AVALIAÇÃO DA IMDb
6,7/10
4 mil
SUA AVALIAÇÃO
Um general desonesto da USAF preso com uma agenda pessoal secreta, escapa da prisão militar e assume um silo do ICBM, ameaçando iniciar a 3ª Guerra Mundial.Um general desonesto da USAF preso com uma agenda pessoal secreta, escapa da prisão militar e assume um silo do ICBM, ameaçando iniciar a 3ª Guerra Mundial.Um general desonesto da USAF preso com uma agenda pessoal secreta, escapa da prisão militar e assume um silo do ICBM, ameaçando iniciar a 3ª Guerra Mundial.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 2 indicações no total
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
And If it says Richard Widmark on the cast, you know he's going to play a top general, and even more ridiculously than in "The Swarm". Here, Burt Lancaster--playing the mad-dove equivalent of his mad-hawk general from "Seven Days in May"--hijacks a nuclear missile silo, demanding the President (Charles Durning, uncannily resembling the present-day Bill Clinton) as hostage, and threatens to launch it if the government doesn't release the secret memo of why we went to Vietnam.
The whole "Ironic patriotism" is laid on a little too thickly, as if the German filmmakers were trying a little too hard to make an American Picture, but the real problem is director Robert Aldrich: The ex-Baby Jane director didn't quite survive the 70's ("The Longest Yard", "The Choirboys"), the Aldrich touch was never elegant or subtle, and the opening "heist" scenes of hijacking the silo are spoiled by turning Lancaster's partners-in-crime into foul-mouthed cliche' thugs. Also, for almost half the film, Aldrich tries to borrow Brian dePalma's trick of split-screening parallel plots and phone conversations, but doesn't seem to understand how dePalma used them for "suspense"--Here, he just lets things play out like we're watching the movie on dual security cameras, or a film-school editing assignment of "How would you intercut these two scenes to make it more exciting.?"
Stil, worth a watch if it comes your way.
The whole "Ironic patriotism" is laid on a little too thickly, as if the German filmmakers were trying a little too hard to make an American Picture, but the real problem is director Robert Aldrich: The ex-Baby Jane director didn't quite survive the 70's ("The Longest Yard", "The Choirboys"), the Aldrich touch was never elegant or subtle, and the opening "heist" scenes of hijacking the silo are spoiled by turning Lancaster's partners-in-crime into foul-mouthed cliche' thugs. Also, for almost half the film, Aldrich tries to borrow Brian dePalma's trick of split-screening parallel plots and phone conversations, but doesn't seem to understand how dePalma used them for "suspense"--Here, he just lets things play out like we're watching the movie on dual security cameras, or a film-school editing assignment of "How would you intercut these two scenes to make it more exciting.?"
Stil, worth a watch if it comes your way.
I disagree that the political statement in the movie is misplaced. It was one of the first movies from the Hollywood mainstream to address the atrocities in Vietnam (such as the Mai Lai massacre for those who are not familiar with history). I think the film showed the pain and anger many vets felt when they returned. Beyond the social statement, I think the film is good thriller that stands the test of time. There are some minor problems with the plot such as the security at the silo, but those come up when one tries to analyze the film instead of enjoying the ride. Lancaster and Widmark are, as usual, very good in the picture which alone makes the picture worth seeing.
Walter Wagers' novel "Viper Three" is the basis for this solidly entertaining movie about Lawrence Dell (Burt Lancaster), a renegade former Air Force general who's broken out of prison. In the company of three other men - Willis Powell (Paul Winfield), Augie Garvas (Burt Young), and Hoxey (William Smith) - he manages to infiltrate an ICBM silo near Montana. His intention is to threaten to start WWIII if the U.S.A. does NOT come clean regarding the "real" reasons that they started the Vietnam war.
Many conversations between the P.O.T.U.S. (Charles Durning) and his top aides follow, as well as a couple of attempts to subdue Dell and his comrades. These are spearheaded by Martin MacKenzie (Richard Widmark), a Commanding General who is a thorn in the side from Dells' past.
