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IMDbPro

Star Wars: Episódio IV - Uma Nova Esperança

Título original: Star Wars
  • 1977
  • 10
  • 2 h 1 min
AVALIAÇÃO DA IMDb
8,6/10
1,5 mi
SUA AVALIAÇÃO
POPULARIDADE
384
10
Star Wars: Episódio IV - Uma Nova Esperança (1977)
Watch the original teaser trailer for Star Wars.
Reproduzir trailer2:02
30 vídeos
99+ fotos
Ação épicaAventura épicaÉpicoÉpico de ficção científicaEspada e feitiçariaFantasia épicaFicção científica distópicaFicção científica espacialMissãoAção

Luke Skywalker une forças com um cavaleiro Jedi, um piloto arrogante, um Wookiee e dois andróides para salvar a galáxia da estação de batalha destruidora do Império, enquanto tenta resgatar ... Ler tudoLuke Skywalker une forças com um cavaleiro Jedi, um piloto arrogante, um Wookiee e dois andróides para salvar a galáxia da estação de batalha destruidora do Império, enquanto tenta resgatar a Princesa Leia do misterioso Darth Vader.Luke Skywalker une forças com um cavaleiro Jedi, um piloto arrogante, um Wookiee e dois andróides para salvar a galáxia da estação de batalha destruidora do Império, enquanto tenta resgatar a Princesa Leia do misterioso Darth Vader.

  • Direção
    • George Lucas
  • Roteirista
    • George Lucas
  • Artistas
    • Mark Hamill
    • Harrison Ford
    • Carrie Fisher
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    8,6/10
    1,5 mi
    SUA AVALIAÇÃO
    POPULARIDADE
    384
    10
    • Direção
      • George Lucas
    • Roteirista
      • George Lucas
    • Artistas
      • Mark Hamill
      • Harrison Ford
      • Carrie Fisher
    • 2.2KAvaliações de usuários
    • 212Avaliações da crítica
    • 90Metascore
  • Veja as informações de produção no IMDbPro
  • Filme mais avaliado nº29
    • Ganhou 6 Oscars
      • 70 vitórias e 31 indicações no total

    Vídeos30

    Original Teaser Trailer
    Trailer 2:02
    Original Teaser Trailer
    Star Wars: Episode IV - A New Hope
    Trailer 1:08
    Star Wars: Episode IV - A New Hope
    Star Wars: Episode IV - A New Hope
    Trailer 1:08
    Star Wars: Episode IV - A New Hope
    The Legacy of Harrison Ford
    Clip 4:15
    The Legacy of Harrison Ford
    What Happens to Obi-Wan Kenobi Between Star Wars Trilogies?
    Clip 3:11
    What Happens to Obi-Wan Kenobi Between Star Wars Trilogies?
    "The LEGO Star Wars Holiday Special" History Download
    Clip 4:48
    "The LEGO Star Wars Holiday Special" History Download
    Jaws, Shreks, & Lion Kings: A Summer Blockbuster History
    Clip 7:23
    Jaws, Shreks, & Lion Kings: A Summer Blockbuster History

    Fotos627

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    Elenco principal99+

    Editar
    Mark Hamill
    Mark Hamill
    • Luke Skywalker
    Harrison Ford
    Harrison Ford
    • Han Solo
    Carrie Fisher
    Carrie Fisher
    • Princess Leia Organa
    Alec Guinness
    Alec Guinness
    • Ben Obi-Wan Kenobi
    Peter Cushing
    Peter Cushing
    • Grand Moff Tarkin
    Anthony Daniels
    Anthony Daniels
    • C-3PO
    Kenny Baker
    Kenny Baker
    • R2-D2
    Peter Mayhew
    Peter Mayhew
    • Chewbacca
    David Prowse
    David Prowse
    • Darth Vader
    Phil Brown
    Phil Brown
    • Uncle Owen
    Shelagh Fraser
    Shelagh Fraser
    • Aunt Beru
    Jack Purvis
    Jack Purvis
    • Chief Jawa
    Alex McCrindle
    Alex McCrindle
    • General Dodonna
    Eddie Byrne
    Eddie Byrne
    • General Willard
    Drewe Henley
    Drewe Henley
    • Red Leader
    • (as Drewe Hemley)
    Denis Lawson
    Denis Lawson
    • Red Two (Wedge)
    • (as Dennis Lawson)
    Garrick Hagon
    Garrick Hagon
    • Red Three (Biggs)
    Jack Klaff
    Jack Klaff
    • Red Four (John D.)
    • Direção
      • George Lucas
    • Roteirista
      • George Lucas
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários2.2K

    8,61527.1K
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    Resumo

    Reviewers say 'Star Wars' is celebrated for its groundbreaking special effects, iconic characters, and memorable score by John Williams. Drawing from classic mythology, westerns, and samurai films, it creates a unique "space fantasy". Themes of redemption, good versus evil, and the hero's journey resonate deeply. Its impact on cinema and popular culture is profound, with many elements becoming cultural icons. Despite some criticism for clichéd elements and dated effects, its storytelling, world-building, and character interactions are widely praised.
    Gerado por IA a partir do texto das avaliações de usuários

    Avaliações em destaque

    mentalcritic

    The original version was brilliant...

