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5,9/10
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Adicionar um enredo no seu idiomaA shipwrecked survivor discovers a remote island owned by a crazed scientist who is carrying out sinister experiments on the island's inhabitants.A shipwrecked survivor discovers a remote island owned by a crazed scientist who is carrying out sinister experiments on the island's inhabitants.A shipwrecked survivor discovers a remote island owned by a crazed scientist who is carrying out sinister experiments on the island's inhabitants.
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My friend and I rented The Island of Dr. Moreau (1977). We both enjoyed it and thought the make-up was outstanding. There is some good acting and the story was close to Wells's novel. The remake was awful. This one is much better, so if you want to see a good science fiction movie rent this one. You won't be dissapointed. 7 out of 10.
On a desolate island a man (Michael York) discovers that its inhabitants are experimental animals being turned into strange looking humans, all of it the work of a visionary doctor (Burt Lancaster) , as he's horrified to uncover experiment transforming beasts into humans , Humanimals . The mad doctor isolated on the remote island has spent years creating half-men , half-animals , some real abominations . Acceptable adaptation based on H.G. Wells' novel realized by and with remarkable makeup by John Chambers . It's an excitingly produced remake of 1933's ¨Island of the lost souls¨ with Lancaster heading a solid casting as a nutty doctor who develops a process of transforming animals into half-humans at an desolated tropical island . Through experimentation Moreau-Burt has upset the balance of nature . It starts when Michael York is shipwrecked at sea and arrives in a strange island where he's terrified to discover the terrible genetic experiments realized by Dr. Moreau .
Passable horror-fantasy chiller that is developed up and down with some grotesque moments and in other side contains eerie and thrilling scenes. It results to be a strong rendition of H.G. Wells' novel about an isolated scientific who has spent several years creating half-animals turning beasts into half-human . Cast is frankly well. Lancaster's sturdy acting and good secondary casting as Richard Bashehart displaying a magnificent portrayal of one of the beasts ,the law-sayer , Nigel Davenport and a gorgeous Barbara Carrera . Watchable by excellent makeup by the late John Chambers . Colorful cinematography by the classic cameraman Gerry Fisher and thrilling musical score by Laurence Rosenthal. The motion picture is well directed by Don Taylor . He was an actor and director as TV as cinema , he played one of the leads in the Army-Air Force production of Hart's play, "Winged Victory¨ . Returning to civilian life, Taylor resumed his work in pictures with a top role in the trend-setting crime drama ¨The naked city (1948)¨ and played successful films as ¨Destination Gobi , Battleground and Stalag 17¨. In later years Taylor became a film and TV director, being nominated for an Emmy for his direction of an episode of "Night Gallery" (1969). Don met his wife Hazel Court when he directed her in a 1958 episode of "Alfred Hitchcock presents" (1955). Taylor was an expert filmmaker on adventures genre as ¨Adventures of Tom Sawyer¨ , Terror as ¨Damien : Omen 2¨ and science fiction as ¨Island of Dr. Moreau¨, ¨Escape from Planet of Apes¨, and ¨The final of countdown¨. Rating : Good . Acceptable and passable fantasy-terror fare although better viewed in big screen . The movie will appeal to Burt Lancaster devotees who will want to check out his excessive performance .
Other adaptation based on H.G. Wells' known novel are the following : The classic of 1933 titled ¨The island of lost souls¨ by Erle C. Kenton with Charles Laughton , Kathleen Burke , Bela Lugosi and Richard Arlen ; and remade in 1996 , retelling by John Frankenheimer with Marlon Brando -who hams it up a bit- , David Twellis ,Ron Perlman , Fauriza Balk , William Hootkins and Temuera Morrison
Passable horror-fantasy chiller that is developed up and down with some grotesque moments and in other side contains eerie and thrilling scenes. It results to be a strong rendition of H.G. Wells' novel about an isolated scientific who has spent several years creating half-animals turning beasts into half-human . Cast is frankly well. Lancaster's sturdy acting and good secondary casting as Richard Bashehart displaying a magnificent portrayal of one of the beasts ,the law-sayer , Nigel Davenport and a gorgeous Barbara Carrera . Watchable by excellent makeup by the late John Chambers . Colorful cinematography by the classic cameraman Gerry Fisher and thrilling musical score by Laurence Rosenthal. The motion picture is well directed by Don Taylor . He was an actor and director as TV as cinema , he played one of the leads in the Army-Air Force production of Hart's play, "Winged Victory¨ . Returning to civilian life, Taylor resumed his work in pictures with a top role in the trend-setting crime drama ¨The naked city (1948)¨ and played successful films as ¨Destination Gobi , Battleground and Stalag 17¨. In later years Taylor became a film and TV director, being nominated for an Emmy for his direction of an episode of "Night Gallery" (1969). Don met his wife Hazel Court when he directed her in a 1958 episode of "Alfred Hitchcock presents" (1955). Taylor was an expert filmmaker on adventures genre as ¨Adventures of Tom Sawyer¨ , Terror as ¨Damien : Omen 2¨ and science fiction as ¨Island of Dr. Moreau¨, ¨Escape from Planet of Apes¨, and ¨The final of countdown¨. Rating : Good . Acceptable and passable fantasy-terror fare although better viewed in big screen . The movie will appeal to Burt Lancaster devotees who will want to check out his excessive performance .