Durning, as a highly principled President, and Winfield, as a smart, savvy man who actually has to educate the somewhat naive Dell on the reality of what they're facing, are the MVPs in this incredible array of top notch actors. Although this viewer was a little dismayed to see big bad Bill Smith removed from the story awfully early, he was thoroughly impressed to see so much talent in one place. And that extends to the character actors in small parts. (Keep your eyes peeled for a young John Ratzenberger.)
Jerry Goldsmiths' majestic score is perfect accompaniment for a compelling narrative that provides some food for thought. After all, the desire for a government that is actually open and honest with its citizens is something many of us - not just Americans - would dearly like to see. Director Robert Aldrich handles everything in style; this is a very well directed film, especially in a few genuinely tense sequences. The only real criticism that this viewer would level at "Twilight's Last Gleaming" is that it does go on an awfully long time.
Interestingly, this was filmed on location in Germany.
Seven out of 10.
Many conversations between the P.O.T.U.S. (Charles Durning) and his top aides follow, as well as a couple of attempts to subdue Dell and his comrades. These are spearheaded by Martin MacKenzie (Richard Widmark), a Commanding General who is a thorn in the side from Dells' past.
Durning, as a highly principled President, and Winfield, as a smart, savvy man who actually has to educate the somewhat naive Dell on the reality of what they're facing, are the MVPs in this incredible array of top notch actors. Although this viewer was a little dismayed to see big bad Bill Smith removed from the story awfully early, he was thoroughly impressed to see so much talent in one place. And that extends to the character actors in small parts. (Keep your eyes peeled for a young John Ratzenberger.)
Jerry Goldsmiths' majestic score is perfect accompaniment for a compelling narrative that provides some food for thought. After all, the desire for a government that is actually open and honest with its citizens is something many of us - not just Americans - would dearly like to see. Director Robert Aldrich handles everything in style; this is a very well directed film, especially in a few genuinely tense sequences. The only real criticism that this viewer would level at "Twilight's Last Gleaming" is that it does go on an awfully long time.
Interestingly, this was filmed on location in Germany.
Seven out of 10.
Rating 4**** out of 5
Robert Aldrich's "Twilight's Last Gleaming" based on the novel Viper 3 by Walter Wager is the story of General Dell, played superbly by Oscar winner Burt Lancaster, who was an ex-military officer during the Vietnam War. His intentions are to take control of an underground nuclear silo and expects certain demands to be made including ten million dollars in cash and the to use the President of the United States as a hostage. A fine war film with Jerry Goldsmith's excellent score, makes Twilight's Last Gleaming a very recommended motion picture which should be viewed today, especially at the height of the recent terrorism attacks with great performances by Oscar nominees Burt Young, Richard Widmark, Paul Winfield, Joseph Cotton, Melvyn Douglas, Richard Jaeckel and Charles Durning as the President.
Robert Aldrich's "Twilight's Last Gleaming" based on the novel Viper 3 by Walter Wager is the story of General Dell, played superbly by Oscar winner Burt Lancaster, who was an ex-military officer during the Vietnam War. His intentions are to take control of an underground nuclear silo and expects certain demands to be made including ten million dollars in cash and the to use the President of the United States as a hostage. A fine war film with Jerry Goldsmith's excellent score, makes Twilight's Last Gleaming a very recommended motion picture which should be viewed today, especially at the height of the recent terrorism attacks with great performances by Oscar nominees Burt Young, Richard Widmark, Paul Winfield, Joseph Cotton, Melvyn Douglas, Richard Jaeckel and Charles Durning as the President.
Twilight's Last Gleaming is a rather far fetched and fanciful tale about a rogue general taking over a missile silo, isolating it from remote control at the Pentagon and White House and having 9 Titan missiles with atomic warheads at your command. Burt Lancaster who was railroaded into a murder conviction to silence him escapes with Paul Winfield, Burt Young, and William Smith and they take over the missile silo and issue demands.
The film is fascinating in one respect how this crisis is isolated from the knowledge of the public. The deliberations over the Cuban Missile Crisis had nothing on this and even that went public. The closest real happening in our history was when Grover Cleveland went missing for about 5 weeks to have cancer surgery and that never came out in his lifetime. Of course it worked out far better for Grover than it did for this president.