    I was actually born about a year after this film first premiered, but being a member of a family that was the first on the block to get such things as the VCR and the proper Hi-Fi system allowed me to catch this film in a number of different formats in the years ranging from 1982 to 1997. I think it is safe to say that without this film, I would have had no idea how truly evil a thing Pan And Scan is, or why multi-channel audio is such a damned important thing to have in the home theatre environment.

    Of course, I also knew that the film wasn't perfect. I could see a number of small problems where Lucas' budget just didn't quite go far enough, or where there just wasn't enough time to accomplish what was wanted. So when the announcement was made that in 1997, each film would be presented with improved special effects and footage that could not be integrated in the original cut for reasons of budget or practicality, I was excited.

    For the most part, I was overjoyed to see the new footage or effects. Mos Eisley now looks like a real city or port of commerce, without the viewer's sense of disbelief at the seemingly deserted streets needing to be suspended. The flight of the X-Wings towards the Death Star in its original form was very good, a marvel of its time, but when George finally got to show it the way he wanted to, it was almost the equivalent of watching the helicopters of Apocalypse Now decimating the village to the tune of Ride Of The Valkyries. The wonderfully composed tracking shots especially made the battle look almost as if it really happened and Lucas was just there to take pictures. And Jabba? Well, he doesn't look all that real, granted, but it was just nice to have that one piece of footage in order to make the appearance of Boba Fett in Episode V and the entire prologue of Episode VI make a bit more sense, especially to dullards.

    Unfortunately, there are a number of times when Lucas just goes too far in his quest to improve his work. Sometimes you can only do so much to anything before it starts to look overdone. Of course, I am talking about the scene between Han and Greedo in the cantina. In the original version, we are led to believe Han is a scoundrel who only cares about himself, giving us one of the best character arcs in the whole trilogy. It is also a great tribute to Sergio Leone, a nice reference to when Tuco shoots a potential assassin from his bathtub and tells the corpse "When you have to shoot, shoot, don't talk!". Modifying this scene so it looks like Greedo shot first is an insult on a few levels. It insults Greedo as a character, making him look like one of the most incompetent bounty hunters in the galaxy. It insults the audience, who even at the age of six should no that you'd have to be blind, drunk, brain-damaged, or all three, to miss from that distance. Lastly, it insults the character of Han Solo by destroying a vital piece of said character arc. Watching Han go from scum to a leader of men, a space-age version of King Aragorn even, was one of the best things about the original Star Wars trilogy.

    The story itself is the stuff of classics in that it shows the most unlikely of heroes doing things that everyone else claims to be impossible. What Lucas got right in terms of pacing and plot here is exactly where he went wrong in the prequels, in that he makes the jump from location to location seem important to the plot and totally natural, rather than forced and choppy. The story and sense of adventure makes one forget that there are really only three major locations other than the inside of a space ship.

    Overall, the original Star Wars rates an eight out of ten. If Lucas had applied some common sense in conjunction with his rampant desire for revisionism, I would give it a ten, but as one critic who is famous for his negativity once said about Episode II, when was the last time anyone told George Lucas no? Still, this is a classic that should be shown to future generations as an example of how an imagination and enough literacy to realise it will open doors for you when nothing else will.
    10SantiagoDM1

    The Force will be with you, always.

    "A long time ago, in a galaxy far, far away..."

    Pre review:

    Its writing started in January 1973, "eight hours a day, five days a week", George Lucas said by taking small notes, inventing odd names and assigning them possible characterization... After many drafts, he finally came to a satisfactory conclusion.

    Then, Lucas presented Star Wars to the United Artists, but they refused to budget the film, so he went to Universal Pictures, the studio that financed American Graffiti; however, it was rejected, as the film concept was "too strange".

    Suddenly, Alan Ladd Jr -head of 20th Century Fox- appeared, a man that trusted in Lucas' genius. And that's how Star Wars became a reality.

    The shooting of the movie was full of mishaps, problems with practical effects never done before, a bad first edit of the movie, but that didn't stop George from fulfilling his Space Opera. Due to those setbacks, Fox Studios began to put pressure on Lucas to finish the movie. Finally, the movie was done. On the eve of Star Wars release, 20th Century Fox, George Lucas and his cast and crew braced themselves for the worse. One way or another, May 25, 1977 would be a day they would never forget...

