Adicionar um enredo no seu idiomaWhen God appears to an assistant grocery manager as a good-natured old man, the Almighty selects him as His messenger to the modern world.When God appears to an assistant grocery manager as a good-natured old man, the Almighty selects him as His messenger to the modern world.When God appears to an assistant grocery manager as a good-natured old man, the Almighty selects him as His messenger to the modern world.
- Indicado a 1 Oscar
- 3 vitórias e 3 indicações no total
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- Elenco e equipe completos
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Avaliações em destaque
As, God, Burns is astonishing. Whenever John Denver asks questions that every being would ask if confronted by God, Burns replies with a certain, common sense, matter of fact response. There is no grandiose answer. One of my favorite lines is when John Denver's character asks "Why me?", God says, "Why not you? You know those supermarket things, every one millionth customer. Or whoever crosses the bridge at a certain time. Well you're the one millionth customer."
Speaking of Denver, he also is great, playing Jerry, not as a crazed man, but as an average grocery market assistant manager who is suddenly faced with the fact that God has chosen him to carry a message. He plays his character with a certain warmth, and naturalness.
Carl Reiner directed this film, and with a great eye. Notice how Jerry's everyday life is just that, everyday. The way he is with his wife, and kids, and people around him. I've seen it a dozen times, because that's how people actually act. Reiner brought a sense of realness to this movie, which in effect brought with it believability.
On the DVD commentary tract, the makers of the film, looking back on it after 25 years, seem to be equally as surprised. The director, Carl Reiner, points to an eight-minute scene in which it is just Denver and Burns talking in a bathroom. There is no music, no fast cuts, no special effects, and the scene simply holds our attention on its own. Mr. Reiner indicates that there is no way that the scene would be made that way today.
Some scenes are timeless, such as Jerry's first encounter with the Almighty via intercom in the all-white room. Also classic is the infamous scene in the bathroom in which God first reveals himself in the flesh to a humbled and still somewhat disbelieving John Denver.
Unfortunately, not all of the movie holds up as well. Some things, especially exteriors, seem very dated. And even though it is quaint, it is hard to believe that an intelligent and capable husband and wife team would cherish a Supermarket Assistant Manager Job so much. Ah well, it was another time when people still believed in sticking with one company and working their way up through the ranks.
I wish that the film would explore some of the harder questions of religion a little more seriously, but one wonders if the film would collapse if taken out of its sweet, feel-good movie formula in which it is helplessly trapped forever.
If anything, rent it for the performances of the two leads. George Burns, playing the role at 83, is so good, that it is, (not to be cliched,) awesome. However, what is equally as unbelievable is the performance of John Denver in his first and only acting gig. He hits some of his notes perfectly, and it really shows a significant skill and timing to play straight man to a legend like Burns.
George Burns is terrific as God taking the form of a kind old man. God (Burns) asks a man (John Denver) in the 1970s to relay His message to the world: that, despite the tough times, "it can work" if people get their act together. The man is put in the unenviable position of trying to convince people that he really is God's messenger. In the end, it's not about politics or who's right and who's wrong; it's a friendly reminder that we shape the world in which we live, and we can make it good again.
Carl Reiner's film seems like a fairly realistic (if comical) portrayal of the difficulties that would arise if God appeared to only one man in today's modern society. There's a satirical side to it. But the God in this film isn't concerned with who believes and who doesn't. He realizes He can't win over everybody, but He remains in good humor. He watches over the universe in a hands-off manner.
Personally I'm not very religious, but Burns is the kind of God I'd like. Great casting.
In terms of entertainment value, OH, GOD! might not be the *best* choice for a movie night, but I enjoyed it. I wouldn't want to watch it over and over again, but it's nice to check out once every so often. And I think it's definitely worth seeing once.
7/10
The story is quasi-original. The notion of a higher or supreme being asking one of us mortals to do his bidding is nothing new, but to place the gentle and warm spin on it, and to take that legend out of its biblical era context, and place it in (what was then) contemporary times, is really a stroke of genius.
Burns plays a grandfatherly God who is concerned, though not wrathful. This God is not Cecil B. DeMille's fire-and-brimstone God from "The Ten Commandments." Nor is Burns' God the detached entity that is less hands on than God's foes in "The Exorcist" or "Omen" series. In "Oh God" we have a creator who wants to instill a little reassurement to Earthbound souls. Burns' character is one with a need that must be fulfilled. But Burns' God doesn't go about it by creating apocalyptic scenarios to threaten nor coax mankind into the task. Instead this God approaches the problem with a more thoughtful plan. Veteran Vaudevillian George Burns' does a superb job portraying the Almighty, and does so with sublime humor and grandfatherly frankness.