Charles Durning plays the fictional president David Stevens and what Lancaster demands of him is not just the usual money extortion. He wants a document read from a National Security Council meeting from the Vietnam war years which would have a calamitous impact on a lot of people and our national credibility involving our very reasons for being in Vietnam. Durning did not even know the existence of it as his presidency is way in the future. But sly old time Defense Secretary Melvyn Douglas knows and as it works in these cases his reputation and national security seem to blend in.
Another sly man from the past is Air Force General Richard Widmark who was once Lancaster's superior. Other members of the cabinet include Secretary Of State Joseph Cotten and Attorney General William Marshall.
Despite Oscar winners and big box office names like Widmark and Cotten, walking away with the acting honors here is Charles Durning as the president who is thrust into a crisis involving the distant past for him. His scenes with military aide Gerald O'Loughlin have some real feel and poignancy for both men.
Twilight's Last Gleaming though far fetched is well worth a look.
The film is fascinating in one respect how this crisis is isolated from the knowledge of the public. The deliberations over the Cuban Missile Crisis had nothing on this and even that went public. The closest real happening in our history was when Grover Cleveland went missing for about 5 weeks to have cancer surgery and that never came out in his lifetime. Of course it worked out far better for Grover than it did for this president.
Charles Durning plays the fictional president David Stevens and what Lancaster demands of him is not just the usual money extortion. He wants a document read from a National Security Council meeting from the Vietnam war years which would have a calamitous impact on a lot of people and our national credibility involving our very reasons for being in Vietnam. Durning did not even know the existence of it as his presidency is way in the future. But sly old time Defense Secretary Melvyn Douglas knows and as it works in these cases his reputation and national security seem to blend in.
Another sly man from the past is Air Force General Richard Widmark who was once Lancaster's superior. Other members of the cabinet include Secretary Of State Joseph Cotten and Attorney General William Marshall.
Despite Oscar winners and big box office names like Widmark and Cotten, walking away with the acting honors here is Charles Durning as the president who is thrust into a crisis involving the distant past for him. His scenes with military aide Gerald O'Loughlin have some real feel and poignancy for both men.
Twilight's Last Gleaming though far fetched is well worth a look.
Você sabia?
- CuriosidadesRichard Widmark's scenes were shot separately from everyone else's. He insisted on doing everything in his scenes himself (where a stand-in might otherwise be used) such as reverse/over-the-shoulder shots or just picking up a telephone. Melvyn Douglas was the same.
- Erros de gravaçãoThe film is set to take place in 1981, then four years into the future. The Titan I missile was already retired in 1965. The Titan II missile was still in service in 1981, although even that had originally been scheduled to be retired beginning in 1971. This is relevant not in the least because the Titan II was fired from its silos while its less advanced predecessor Titan I needed to be fueled up first and raised from the silo on a giant elevator system (as shown in the movie).
- Citações
Lawrence Dell: Gentlemen, we are now a superpower.
- Versões alternativasThe original UK cinema release featured the 2 hour version. The 1998 Warner video featured the extended 138 minute print.
- Trilhas sonorasMy Country Tis of Thee
Music by Lowell Mason (uncredited) based on the music by Henry Carey from "God Save the King" (1744)
Lyrics by Samuel Francis Smith (uncredited) (1832)
Performed by Billy Preston
from the album "I Wrote a Simple Song"
on A & M Records and Tapes
Principais escolhas
Faça login para avaliar e ver a lista de recomendações personalizadas
- How long is Twilight's Last Gleaming?Fornecido pela Alexa
Detalhes
- Data de lançamento
- Países de origem
- Idioma
- Também conhecido como
- O Último Brilho do Crepúsculo
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 6.200.000 (estimativa)
- Tempo de duração
- 2 h 26 min(146 min)
- Cor
- Proporção
- 1.85 : 1
Contribua para esta página
Sugerir uma alteração ou adicionar conteúdo ausente