Agarra-me se Puderes

The plot is silly, and the audience gets that from the start as ridiculously dressed tycoon "Big Enos" hires "The Bandit" (Burt Reynolds) to bring back a truckload of Coors beer to Georgia, which was illegal to ship anywhere but regionally at that time. The Bandit enlists his trucker friend Cledus (Jerry Reed) to help him on the endeavor. The trip to Texarkana to get the beer is easy enough. But the trip back is quite harrowing and hilarious. It starts when a runaway bride (Sally Field as Carrie) stops Bandit in the middle of the road in need of a ride. What Bandit does not know is that Carrie walked out on her wedding to the department store mannequin like son (honestly, Cledus' Bassett hound Fred has more personality) of Sheriff Buford T. Justice (Jackie Gleason). So Bandit thinks he is being pursued across country because of his speeding and reckless driving, maybe because of the beer, but never does it occur to him the sheriff is after his new passenger.

This is just a delightful road picture made authentic looking with tons of anonymous extras playing truckers, ladies of the evening, workers and customers at roadside diners, and teens just looking to do some mischief while listening in on their CB radios. There are also some great songs and Jerry Reed's musical talents are not wasted. About the CB radios - they were a fad in the mid 70s made that way by a 1975 hit entitled "Convoy", and they were the only way to communicate to other drivers on the road in the 1970s. There would not be an internet in common use for another 20 years and cell phones would not be ubiquitous for another 30.

So be prepared to be transported back to a simpler time when there were not tiny cameras tied to cell phones everywhere, air bags did not exist, gas mileage was not an issue, and the era of "zero tolerance" had not occurred yet. Oh, and the role of profane but persistent Buford T. Justice started a bit of a film acting renaissance for Jackie Gleason, who had always had a presence on TV but had been absent from the big screen awhile.

Smokey and the Bandit (1977)

*** (out of 4)

The Bandit (Burt Renolds) is challenged to deliver some illegal beer across state lines with the reward being a huge payday so he and his partner Cledus (Jerry Reed) head out for the journey. Along the way the Bandit picks up a woman (Sally Field) running away from her wedding and soon Sheriff Buford T. Justice (Jackie Gleason) is chasing them as well as countless other cops.

SMOKEY AND THE BANDIT isn't a brilliantly directed masterpiece or some strong contender for an Oscar but it wasn't trying to be. If you come into this film expecting some sort of masterpiece then you're going to be disappointed but if you're looking for a fun cheap time then there's plenty of great stuff here. If you're unfamiliar with the 70s then you might not realize that this type of "chase" picture was quite popular but this one here was clearly the most memorable of the bunch and has remained a favorite to new generations of people.

The greatest thing about the movie is the fact that no one takes it too serious. I say that because if you try to use logic with anything going on then you're just not watching the correct movie. Without a question the highlight of the picture are the non-stop action scenes where we get one terrific chase after another. The Trans Am used in the car is probably the most famous thing in the picture and there's no question that it's a beauty to watch as it jumps bridges and out runs various police cars. The stunts here are certainly excellent and fun to watch, which was the whole purpose of the film.

It also doesn't hurt that you've got such a likable cast of characters. Reynolds was born to play a role like this as his good- looking nature, silly laugh and charm just spills over on each scene that he's in. Field is also very fun and believable as the "opposite" type of girl. There's no doubt that the two of them have a nice chemistry together. Reed is also fun in the movie, although he's certainly far from giving a great performance but his hit song is a terrific bonus. Mike Henry is great as the dimwitted son but it's the ad-libbing Jackie Gleason who easily steals the picture with his hilarious turn as the dumb Sheriff who just won't give up.

SMOKEY AND THE BANDIT gave a major boom to the genre but of course, it would be followed by some less-than-successful sequels and other rip-offs from the same star and director. Still, it doesn't matter how many bad films followed because this one here remains one of the best out there and is highly entertaining all these years later.