Denver portrays an honest grocery store manager whose sole purpose is to satisfy his customers. That is until George Burns beckons him hither. What's even more amazing is the fact that, to the best of my knowledge anyway, Denver gives us an exceptionally convincing performance but with little professional experience. The Jerry Landers character he portrays is honest, thoughtful, earnest and full of conviction. Denver lets his own character shine in this performance.
The real genius of this film is that the comedy is very sedate while still being funny. The film doesn't try to be something more than what it already is. A film with God as a character could've gone anywhere, but Reiner doesn't take too many liberties with the material at hand. Instead he keeps film focused and even keeled, while tossing in good humorous bits to keep up the levity. Even so, please be warned, the laughs are spaced out. This is not a film filled with wall to wall gags. Both humor and overall energy are kept low to drive home the storie's message.
This is in comparison to a recent "reincarnation" of the God theme/film in "Bruce Almighty," which has often been compared to Reiner's 1977 work by commentators on this website. I finally saw "Bruce Almighty" recently, and where I found sections of it humorous it really didn't hold a candle to "Oh God." The theme was selfish, the character was selfish, the overall feel was typical 90's corporate art, with Jim Carry's absurdities thrown in for poor measure. This is largely because "Bruce Almighty" is really a different film, with a different premise, and regrettably (though not unexpectedly) botches most of the affair. "Bruce Almighty" satisfies a juvenile curiosity. "Oh God" is a soothing uplift, and, by contrast, is the better film.
"Oh God" doesn't have any direct and explicit sexual references, there're no body function jokes, nor obvious and readable plot points nor plot holes, unlike a good number of today's films. There's no rap "song" at the end credits, nor cameo by some pop artist (other than Denver, who plays the lead), nor any product placement. Nor is there even any CGI (though it may've benefited from one or two CGI shots). "Oh God" a basic film with a timeless premise, and very simply message.
See "Oh God." It's food for the soul.
Você sabia?
- CuriosidadesAccording to screenwriter Larry Gelbart, director Carl Reiner initially envisioned his often-partner Mel Brooks playing God and Woody Allen playing Jerry Landers.
- Erros de gravaçãoThe trial for slander in this film would have been a civil trial and would have taken many months, if not many years, to come to trial after the alleged slander took place. Neither side would be permitted to call "surprise" witnesses at the trial. The witness list would have been made known to both sides well in advance of the trial as part of the discovery process, and each side would have had an opportunity to depose the other side's intended witnesses before the trial if they so desired.
- Citações
Jerry Landers: How can you permit all the *suffering* that goes on the world?
God: Ah, how can *I* permit the suffering?
Jerry Landers: Yeah!
God: I don't permit the suffering. You do! Free will. All the choices are yours.
Jerry Landers: Choices? What choices?
God: You can love each other, cherish and nurture each other, or you can kill each other. Incidentally, "kill" is the word. It's not "waste." If I meant "waste", I would have written "Thou shalt not waste." You're doing some very funny things with words, here. You're also turning the sky into mud. I look down, I can't believe the filth. Using the rivers for toilets, poisoning My fishes. You want a miracle? *You* make a fish from scratch. You can't. You think only God can make a tree? Try coming up with a mackerel. And when the last one is gone, that'll be that. Eighty-six on the fishes, goodbye sky, so long world, over and out.
- Versões alternativasThe Saul Bass variant of the Warner Bros. Pictures logo is plastered with the 1984 variant in the post-1989 VHS releases and the 2003 variant on the digital platforms.
Principais escolhas
- How long is Oh, God!?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Idiomas
- Também conhecido como
- ¡Dios mío!
- Locações de filme
- Riverside Drive and Main Street, Burbank, Califórnia, EUA(the phone booth where Jerry meets God at the end)
- Empresa de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Faturamento bruto nos EUA e Canadá
- US$ 41.687.243
- Fim de semana de estreia nos EUA e Canadá
- US$ 2.040.920
- 9 de out. de 1977
- Faturamento bruto mundial
- US$ 41.687.243
- Tempo de duração
- 1 h 38 min(98 min)
- Mixagem de som
- Proporção
- 1.85 : 1