    Review:

    Star Wars is a modern tale of mythic adventure. It follows the journey and growth of the protagonist: Luke Skywalker. His journey of discovery is set amidst a larger struggle between the Empire and the Rebel Alliance; both parties are embroiled in a civil war. The Empire is comprised of corrupted power within a small group of leaders. These sullied leaders abuse their power over the masses with impunity. It is oppression and repression of the masses. The Empire wants to destroy the hope of the rebellion to ensure the small group of leaders can keep their power...

    One of the most important features of the movie are the special effects. The use motion control was even superior to Stanley Kubrick's revolutionary masterpiece: "2001: A Space Odyssey" thanks to the creation of The Dykstraflex, the first digital motion control photography camera system developed for Star Wars on 1976. Along with an incredibly iconographic character and production design, the movie became stylistically unique.

    The story and the characters are original and relatable. R2-D2 and C-3PO: the astromech as the optimistic adventurer's desiring to move forward. In direct opposition C-3PO, the protocol droid filled with doubt and reservations. Luke Skywalker, the brave hero, often haunted by doubts and hopes about his future journey. Obi-Wan Kenobi, the wise master and moral guidance of our hero. Han Solo, the rebellious smuggler whose personality represents tenacity. Leia, the damsel "in distress", a fearsome princess and general. Finally, Darth Vader, the most iconic character in the franchise, the merciless tyrant in a black suit, representing evil and final conflict of the journey.

    The film score presents an emotional resonance trough a romantic 1930s Hollywood orchestral score that was commissioned for composer John Williams, who succeeded to create a haunting constellation of operatic leitmotifs.

    The visual composition is authentic, as Lucas wanted a nostalgic "filtered look" so he kept changing key lights for a "flashing" effect. He used a loose, "nervous" frame, as in newsreels. The dramatic center was displaced, deflecting the eye to background activity, which in later films would include poetically changing weather. This first film gradually turned darker, following a symbolic color scheme where organic brown and warm gold yielded to high-tech black, white, and steely gray." This is authenticity is reflected in it's most iconic shot: the 'Binary Sunset' sequence, which establishes the narrative through-line of the story and the world it takes place in, the main value of the scene lies in how powerfully and economically it develops Luke's character: As the suns begin to slowly sink in the evening sky, he gazes towards the horizon, his sense of longing for something more is palpable. Taking things further, he goes on to squint into the distance as if he could see his new future just out of reach, and for the first time we get to see him not as a kid, but for as a new hope.

    Books such as "The hero with a thousand faces" by Joseph Campbell structured the story, The War of Vietnam inspired the battle between the Rebels and the Empire, the lifestyle of buddhist monks characterized the Jedi, real shots of warplanes made the space battles real, Kendo foreshadowed the epic lightsaber duel, Akira Kurosawa's storytelling influenced the focus on minor characters, Fritz Lang's it's iconic protocol droid and John Ford westerns determined it's soul.The fascination with filmmaking and anthropology are the components that allowed Star Wars to be compelling and human, besides being located on a galaxy far, far away.

    10/10
    10davidsarah

    The film that changed the world

    Star wars made epic fantasy real. For a generation of people it has defined what the cinema experience is meant to be. Today it is probable that pc games will offer a deeper and more satisfying entertainment solution, but for pure visual and aural pleasure, mixed with basic emotional manipulation, there has never and will never be a better example of cinema than when star wars appeared over 25 years ago. When you think of star wars, you must remember what else was happening at the time. In America, the war in Vietnam had been lost. In the U.K economic disaster was occurring(a 3 day working week, and the army collecting rubbish). It was almost like the two most technically advanced countries in the world were going backwards. Star wars let everybody escape from that reality and reach for a future that was uncertain but ultimately good.
    hmorales

    A kid's fantasy. An Adult's memory

    In respect to the many kids of the seventies. I rated this movie as one of the greatest movies ever made. I was thirteen and enjoyed this fantasy getaway more than I could count. Like many other kids of the seventies you left reality before walking into the theatre and escaped into the adventure once the reels begin rolling. It provided the special effects and excitement a kid was looking for. Even today when I watch this movie on VHS I recall those times. Whenever I get the chance to watch it I feel like that eager thirteen year old over and over again. I hope the new movies will meet the same expectations of kids of this decade and the next.
    9owenmul

    Cinema Classic

    Star Wars is simply a fantastic film, on every level this film is amazing.

    Each of the characters in this film are so well developed and so interesting that you just cannot wait for the next scene with them in it, the interactions between the characters us at times tense and at times downright hilarious, leaving no room for boring or lacking dialogue. The particular stand outs in this respect I feel are: Han Solo, the wise cracking bounty hunter with a tendency for arrogance that makes every scene as entertaining as possible. Secondly there is Darth Vader, who is the optometry of cool, scathing evil who poses as the ultimate villain.

