Star Wars: Episódio IV - Uma Nova Esperança

The Empire look set to continue their relentless war effort, new technology means they are pretty much unopposed, but a small band including Like Skywalker, Princess Leia and Han Solo, look to fight back.

I'm not sure what I can add that hasn't already been said, instead I'll try and imagine what it must have been like for someone, someone young perhaps, heading to the cinema in 1977, seeing this film for the first time.

Consider what had gone before, people had Star Trek, and various other shows, but this film must have left audiences speechless, as there was quite literally nothing else like it.

This film changed not just sci fi, but film making in general, the sheer scale and imaginative of it shame many of today's mediocre offerings.

You have to admire the sheer bravery and audacity to get this film made, you wonder what doubts George Lucas had, he must have been elated when audiences turned round and fell in love with it.

It's funny, entertaining, exciting, jaw dropping, moving, it's everything you want from a movie, years on, it's still a masterpiece.

10/10.

One of my all time favorite movies comes with lots of baggage and unappreciative friends. The fairytale wrapped up as SciFi rewrote the cinema handbook for this type of movie. > The sequels lived up to the promise but will the prequels still catch the imagination 20 years later?

Though now known as "Episode IV-A New Hope," for many of us, namely those of us who first saw this exhilarating entertainment in theaters back in '77, this will always be the first "Star Wars." We will always think of it as just "Star Wars" - plain & simple, no pretensions, no aspirations to deep film-making or high art. This is where we first met them all: Luke, Han Solo, Princess Leia, Obi-Wan Kenobi (old 'Ben'), Chewbacca, the 2 robots C3PO & R2D2 and, of course, Darth Vader. They were instant pop culture icons; you got the sense you'd seen them before somewhere, but were sure this wasn't possible. But they'd been there before in our minds. We'd read about them constantly in science fiction novels and short stories - tales of outer space civilizations, of spaceships zooming through asteroid belts, of exotic-looking aliens hanging around space ports. We'd dream about them at night and try to imagine ourselves in their midst; up until then, we could only imagine such things - there were no projected images to realize such dreams. "Forbidden Planet" from 1956 came close, and then there were the "Star Trek" and "Lost in Space" TV series, both hampered by dime store budgets and cheesy sets. We ate 'em up since there was nothing else. Then Lucas made it real.

I remember when I first got wind of the upcoming movie, to open in May of 1977, I think. I saw the first publicized poster and bought the novel adaptation. On the poster, a young man stood with some light sword raised, a princess at his feet, numerous spaceships flying all over the place. I was in my mid-teens and felt the first pulse of building excitement as I realized all those fantastic tales I'd been reading the past few years were going to come alive on the big screen for me. It didn't disappoint. Luke Skywalker, who stood in for all the boys pretending to be on a galactic adventure, gets swept away from his mundane desert home smack dab into the middle of an honest-to-gosh galaxy-wide civil war! The strength of the narrative is / was amazing. There are no slow spots and you can't wait for the next scene during the entire experience; and, experience is the better description for it, rather than just 'movie.' You can't wait, for example, for the moment when Luke actually meets the princess; what will happen then? It's a textbook case of an exciting narrative and what I believe makes this superior to all the sequels (knowing that many feel "The Empire Strikes Back" is superior - I must disagree).

The one character you really can't wait to see again is the ominous Vader, naturally. The instant he steps into view during the first few minutes of the story, you just know this is the ultimate villain. This is the baddest of the bad, the coolest of the cool, the supreme uber-evildoer of the entire galaxy. You just know it by his stance, by his attitude, and by the electric chill that runs through your frail form as he steps down the corridor, moving into the annals of film history with one fell swoop. You can't wait to see what he does next, what nefarious action will send someone or some planet to its doom. Sure, he seems under the control of Tarkin (Cushing) here and later, the Emperor, but you just know he's simply biding his time until he takes over the whole damn universe. There is no precedent for Vader, and nothing close to him after. He's at his best here where there's still much mystery attached to his dark frightful form, a minion of Satan and Nazi stormtroopers all rolled into one.