Other adaptation based on H.G. Wells' known novel are the following : The classic of 1933 titled ¨The island of lost souls¨ by Erle C. Kenton with Charles Laughton , Kathleen Burke , Bela Lugosi and Richard Arlen ; and remade in 1996 , retelling by John Frankenheimer with Marlon Brando -who hams it up a bit- , David Twellis ,Ron Perlman , Fauriza Balk , William Hootkins and Temuera Morrison
8Omne
I recently saw this version of The Island of Dr. Moreau for the first time courtesy of MGM Midnite Movies.
It was much better than I thought it would be. Of course that was mainly due to the fact that I had already seen the abomination made in 1996 starring Brando and Kilmer. After seeing that mess I had pretty low expectations for this one. I was pleasantly surprised by the acting, yes even Michael York's, as well as the make-up.
Barbara Carrera was beautiful as always even though her character seemed to be more window dressing then integral to the plot. I'm not complaining mind you, she makes lovely window dressing.
Lancaster did an excellent job as Moreau. His subdued, scientific detachment fit the part perfectly and it was interesting as he started going over the edge towards the end of the movie.
York managed a very good scene when he, as he was changing into an animal, managed to remember things from his childhood as he desperately tried to keep his identity and humanity.
Not the best movie that I've seen but it's in the top 10% or so. After watching this version it makes me even more appalled at the 1996 disaster. It's too bad that a lot of people now have an idea of what Island of Dr. Moreau based on that version instead of on this one.
I'd give it an 8 out of 10.
It was much better than I thought it would be. Of course that was mainly due to the fact that I had already seen the abomination made in 1996 starring Brando and Kilmer. After seeing that mess I had pretty low expectations for this one. I was pleasantly surprised by the acting, yes even Michael York's, as well as the make-up.
Barbara Carrera was beautiful as always even though her character seemed to be more window dressing then integral to the plot. I'm not complaining mind you, she makes lovely window dressing.
Lancaster did an excellent job as Moreau. His subdued, scientific detachment fit the part perfectly and it was interesting as he started going over the edge towards the end of the movie.
York managed a very good scene when he, as he was changing into an animal, managed to remember things from his childhood as he desperately tried to keep his identity and humanity.
Not the best movie that I've seen but it's in the top 10% or so. After watching this version it makes me even more appalled at the 1996 disaster. It's too bad that a lot of people now have an idea of what Island of Dr. Moreau based on that version instead of on this one.
I'd give it an 8 out of 10.
There exist several film version of H.G. Wells' famous tale, including a very old one starring Charles Laughton & Bela Lugosi, and the much more known and hyped 90's version starring Marlon Brando. This 70's version is the most obscure of the bunch, but it certainly should appeal to horror fanatics as well as to admirers of Wells' writings. The 70's way of film-making (gritty special effects, cheap atmosphere of sleaze, violence
) fits the story very well because it basically is a very grotesque, far-fetched and strangely unsettling political allegory. Burt Lancaster this time depicts, impressively I may add, the titular "mad" scientist, Nigel Davenport stars as his unaware accomplice Montgomery and the intruding castaway Adrew Braddock is no less than Michael York; a personal favorite of mine. As everyone probably knows, Dr. Moreau lives isolated because his genetic research and experiments aren't exactly easy to justify. Convinced that the basic DNA of whatever living species can be altered into any other species of preference, Moreau's island runs full of guinea pigs. The wild animals he attempts to turn into people are subjected to human laws and whoever breaks the rules will be punished harshly. Braddock disapproves of his work and when he also shows a romantic interest in Moreau's gorgeous wife Maria, he becomes next in line for a whole new different and risky type of experiment. The tropical island setting is magnificent and the production definitely benefices from sublime camera-work and enchanting music. The costumes and make-up effects aren't particularly menacing (the guinea pigs actually look like ancestors of the Ewoks) but the last half hour is exhilaratingly violent and Dr. Moreau's ultimate fate is truly nightmarish, even for a cruel being like him.
