Mannaja - Um Homem Chamado Blade

In the early 70s, Spaghetti Westerns were going through a dry spell. Countless crappy parody films had flooded the market and strangled the life out of the genre. Then Italian crime maestro and occasional Spaghetti director Enzo G. Castellari came along and directed the psychedelic, action-packed masterpiece "Keoma". Gone was the cynicism and nihilism that seperated early Spaghettis from American Westerns. Instead there was an injection of emotion. The silent hero of the past was now a heartfelt warrior who wasn't above crying in between bouts of ass-kicking. Needless to say, it revived the genre briefly and led to a few knock-offs. "Mannaja" is probably the most obvious with it's similar visual style and music score, but Sergio Martino's keen visual sense (though not as good as Castellari's) and Maurizio Merli's excellent performance allow the film to stand on it's own two legs. There's a lot of well-staged slow motion shootouts and a fistfight in the mud here and there, along with an interesting if not compelling plotline. All in all, this is a great knock-off that has just enough originality to be a good stand-alone piece. Recommended.

Although very much late in the game for an Italian western, (the bulk of which were made between 1965 and 1972) Mannaja (A Man Called Blade) is no slouch. It's actually a good muscular western with lots of violence and dark atmosphere, with the sun blocked out and everything bathed in a fog of dust.

Maurizio Merli plays Blade, a mysterious hatchet wielding bounty hunter with unfinished business to take care of regarding a puritanical mine owner and his psychotic number two, played by John Steiner, who's excellent at portraying nasty weasels.

Also memorable is (the late?) Donal O'Brien, who would later gain infamy as the title character in Doctor Butcher M.D. (Medical Deviate), as a scroungy fugitive who gets his hand cut off by Blade in the first scene and features prominently in the film's finale.

Director Sergio Martino is a master of Italian exploitation and really knows how to deliver the goods, especially in action/adventures. Another of his films I really enjoyed was Slave Of The Cannibal God with Ursula Andress and Stacy Keach.

Also, I really enjoyed the title song even though it was repeated way too often in the course of the film.

I found this film to be quite inspirational, actually. The movie is about a man who wields a blade for a weapon in fending off the bad guys while rescuing the girl from the evil villain, Voller (brilliantly played by John Steiner). At the beginning of the film we find our rogue hero Blade (played by Maurizio Merli) chasing after a man through the misty swamps. The man looks behind him frantically several times to try to make out the figure of his pursuer. Suddenly there is a swishing noise in the air as a hatchet blade strikes the man, severing his right hand against a tree. Thus begins the tale, and follows our hero into a virtual ghost town, where "sin and vice are not permitted." He enters a saloon where he and his new companion (the man with the severed hand) receive several shifty-eyed glances. This is when Blade first meets the dastardly Voller and wagers a gamble playing cards, to which of course our hero wins. The filming technique used throughout this scene is truly classic, where some shots show a profile of the villain on one side of the screen, with Blade standing in the background. The character acting is superb. I cannot speak enough about how Steiner personifies the classic old west villain to a "T". His snide mannerisms and long, lean stature lend to his overall character appeal. Throughout this film, there is plenty of splendid gunfighting and even a particularly notable scene in which Blade dukes it out with Voller and three of his henchmen in the mud. Yes, the actor actually does 90% of these stunts (as I later found out watching the director interview on DVD)! The director, Sergio Martino, could not have directed a more well-scripted film, complete with all the elements of a traditional spaghetti western! I give this film 3 out of 4 stars, mainly for its overall character appeal and for the simple fact that it's a 70's flick! 'Nuff said...

One of the later Spaghetti Westerns, and often compared to Enzo G. Castellari's "Keoma" from 1976, Sergio Martino's "Mannaja" aka. "A Man Called Blade" is a very stylish, and pretty brutal movie with some minor flaws. The comparisons to Keoma are quite plausible indeed, Mannaja was made only one year after Keoma, both soundtracks were composed by Maurizio and Guido De Angelis, and the leading actor Maurizio Merli actually looks a lot like the great Franco Nero, who played the title role in Keoma. It is often stated that Maurizio Merli only got bigger roles due to his resemblance to Franco Nero. Anyway, Merli's performance as Mannaja is great. Comparing Mannaja to Keoma, Mannaja had a smaller budget, but it makes up for this with graphic violence and genuine nastiness. The performances in Mannaja are great, even though it's pretty hard to come up to Franco Nero, Woody Strode and William Berger. The music composed by the De Angelis Brothers, which some folks seem to have disliked in "Keoma" (I'm not one of them), actually fits into Mannaja very well.

Mannaja, an occasional bounty hunter and gunslinger who is fast with both his gun and his tomahawk, comes to a small town to collect the reward for a bandit he has caught. The town, which doesn't have a Sheriff, is ruled by an aging rich landowner named Mc Gowan, who treats the laborers at his silver mine like animals. Mc Gowan's right hand man, a ruthless killer named Voller, however, even makes his boss look like a nice guy in his sadism and unscrupulousness.

Mannaja has, apart from its resemblances to Keoma, many resemblances to earlier Spaghetti Westerns. Mannaja's back-flashes, for example, remind of movies like Sergio Corbucci's "The Great Silence", or Sergio Leone's "Once Upon A Time In The West". Since these resemblances are only occasional, however, they don't make the movie worse. The performances are good, I especially liked John Steiner as the villainous Voller and Maurizio Merli as Mannaja. The character of Mannaja (according to the movie 'Mannaja' means 'blade' in a Native American language) is generally very cool, the fact that he kills with his tomahawk as frequently as with his gun (if not more frequently), makes the whole movie very stylish. All things considered, Maurizio Merli, who is best known for his roles in ultraviolent Italian crime flicks, is probably not as versatile an actor as Franco Nero, but he definitely made a great Mannaja. A nasty, ultra-violent and gripping Spaghetti Western, "Mannaja" is a must see for genre-fans!