This was also the movie-experience which catapulted Harrison Ford (Solo) into superstardom. He seems almost childish here, not really straining to create a character, and it's this flip charm that makes it work, against all odds. He really does appear to have stepped out of the pages of some juvenile space opera, laser guns blazing, all snide remarks and foolhardy bravado. But he also becomes the older brother figure to Luke, who cannot carry the story by himself. Hamill, whose movie career began & ended with Luke, epitomizes the center of destiny for a galaxy. Both humble and arrogant, he's perfect in the role. Fisher's main surprise is that she's not all sugar and sweet as one would expect of a princess. These three characters evolved in the next two films, but they were always at their best here, icons given life for a short period - but also forever in film. The same could be said for Alec Guinness as Kenobi, a first class act all the way. You almost believe this elderly warrior could topple an empire, given enough time. Unless he runs into Vader...

I was actually born about a year after this film first premiered, but being a member of a family that was the first on the block to get such things as the VCR and the proper Hi-Fi system allowed me to catch this film in a number of different formats in the years ranging from 1982 to 1997. I think it is safe to say that without this film, I would have had no idea how truly evil a thing Pan And Scan is, or why multi-channel audio is such a damned important thing to have in the home theatre environment.

Of course, I also knew that the film wasn't perfect. I could see a number of small problems where Lucas' budget just didn't quite go far enough, or where there just wasn't enough time to accomplish what was wanted. So when the announcement was made that in 1997, each film would be presented with improved special effects and footage that could not be integrated in the original cut for reasons of budget or practicality, I was excited.

For the most part, I was overjoyed to see the new footage or effects. Mos Eisley now looks like a real city or port of commerce, without the viewer's sense of disbelief at the seemingly deserted streets needing to be suspended. The flight of the X-Wings towards the Death Star in its original form was very good, a marvel of its time, but when George finally got to show it the way he wanted to, it was almost the equivalent of watching the helicopters of Apocalypse Now decimating the village to the tune of Ride Of The Valkyries. The wonderfully composed tracking shots especially made the battle look almost as if it really happened and Lucas was just there to take pictures. And Jabba? Well, he doesn't look all that real, granted, but it was just nice to have that one piece of footage in order to make the appearance of Boba Fett in Episode V and the entire prologue of Episode VI make a bit more sense, especially to dullards.

Unfortunately, there are a number of times when Lucas just goes too far in his quest to improve his work. Sometimes you can only do so much to anything before it starts to look overdone. Of course, I am talking about the scene between Han and Greedo in the cantina. In the original version, we are led to believe Han is a scoundrel who only cares about himself, giving us one of the best character arcs in the whole trilogy. It is also a great tribute to Sergio Leone, a nice reference to when Tuco shoots a potential assassin from his bathtub and tells the corpse "When you have to shoot, shoot, don't talk!". Modifying this scene so it looks like Greedo shot first is an insult on a few levels. It insults Greedo as a character, making him look like one of the most incompetent bounty hunters in the galaxy. It insults the audience, who even at the age of six should no that you'd have to be blind, drunk, brain-damaged, or all three, to miss from that distance. Lastly, it insults the character of Han Solo by destroying a vital piece of said character arc. Watching Han go from scum to a leader of men, a space-age version of King Aragorn even, was one of the best things about the original Star Wars trilogy.

The story itself is the stuff of classics in that it shows the most unlikely of heroes doing things that everyone else claims to be impossible. What Lucas got right in terms of pacing and plot here is exactly where he went wrong in the prequels, in that he makes the jump from location to location seem important to the plot and totally natural, rather than forced and choppy. The story and sense of adventure makes one forget that there are really only three major locations other than the inside of a space ship.

Overall, the original Star Wars rates an eight out of ten. If Lucas had applied some common sense in conjunction with his rampant desire for revisionism, I would give it a ten, but as one critic who is famous for his negativity once said about Episode II, when was the last time anyone told George Lucas no? Still, this is a classic that should be shown to future generations as an example of how an imagination and enough literacy to realise it will open doors for you when nothing else will.

In respect to the many kids of the seventies. I rated this movie as one of the greatest movies ever made. I was thirteen and enjoyed this fantasy getaway more than I could count. Like many other kids of the seventies you left reality before walking into the theatre and escaped into the adventure once the reels begin rolling. It provided the special effects and excitement a kid was looking for. Even today when I watch this movie on VHS I recall those times. Whenever I get the chance to watch it I feel like that eager thirteen year old over and over again. I hope the new movies will meet the same expectations of kids of this decade and the next.