Horror em Alto Mar

Real movie summary: A U-boat with WW2 Nazi soldiers, killed and brought back to life to fight as "un-killable", is ship-wrecked on a Caribbean island. 30 yrs later, a "hire-boat" is also shipwrecked there. The Nazi commander of the unit, Cushing, is the only "survivor" on the island. BUT, the "Zombie un-killables" come back to do what they were experimentally used to do in battle ... kill without thought or feeling... uncontrollably... The movie has numerous images that stay with you long after the movie is over, and a musical background in the beginning which was very haunting. Good acting, a believable script, and nice film shooting, round it out to make it a memorable classic. I've had a really tough time locating the film at any video store. Good luck finding it!

This is an underrated cult classic from the 70s, a great decade for atmospheric horror films. The eerie score, excellent location and spooky zombie makeup are all great. A few reviewers have complained about the makeup for the zombies but I thought it was good for the purposes and budget of this film. I assume these naysayers also belong to the "show us more guts" crowd. Some other complaints are about the daylight shooting. Apparently, according to some, this detracts from the movie's effectiveness to scare people. Hogwash. It takes more talent to create atmosphere and terror in broad daylight than at night. The director accomplishes this quite well and deserves to be applauded for it.

The cast is solid. Brooke Adams is a young and sexy lead. Solid support from horror vets Peter Cushing and John Carradine (whose arthritic hands are painful to look at and I can only imagine the poor man's suffering). The male lead is the mustachioed Luke Halpin (from Flipper) and he's very rootable.

On a side note I have to roll my eyes at some of the reviewers bemoaning the lack of gore and guts. This is not a zombie movie in the Romero mold. These are reanimated dead Nazis who kill. They don't eat brains or rip out guts. Why some need to see such visceral imagery to enjoy a horror film is perplexing to me but it takes all kinds I guess.

Rather than re-watch Rob Zombie's homage to 70s flicks, or any of the modern remakes of the "Living Dead" films, why not just dig up some of the little seen but really good original 70s stuff? There's a lot of it out there that deserves to be seen, and this is one of them. There's a lot going for it, atmospheric soundtrack, decaying old structure, handful of frightened folks out of their normal element, the walking dead, plans for escape all go awry, very typical of the 70s pre-slasher horror genre. But this is one of the best entries, surprisingly better than I remember it to be when I saw it back in 1979 on tape. Back then, being an immature young kid, I though it was slow, but now I see it's a steady build of tension.

For a film about Zombie Nazi soldiers who rise from the sea to murder a group of shipwrecked tourists, you would expect blood and guts. Well "Shock Waves" is relatively bloodless. and yet, it is an extremely good horror film! Heavy on the tension and atmosphere, this is a film, much like John Carpenter's "Halloween," that relies on mood and setting to captivate it's audience. the fact that this movie was made with a larger budget, and big name actors, helps "Shock Waves" to avoid being categorized as cheap exploitation. The cast is great, but of course the dead Nazis are the centerpiece of the production. The images of these blond SS soldiers walking out of the water are haunting and almost beautiful to behold. The fact that they don't have any reason to kill the hapless tourists makes them seem a bit more soulless than if they were killing them for "food." They don't eat their victims; they just kill them and leave them where they lie.

Featuring a wonderful, creepy electronic score and imaginative camera-work throughout, this is a must-see for fans of the genre. Of course those looking for a bloodbath will be disappointed. but those looking for some good, old fashioned horror should be pleasantly surprised with this gem. Recommended.

Ken Wiederhorn, who went on to direct the dull EYES OF A STRANGER, hits celluloid paydirt with this thoughtful, creepy and lyrical horror flick.

Mostly a work of effective moments, its images of dead Nazi soldiers emerging from the sea and advancing towards a distant shoreline have never left me or lost their power to evoke a sense of horror.

The story is a simple one, as the best horror stories are. Members of The Death Corps, an SS unit never apprehended by Allied Forces, return to menace holidaymakers with a little help from a friend.

The moderate pacing works in favor of the off-kilter narrative and the numerous sequences in which the undead soldiers attack the living are swift and highly effective.

Peter Cushing turns in a small but sincere performance, as does genre stalwart John Carradine.

Score by Richard Einhorn is memorable.

SHOCK WAVES has nothing in common with recent Hollywood horror films, but it has plenty in common with mostly unseen (outside their country of origin) Japanese horror outings such as LIVING SKELETON.