    Surprising to me, the cinematography and special effects have held up all this time. Although there are some minor issues, one particularly notable one is during the scene where Luke is training with the training droid aboard the Millennium Falcon there are a few frame skips where Luke extends and contracts his lightsaber. Other than this though, the cinematography and special effects are amazing to have held up, particularly the shots of the Empire's space fleet moving through space which are absolutely stunning.

    One of the things that absolutely makes this film for me is the magnificent score, composed by John Williams. This score, while being one of the most iconic scores of all time, manages to make every single scene, fitting the mood of the scene perfectly.

    The story as well is fantastic, there is never a dull moment; every second of it an absolute thrill ride. Whether its the attack on the Death Star or the Cantina of Mos Eisley the story takes you through the twists and turns of this classic space opera.

    If I could recommend one sci-fi adventure film to someone, it would be this, it's an absolute must see.

    More Reviews at: http://12yearsacinephile.tumblr.com/

    The Life and Times of Harrison Ford

    The Life and Times of Harrison Ford

    Take a look back at Harrison Ford's movie career in photos.
    See more Harrison
    Harrison Ford in Indiana Jones e o Templo da Perdição (1984)
    Fotos

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    Você sabia?

    Editar
    • Curiosidades
      George Lucas was so sure this movie would flop that instead of attending the premiere, he went on vacation to Hawaii with his good friend Steven Spielberg. It was on that vacation that they came up with the idea for Os Caçadores da Arca Perdida (1981).
    • Erros de gravação
      When C-3PO and R2-D2 are in the control room of the Death Star, the storm troopers barge in, and one hits his head on the door. This goof was highlighted in the remastered version with a comedy "donk" sound effect.
    • Citações

      Han Solo: [answers the intercom after commandeering an attack station] Uh, everything's under control. Situation normal.

      Voice: What happened?

      Han Solo: Uh, we had a slight weapons malfunction, but, uh... everything's perfectly all right now. We're fine, we're all fine here now, thank you. How are you?

      Voice: We're sending a squad up.

      Han Solo: Uh... uh, negative, negative. We have a reactor leak here now. Give us a few minutes to lock it down. Large leak, very dangerous.

      Voice: Who is this? What's your operating number?

      Han Solo: Uh...

      [blasts the intercom, destroying it]

      Han Solo: Boring conversation, anyway. LUKE, WE'RE GONNA HAVE COMPANY!

    • Cenas durante ou pós-créditos
      The film has no opening credits. Instead, the first credits seen at the end of the film are presented in the order in which they would have otherwise been shown at the start. Although by the late 1990s it was commonplace for films to not have opening credits, in 1977 it was somewhat unusual for a major film to not have opening credits.
    • Versões alternativas
      In the 1997 re-release, two of the Cantina Aliens that had werewolf heads have been replaced. One was replaced with lizard-like creature while the other was replaced by a creature with elephant tusks. Both the werewolves and their replacements can be seen in footage used in a supplemental DVD packaged with the soundtrack to Episode III.
    • Conexões
      Edited into Dünyayi Kurtaran Adam (1982)

    Principais escolhas

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    Perguntas frequentes49

    • How long is Star Wars: Episode IV - A New Hope?Fornecido pela Alexa
    • Why is Mos Eisley space port on Tatooine? Aren't space ports usually in space and not on land?
    • When does this take place in the Star Wars timeline?
    • The opening crawl talks about "rebel spaceships striking from a hidden base" (and other stuff)- Are these events shown in any of the prequel movies?

    Detalhes

    Editar
    • Data de lançamento
      • 30 de janeiro de 1978 (Brasil)
    • País de origem
      • Estados Unidos da América
    • Centrais de atendimento oficiais
      • Facebook
      • Instagram
    • Idioma
      • Inglês
    • Também conhecido como
      • Guerra nas Estrelas
    • Locações de filme
      • Tikal National Park, Guatemala(Fourth moon of Yavin)
    • Empresas de produção
      • Lucasfilm
      • Twentieth Century Fox
    • Consulte mais créditos da empresa na IMDbPro

    Bilheteria

    Editar
    • Orçamento
      • US$ 11.000.000 (estimativa)
    • Faturamento bruto nos EUA e Canadá
      • US$ 460.998.507
    • Fim de semana de estreia nos EUA e Canadá
      • US$ 1.554.475
      • 30 de mai. de 1977
    • Faturamento bruto mundial
      • US$ 775.398.507
    Veja informações detalhadas da bilheteria no IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      • 2 h 1 min(121 min)
    • Cor
      • Color
    • Mixagem de som
      • Stereo
    • Proporção
      • 2.35 : 1

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