms were surprising. After watching this film I learned canadians are almost human.

Yeah so found this on the b movie section of YouTube and I'm shocked. Firstly the male lead and the female lead have some kind of romance going on. Nothing odd with that? Well she was 15/16 he was 31 😂😂😂. Then the yeti falls in love with her, that's worse, he's hairy and a million years old 😂😂. The guy playing the yeti I give kudos to. If you watch this, remember that Italian cinema would rip everything off back in the 70s from Jaws to King Kong.

Here's another movie that should be loaded into a satellite, fired into space and pointed in the direction of the galaxy Andromeda to show distant possible civilizations the best of humanity. This movie is so endearingly stupid and revealingly honest in being little more than a rip-off of the already bad movie classic KING KONG from 1976 that it not only manages to upstage that film in terms of sheer belly laugh idiotic goofiness, but successfully predicted much of Peter Jackson's miserable 2005 computer cartoon bearing the same name, as far as a "romance" between the giant (here a Yeti) and a gorgeous human female (Antonellina Interlenghi of Umberto Lenzi's CITY OF THE LIVING DEAD, who is very easy on the eyes).

The film was made for kids so aside from some innuendo over fish bones and a bizarre nipple tweak to say goodbye you can forget about sex -- the Yeti even has a sort of giant jock strap to cover up his monstrous package, the result being even more amusing than anatomical correctness. But as a trade-off you DO get a wacky old scientist, two inquisitive kids, Tony Kendall in a rare turn as a duplicitous bastard of a villain, a helpful intelligent collie dog who gets to have her own adventure (Dog Adventure movies were big in Europe for a while) and of course emerges as the hero at the end for saving the Yeti, who turns out to be the good guy, glorious stuff like front end loaders decorated to look like giant ape hands, a monster who's size literally changes scale from shot to shot, some inappropriately horrible deaths that will make the carnage in GODZILLA VS THE SMOG MONSTER look tame by comparison, crowd reaction shots a-plenty made up of either Spanish, Italian or Canadian extras depending upon scene (you can sort of tell where they were shooting from how the extras are dressed), and some of the most enthusiastically staged but inept special effects work ever in a giant monkey movie.

It's here that the film won me over: It's enthusiasm just for being made. Frank Kramer is actually the same Gianfranco Parolini who brought the world SARTANA in 1968 and GOD'S GUN the year before this & was a very important director in the Spaghetti Western and action/adventure genre film scene from the 1960's/1970's and by the time of YETI he was probably delighted to get the work. I would say that this is his most adventuresome movie ever, or rather the one he took the most chances with, and may have felt more comfortable taking those chances with the film aimed at kids & families. The movie has a kind of reckless abandon to the way it was made that renders the technical errors or inconsistencies totally meaningless. Or rather they are part of the fun, and if the movie had been played seriously it wouldn't have worked -- WHICH IS EXACTLY WHY PETER JACKSON'S MOVIE SUCKED.

He forgot to have fun with the material and let it dictate the outcome using his army of stupid Power Macintosh pod people animators, and with all it's faults + clunkiness, Kramer's YETI is actually closer to the spirit of why we watch movies like this, which is partly to see actors in ape suits tearing apart miniature sets on sound stages, not seamlessly animated vapid hours of nothing other than hard drive space. I'd rank this up there with KING KONG VERSUS GODZILLA and IT! CURSE OF THE GREAT GOLEM as one of the most enjoyably improbable giant rampaging monster movies ever. Because the movie looks so "fake" you can get over the story and just have fun watching stuff get wrecked, trampled, tossed about and smashed. Knowing that and armed with a fertile, energetic enthusiasm for having the chance to make the movie, Parolini pulled out all the stops and delivers a full bodied adventure that might get a bit rough for some of the small tykes but is the first movie I will ever share with the grandkids someday when their stupid parents leave them with me for a weekend. This is stuff for the ages and one of the most telling expressions of humanity to ever be committed to celluloid.

10/10, it's about ten minutes too long but who cares, you only come around once and I'd rather go out with a smile on my face.

People forget that there have been several King Kong ripoffs- Congo, King Kong Vs. Godzilla, King Kong (1976), they all ripoff one another, but YETI stands on its own. It only borrows one element from King Kong and that is the animal's attraction with one female.

The YETI myth is based on Bigfoot (not like King Kong)and archeologists have been fascinated it, at one time they did exist,but there is no scientific data to prove it.

This movie is hard to find ,but its worth watching it. The first time I watched it was on "Elvira's Mistress of the Dark Shows" in the early 1980's. It sent chills down my spine as a kid, especially when the YETI got mad. I saw it again, around 1:00am on ABC about 2 to 3yrs ago. Seeing it again made me appreciate it more, it has some overall good effects (for its time) and the story involves a mute boy and his dog, and an evil businessman person who wants to kill the YETI for his own purposes. Also the music is pretty cool,its very YETI like. :-)

Gianfranco Parolini and the Yetians creates a great monster like atmosphere.

Vote 7 and half out of 10.

Very poorly dubbed Italian babe befriends unfrozen Giant.

This 1977 film is a director's tour de farce. It is one of the worst films ever made. Finding that out was a sublime pleasure which only z-movie afficianados can appreciate. The only reason that this film hasn't been on MST3K yet is that they would probably be rendered speechless. Nothing need be added to keep the laughs coming.

I hardly know what else to say. You will be literally dazed by the less than special effects, crappy storyline, and bad sets which make up the crazy world of YETI!

I got a good laugh reading all the idiotic comments for this film,

as it's obvious that those people who criticized the movie never seen it, or were stupid enough to pay to see it.

The best reason to watch was on the Elvira show a few years back. Elvira delivered the movie with as many laughs as one can.

It's an ok monster flick, compared to the hundreds of horrendous American flicks made. Way better!!!!

I was around 7 when I saw this movie first. It wasn't so special then,but a few years later I saw it again and that time it made fun,a lot:)

I think the best parts of the film are: Yeti's body language and the 'special effects ' also.

If you wanna watch this movie ,don't wait for a Hollywood made blockbuster,even this film was made from approx. 1000 dollars :)

I've a copy of it.Movie and video version as well(But I don't think it had been ever shown in cinemas)

Watch it,enjoy it!!!Yeti for ever!!!

I saw this movie while I was in the Navy. For free. In an outdoor theater, which was lucky, because otherwise I would have had to batter down a wall to get away from this dog. This is the only movie I have *ever* walked out on, it was so bad. Several years later I saw it on TV and managed to get thru the whole thing. I still have nightmares. This waste of film stands out in my personal experience as the single worst movie I have ever seen.

YETI: GIANT OF THE 20TH CENTURY is about the titular titan (Mimmo Crao), thawed out of his frozen state, then exploited by a greedy zillionaire. During all of this, the big-footed one falls in love with a tiny human named Jane (Phoenix Grant), goes on a rampage in downtown Toronto, and smooshes some bad guys.

QUESTIONS: #1- Does love truly conquer all? #2- Where did they find the humongous helicopter in which to carry the gargantuan yeti around? #3- What would Jane and Sasquatch's wedding cake toppers look like? #4- How much material would he need for his tuxedo?

Imagine the pitch to get this movie made: "Okay, we take King Kong, and replace the ape with a 30-foot sasquatch. Then...". Schlock like this is almost impossible to quantify. Calling it "absurd" is like calling the ocean "moist". Just go with it, but don't forget the intoxicants!...