Golgo 13 - A Missão Kowloon

Being a fan of Sonny Chiba and the Golgo 13 comics, I found this at the video store I work at, and rented it one saturday night. I laughed, I cried, I made fun of the atrocious dubbing. This "film" is absolutely ridiculous, but shouldn't be taken seriously anyway. If you are looking for a really goofy martial arts/ assassin flick, this is for you. I suggest inventing a drinking game for this movie, because being plastered is a must for this one.

The charismatic Sonny Chiba is most impressive in this kick ass action movie that flits from Hong Kong to Miami and from Tokyo to Kyoto.

We flit from enemy to enemy as well in a slightly confusing tale of drug dealers, hit men and the Hong Kong police, not forgetting the Peruvian ambassador and his daughter!

How much we follow the slender plot matters not, as long as we miss none of the mister super cool Sony Chiba action.

All fast moving and spirited stuff with martial arts, shoot outs and assassinations.

Spirited.

I haven't seen any of the original anime films of Golgo 13 but I am planning on it in the near future. I had heard how gory they are so I thought this version might be pretty gory but unfortunately, it isn't. I had to watch the English dubbed version because the transfer with the subtitles was absolutely awful but it didn't take away from the experience as much as I thought it would. This is a fun movie for anyone who is into hit-man films.

Sonny Chiba does a great job as usual. I loved the grindhouse feel to this film. The action was great and so was the story, for the most part. There are some really great kung fu sequences as well. I think everyone should give this movie a shot. View it for what it is, a fun little 70's action film. Just don't expect some sort of masterpiece and you'll be just fine.

Going into Assignment Kowloon, I was half expecting to see a campy 70s chop-socky interpretation which capitalised more on the success and fame of Sonny Chiba to earn a quick buck. But as it turns out, this is not only a damn fine representation of its source material but a damn fine movie in its own right. Golgo 13 seemingly had two of the best pieces of castings regarding live-action because Sonny Chiba is as much a dead-ringer as Ken Takakura was just for different reasons. Chiba's Golgo is much less human than Takakura's with a stone-faced expression that never leaves his face but makes exceptional use of his skills as a martial artist and stunt performer in some very grounded fight sequences and impressively daring stunt work. Director Yukio Noda makes excellent use of the film's variety of locations, from Hong Kong to Miami back to Japan, and although the film does stutter at first (most notably with some poor editing) it quickly finds its feet and maintains a very stylish atmosphere that simply oozes coolness throughout.

Pretty typical Japan crime film of the middle 1970s - fast, cynical, unbelievable, flashy, empty. There are a couple of twists that raise it above the level of mere curiosity. first, Chiba's performance is fine. Second, the film is Japanese, but filmed in Hong Kong, on of the first efforts to cross the great divide between China and Japan that had been rendered and filled with blood during WWII. Interestingly, unlike similar Chinese efforts - e.g., A Man Called Tiger, The Angry Guest/Kung Fu Killers - there's no effort to explore differences between the two cultures: Hong Kong is just another thriving Asian metropolis, much like Tokyo. Perhaps this lack of notice of any difference is the crucial difference - come to think of it, Japanese action films of the 1970s don't have much to say about China in general, or Hong Kong - except to hint that the crime rate is unacceptably high there - which seems a bit churlish since all the professional killers in these films are Japanese. Oh, well.

One last historical note - this film clearly had as much impact on John Woo's "The Killer" as Melville's "Le Samourai" - more, I think, since the cop/killer relationship, given crude but important presentation here, is closer to the center of the Woo film than the implicit romance borrowed from the Melville film.

Nothing special, but worth a look.