Adicionar um enredo no seu idiomaHe's powered his Harley over cars, trucks, lions, infernos and plummeted headlong into a canyon. But if the mob has its way, his next incredible leap will land him six feet under.He's powered his Harley over cars, trucks, lions, infernos and plummeted headlong into a canyon. But if the mob has its way, his next incredible leap will land him six feet under.He's powered his Harley over cars, trucks, lions, infernos and plummeted headlong into a canyon. But if the mob has its way, his next incredible leap will land him six feet under.
- Direção
- Roteiristas
- Artistas
- Norman Clark
- (as Ernie Orsatti)
- Fan at the Bleachers
- (não creditado)
- Reporter
- (não creditado)
- Kids Crowd Member
- (não creditado)
Avaliações em destaque
From the opening bars of the theme tune to the closing credits this is non-stop-two-wheeled-high-octane-death-defying-cinema! You will witness the sheer power of Evel as his mere presence causes crippled children to walk - "You're the reason I'm walking, Evel! YOU'RE THE REASON!" Feel the love as he woos a captivating female reporter, what a dame! See the horror as his best friend is turned into a drug crazed dope-fiend by the bad guys, then rejoice as he is saved & reunited with his estranged son by the one & only Knievel!
In the grand, suspense filled rubber burning finale let out a mighty Huzzah as Evel foils the bad guys & saves the day for all the innocent children of the free world! Viva Knievel indeed!!
Evel, the character, does not come off that appealing. He's a bit misogynist towards Kate. He's a bit callous towards Will. If he's really worried about his drinking, he would keep all booze away from him. He needs to make small calibrations to his character which he already does with the orphans. He stops the momentum when he makes the anti-drug speech. He's trying to project machismo which doesn't look good like a middle age salesman with a fast sports car. He would be better off being humbled since his real life stunts already speak for his manhood. He may not be capable of projecting much else as an actor. His acting needs to round out the rest of him and I doubt he has it. He is self-righteous when he doesn't deserves it. As for the evil scheme, it's mostly non-sense and meaningless. It's bad writing and it needs to be explained well ahead of time. The flash photography premise is silly. Overall, Evel is a limited actor even if he is not the worst. His character has unappealing flaws. The story has unappealing flaws. It is bad but it could be worst.
The movie has a real shaky plot that doesn't make an awful lot of sense. I don't know it has something to do with an evil Leslie Nielsen wanting Knievel death so he can smuggle drugs with Knievel's death body as a cover. Meanwhile there are also several side-plots that makes you wonder why they are even in there. It makes the movie often disjointed to watch and halve of the time you don't know what is going on, also because there is often very little actually happening in the story.
The movie was an obvious attempt to launch Evel Knievel a movie career. He was known for his daring motorcycle jumps stunts but he is perhaps even better known because of his inability to land. He crashed- and broken more bones during his stunts than a regular race-car driver would in his entire career.
Evel Knievel is in this movie presented as an all American hero. He is loved everywhere, he gets the girl and also does charity. Meanwhile he also gives important life lesson's to kids. by telling them they will eventually blow up once they start using drugs. He gets a standing ovation as well from the crowd after this inspiring speech.
The only last month deceased Evel Knievel just wasn't much good as an actor. It also didn't really helped him that he had Hollywood-cannon's Gene Kelly and Red Buttons opposite him. He turns all the more pale in comparisons to them. It's true that Kelly's and Buttons' careers already had their best time and the same goes for Leslie Nielsen, who in this movie plays one of his last 'serious'. This is basically also the only reason why those three appear in this movie. It was a bit weird to see Kelly as an 'old' man, mainly of course since I'm used to seeing him in only just '40's and '50's movies.
I can name at least a dozen movies out of the top of my head that are way worse than this one. So perhaps this movie is not entirely deserving it's title of 'one of the worst movies ever made' but nevertheless, this is a great example of bad movie making, which at the same time also makes this movie some delicious bad trash from the '70's to watch. Viva Knievel!
3/10
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And can Evel convince his mechanic to give up the bottle, and be a good father to the son he has heretofore ignored?
Will Evel and Lauren give up their adversarial flirting and get together?
DOES ANYBODY CARE?!?!
I am a fan of bad, cheesy movies. And even this one had me snoozing. Although I do give it thumbs up on the marvelous transition from the final jump to the closing credits.
Você sabia?
- CuriosidadesThe film premiered in June 1977, three months before Evel Knievel and his associates attacked promoter Shelly Saltman with an aluminum baseball bat on September 21, 1977. With Knievel losing most of his sponsorship and marketing deals as a result of the bad publicity, the film became much less commercially attractive, only opening in four further international markets after Knievel's conviction. In addition, the wholesome image of Knievel the movie promoted and the plot point concerning Knievel's promoter being corrupt seemed ill-judged in the light of the events that saw Knievel imprisoned. As a result, the film fell into comparative obscurity until the DVD release.
- Erros de gravaçãoDuring this film various characters put on helmets 20+ times and never does anyone use a chin strap, thus rendering the helmets basically useless.
- Citações
Jessie: End of the line Evel.
Evel Knieval: What did you say?
Jessie: End of the line, man.
Evel Knieval: What are you talking about, your suppose to be at the other end.
Jessie: No. I always have been before, but not anymore. Today is my turn, my shot at the glory, I'm making this jump.
Evel Knieval: What are you talking about. Those people paid their pesos to see me jump.
Jessie: No way, man. I'm jumping. I've always known I was better than you. Today I'm gonna prove it. Now you just get out of my way.
Evel Knieval: Hey! You been smoking something? You're high!
Jessie: Man, maybe you oughtta get high! Hey man, Millard wants to kill you and your buddy Will to. You know, he even thinks he's gonna kill me.
Evel Knieval: Why? Why would he do that?
Jessie: Millard only brought you down here for one purpose and that's to take your body back to the United States as cover for about fifty million bucks worth of cocaine.
Evel Knieval: Look, I've got a jump to make.
[Jessie hits Evel in the head with his helmet and is knocks him out]
Evel Knieval: .
- ConexõesEdited into E! True Hollywood Story: Evel Knievel (1998)
Principais escolhas
- How long is Viva Knievel!?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Idiomas
- Também conhecido como
- Seconds to Live
- Locações de filme
- Veterans Memorial Stadium - 508 E. Lew Davis Street, Long Beach, Califórnia, EUA(stadium at beginning of film)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 5.000.000 (estimativa)
- Tempo de duração
- 1 h 46 min(106 min)
- Mixagem de som
- Proporção
- 2.39 : 1