Loose Shoes

This is a sketch comedy movie done in the style of movie trailers. It's another in the long line of films that filled theaters in the mid to late 1970's like Kentucky Fried Movie, Groove Tube, American Raspberry, Tunnelvision promising to do what Saturday Night Live was doing but with dirty words and naked women. This is probably the weakest of the bunch.

Spoofing everything from musicals (Darktown after Dark) to prison films (3 Chairs for Lefty) to public service announcements (Buddy Hackett on bed wetting) to biker films (Skateboarders from Hell) to Charlie Chaplin films (The Kid and the Yid) and a few things in between this is a very hit or miss film. Most of the gags had been done before and better in other films and on TV by the time this was made so it was like watching reruns of reruns.3 Chairs for Lefty, which stars Bill Murray is rife with the sort of prison jokes that have been around since the 1930's,including giving Lefty a roast to cook when he finally goes to the chair.

The real problem is that almost all of the sketches go on way past the point of being funny. There seems to be some need to spoof a complete film, so in Skateboarders from hell we get a climatic funeral scene that isn't very funny and destroys the laughs that the film had generated with the "biker" fight. There is no reason that this film needed to be almost two hours long since tighter cutting could have made this a classic.

Worth seeing if you run across it on cable and you're in the mood for a very uneven comedy.It would be also okay to get in the bargain bin at the 99 cent store (which is how I got my copy) since its not worth more than a dollar.

Laughed, what more do you want from a movie? Bill Murray is in only one scene

Every previous review has stated something I agree with and maybe something I DISagree with. For example, this doesn't come close in laughs to Kentucky Fried Movie which I consider the benchmark for this type of parody movie.

I do believe that some of the segments (I don't know, is SKIT really the right word?) do go on a little past where they should. Even long trailers tend to end before these and we've all see via the internet and TV skit shows that a parody trailer can be hysterically funny and remain at the usual trailer length. There's some fantastic stuff here and some that do fall a bit flat but all in all, if you are a fan, even just a bit, of the genre, this is a must see, if for not other reason, it's a history lesson of what was, back in the day. If you don't enjoy it, really, what did you lose?

An occasionally amusing, often confusing, gleefully profane 70's movie that hasn't really aged well. A precursor to Saturday NIGHT LIVE, it's a hodgepodge of spoofs and takeoffs of popular movies of the time. Some of the material is quite good ('The Shaggy Studio Executive,' where Walt Disney comes back as a guy in a dog suit), some of it's dated badly (A 'Snacktime' concession stand advert featuring a stoned guy with the munchies), a lot of it you have to think for a minute or two to figure out what's supposed to be funny (Who knew the eulogist at the biker funeral was supposed to be a takeoff of Georgie Jessel?). Best if you remember the time.

Other comments will give you the skits within, but know this revue movie comes from the late 70s when THAT'S ENTERTAINMENT spawned spoof imitators like THAT'S ADEQUATE! ....KENTUCKY FRIED MOVIE and finally LOOSE SHOES, here to mop up the threads of the compilation genre. Most skits run too long... and I guess, loose, thus allowing the title to cover the unedited feel to most of the sorta funny and occasionally tedious skits. but.... it is worth getting to the end to discover possibly the funniest movie skit of all time: "Darktown After Dark", a parody of Negro nightclub musicals as seen available on other classic DVD titles like Killer Diller or Boardinghouse Blues. You can almost skip through the previous 75 minutes then spend another 75 minutes screaming with laughter as you play this one musical skit over and over until you collapse. Then take great delight in showing this bit to everyone you know over the age of 18. Somehow Mel Brooks missed inventing this sequence so it is here instead.