Enormous good fun.. and I am flabbergasted that this film is 33 years old. In 1977 a 1944 film sure did look old but now in 2009 this 1976 production still looks fairly modern albeit super-bad 70s. In fact I really enjoyed the time-trip to this free 70s with its good natured roadside and trailer-park American fun times which echo all through SMOKEY. Burt Reynolds perfected his good ol' boy image thru DELIVERANCE in 73 then WW AND THE DIXIE DANCEKINGS in 74 via some lovably clumsy tap dancing in AT LONG LAST LOVE in 75 then rum running with doe eyed Robbie Benson and shrieking Liza Minnelli in LUCKY LADY (what a campy film!..no wonder it has never surfaced again ... yet...maybe after Stanley Donen dies)...) and then into SMOKEY which sets the scene for stunt car comedies for the next 5 years. In 1978 we got HOOPER then in 1979 THE BLUES BROTHERS and CONVOY and then more SMOKEY sequels. It was seemingly endless. SMOKEY AND THE BANDIT must be one of the most profitable films ever made. Seen thu 2009 eyes it seems to be the most simple of productions: there is not even ONE set used... every shot is taken on the road in a car or a truck, at a raceway fun-park, in a roadside diner, in a car park or in a picnic ground. It is all real .. and with real ordinary people as extras in most scenes..which was a clever way of ensuring incredible expectant word of mouth for the film to open in a big way. And it did.. one of the biggest cinema successes of the late 70s. More good fun than I remembered and evoking a wonderful nostalgia for the 70s, and with the most awful fashions imaginable.. brown pants and incredibly tight clothes.. eek! The budget must have been less than $3 million and it brought in over $100m in rentals! SMOKEY shows why everyone loved the 70s and Burt Reynolds at 42 years old hit his stride as a mega-star of the time. Sally Field was about 36 when she made this and still looks like a teenager!

I've never been much of a fan of Burt Reynolds fan, but he happens to star in many 70's and early 80's movies that are right up my alley. We're talking about movies with charismatic macho man protagonists, fast cars, trucks so large they seem to be overcompensating for something else, infantile comedy and flamboyant action stunts. Movies like "White Lightning", "Hooper", The Cannonball Run", "Sharky's Machine", "Gator" and of course the "Smokey and the Bandit" trilogy and I can't help the fact they all star Burt Reynolds. "Smokey and the Bandit" is basically a very simplistic story and approximately three quarters of the film seems improvised at the spot, but a premise like this just can't fail. Two Texan big shots hire the notorious trucker Bandit to illegally transport a lorry of Coors Beer from Texarkana to Georgia in barely 28 hours. Bandit develops a nifty plan where his buddy Snowman drives the beer truck and he drives a Trans-Am in front to divert the attention of the coppers. During the wild and time-pressured ride, Bandit picks up the hyperactive runaway bride Carrie and becomes involved in a testosterone showdown with the fearsome Texan Sheriff Buford T. Justice. You easily forgive "Smokey and the Bandit" for its lack of originality and ideas, simply because everyone involved in the film seems to be so very enthusiast and cheerful. Former stuntman Hal Needham delivers a fast- paced script and taut direction (his other film "MegaForce", on the other hand is a terribly boring turkey) whilst all his cast members are having the time of their lives. Jerry Reed is excellent as the lesser cool sidekick Snowman and he also provides the film with a sublimely irresistible hillbilly soundtrack, including the fantastically catchy songs "East Bound and Down" and "The Legend". Sally Field and Burt Reynolds definitely have on-screen chemistry, but the show is undeniably stolen by Jackie Gleason as the persistent and downright obsessive Sheriff Buford T. Justice. Heck, even his character's name alone is awesome to write and pronounce repeatedly! He has the best lines, allegedly a large part of them were ad-libbed, like when he says to his slow and unintelligent son: "the first thing I'm going to do when we get home, is punch your mother in the face" (referring that the son can't possibly have inherited his stupidity from him).

I guess one reason I love this movie is because it doesn't pretend to be anything more than it is. It doesn't aspire to great movie-making. It was just supposed to be 90 minutes of entertainment on the big screen, and it's still entertaining. Take your brain off for a while and have fun with it.

There are hilarious lines, some funny pratfalls and even a bit of home-grown wisdom: "How ignorant you are depends a lot on which part of the United States you're standing on." Or something like that. I get a kick out of watching the convoy/rocking-chair scene every time. Makes me wonder how in the world they got around Birmingham, but that's suspension of disbelief for you. LOL.

Wish director Hal Needham had remembered that Alabama State Troopers drive Fords, not Pontiacs, but that's a small thing. My dad remarked on it every time, though.

It's just cornball entertainment, rare enough these days. Pop some popcorn and have a blast watching it.