Italian production full of action , excessive characters , shootouts and lots of violence . For money, for pleasure, for revenge, he doesn't care why he kills or how . It deals with a dramatic story of a feud between implacable enemies . After getting the bounty of a villainous outlaw known as Burt Craven (Donald O'Brien) , a tough bounty hunter named Blade (Maurizio Merli) arrives in a mining city called Suttonville , where is hired to track down the abducted daughter (Sonja Jeannine) of the town's crippled owner (Philippe Leroy) who has a corrupt right-hand-man (John Steiner) . Meanwhile , a bunch of bandits are looting shipment of silver from the silver mines that are run the mine owner McGregor. But Blade is double-crossed and imprisoned by the nasties and submitted to cruel tortures . Later on , there takes place some exciting scenes of men fighting to the death . At the end happens a bloody vendetta and reckoning , as usual . Sharp shoots, gun and axe with great accuracy!

This Western contains action-packed , ruthless characters , quick-fire , violence , rapacious revenge , slaughter , shoot'em up and results to be quite entertaining , though drags at times , balancing in ups and downs . A good example of twilight Spaghetti western genre from Italy ; it is daring , a notoriously violent Pasta movie , so extreme in every way , it is one of the handful of Italian Western that abounded in the 60s and 70s . This moving Spaghetti packs noisy action , thrills , crossfire , twists and turns with exciting final . There is a very odd implementation of shots in the camera work during some particular scenes as the film approaches its climax , as in the ending and the unusual conclusion . There is plenty of action in the movie , guaranteeing some violence , shoot'em up or stunts every few minutes , including agreeable soundtrack with Morricone influence . Well starred by Maurizio Merli as a bounty killer , armed with a hatchet instead of a gun , Merli may be a name best remembered by Poliziesco aficionados, but in his day, from the mid-'70s to the late 80s, Maurizio was one of the most popular actors of the genre where he found his niche - at the time cheap B movies, now revered cult classics. The handsome, Italian-born actor began in Western genre in White Fang series (1974) and worked well enough for Marino Girolami and Fabrizio De Angelis to cast Merli as the lead in the crime drama Rome violent (1975) a year later. Much like before, Merli was cast because the film vaguely resembled the Franco Nero Film Streets of eternity (1973) ("High Crime") . Violent Rome (1975) turned out to be a huge success both in Italy and abroad and Merli found himself inexplicably catapulted to national stardom. Very similar to how Terence Hill found his niche in comedies after being discovered out of the crowd of Nero stand-ins , Maurizio Merli established himself as the leading man in the Italian crime film genre of the period . Over the brief span from 1975-1979, Merli starred in no less than a dozen crime films from the likes of noted Italian directors Umberto Lenzi , Stelvio Massi, and Fernando Di Leo including such classics as Naples violenta (1976) , and From Corleone to Brooklyn (1978) . Merli also followed Nero's footsteps once again in the Keoma-inspired Mannaja .From there, Maurizio began acting in others genres until his early death at 49 . Unlike fellow Spaghetti star Franco Nero or Clint Eastwood, however, Maurizio never became a top international box-office attraction . Mannaja is a thrilling western with screenplay by the notorious Scavolini and Sergio Martino himself , including a breathtaking confrontation between the protagonist Maurizio Merli against the heartless John Steiner and his hoodlums . Exciting Spaghetti Western and it is proceeded in violent style and ordinary narration . The film packs thrills , gunplay and high body-count ; it's fast moving , quite entertaining and including bursting with explosive violence . Here appears familiar faces from Macaroni Western such as : Donald O'Brien , Rik Battaglia , Enzo Fiermonte , Antonio Casale and special mention for Philippe Leroy as the wheelchair bound mayor McGowan and the extremely baddie John Steiner as co-starring playing the corrupt and sadistic associate.

Good production design creating an acceptable scenario with muddy outdoors, rocky landscapes from Campo Imperatore, L'Aquila, Abruzzo in the Stagecoach/Horse Riding scenes , Lazio , Rome and interiors in Elios studios . Adequate and atomspheric cinematography by Federico Zanni. Nice and sensitive musical score by Guido and Maurizio De Angelis , furthermore , catching and emotive songs performed by Cesare De Natale as Dandylion. Mannaja was competently directed by the prolific filmmaker Sergio Martino who usually uses pseudonym as Martin Dolman . Talented and versatile writer/director Sergio Martino has made a vast array of often solid and entertaining films in all kind of genres as horror, Giallo , comedy, Western , and science fiction in a career that spans over 40 years . He was especially expert on Western as proved in ¨Mannaja¨ and this ¨Arizona returns¨ and Giallo such as ¨The case of scorpion's tail ¨ , ¨Torso¨ ,¨the scorpion with two tails¨ , ¨The strange vice of Mrs Ward¨ , Cannibal movie as "Mountain of the Cannibal God", Italian crime thrillers as "Violent Professionals" and ¨Sci-Fi as ¨Destroyer¨ , "2019: After the Fall of New York" . Rating: 7/10 , above average Spaghetti , this is a great Ravioli Western in which the camera stalks in moving style throughout a story with decent visual skills . This is a bewildering story , enjoyable as well as violent , and it will appeal to Spaghetti hardcore fans .