Based on the excellent novel by renowned science fiction author H.G. Wells, this watchable and updated remake of the 1933 film starring Charles Laughton plays on the Frankenstein theme where man attempts to play God and improve upon Mother Nature. Andrew Braddock (Michael York) is a castaway of a shipwreck who serendipitously lands on an isolated island in the Pacific, and becomes the guest of the main inhabitant, Dr Moreau who appears seemingly hospitable enough at first. His other companions are ex-mercenary Montgomery (Nigel Davenport), and a beautiful yet emotionally distant woman Maria (Barbara Carrera),whom the doctor claims to have rescued from poverty from another country and brought up as his ward. Braddock's stay is normal albeit boring at first (not really much to do on an isolated island, is there?), then he begins to notice that things are not what they seem - the strange animal sounds that emanate from the forest at night, and the weird facial features of the servants who wait upon the doctor. His worst fears are confirmed when he encounters the results of the doctor's experiments - upright hairy creatures (who look like variations of the Wolfman of the old horror movies) that appear human and yet are not exactly men, though they wear clothing and can speak. He realizes that Dr Moreau is a madman doing modern Frankenstein-type experiments by messing up with the DNA of humans and animals, with Montgomery as a contemporary Igor - how the doctor obtains and maintains sterility of his concoctions and instruments without the benefit of refrigeration or sterilization in such primitive conditions is a moot point.
When Braddock protests at the cruel treatment of the creatures, Dr Moreau attempts to justify his experiments by explaining that by doing so, humanity would be benefited by elimination of birth defects and such, but Braddock is unconvinced.
Though they are repulsive-looking in appearance, the viewer can't help but sympathize with the plight of the "manimals", who live together in squalor in a dark cave, kept in line by The Laws established by Moreau - do not kill, do not shed blood, do not walk on all fours, etc. - repeated on an almost daily basis by their apparent leader the Sayer of the Law (Richard Baseheart), who looks the most "human" and "civilized" of the lot. Infractions of the Law results in being brought to the so-called House of Pain, where Moreau attempts to "correct" the miscreant and remind him that he is human and not animal.
The turning point in the film is when the Bullman (obviously originally a bison by the presence of a hairy hump on his back), having broken the law of shedding blood, attempts to flee rather than face punishment and is gunned down by Braddock. Yet despite having broken the law against killing, Braddock goes apparently unpunished, establishing in the minds of the other man-beasts of the unfairness of the Law - they seem to ask silently, why can this man kill and go scot-free and we can't?, and the eventual murder of Montgomery at the hands of Dr Moreau himself reinforces the double-standards of The Law in their eyes, and they eventually rise and revolt against the doctor, killing him, destroying the compound in which he lives in and setting it on fire. Ironically, it is this very act of staging a collective uprising which brings out the "humanity" of the creatures, as it shows that they can after all, think and plan and not merely act on their basic instincts, as the scenes where they suspend the doctor on a rope and systematically destroy the House of Pain and release the captive animals show. So in a way, Dr Moreau's experiments were not a total failure as he thought, they just didn't turn out the way he anticipated.
When Braddock protests at the cruel treatment of the creatures, Dr Moreau attempts to justify his experiments by explaining that by doing so, humanity would be benefited by elimination of birth defects and such, but Braddock is unconvinced.
Though they are repulsive-looking in appearance, the viewer can't help but sympathize with the plight of the "manimals", who live together in squalor in a dark cave, kept in line by The Laws established by Moreau - do not kill, do not shed blood, do not walk on all fours, etc. - repeated on an almost daily basis by their apparent leader the Sayer of the Law (Richard Baseheart), who looks the most "human" and "civilized" of the lot. Infractions of the Law results in being brought to the so-called House of Pain, where Moreau attempts to "correct" the miscreant and remind him that he is human and not animal.
The turning point in the film is when the Bullman (obviously originally a bison by the presence of a hairy hump on his back), having broken the law of shedding blood, attempts to flee rather than face punishment and is gunned down by Braddock. Yet despite having broken the law against killing, Braddock goes apparently unpunished, establishing in the minds of the other man-beasts of the unfairness of the Law - they seem to ask silently, why can this man kill and go scot-free and we can't?, and the eventual murder of Montgomery at the hands of Dr Moreau himself reinforces the double-standards of The Law in their eyes, and they eventually rise and revolt against the doctor, killing him, destroying the compound in which he lives in and setting it on fire. Ironically, it is this very act of staging a collective uprising which brings out the "humanity" of the creatures, as it shows that they can after all, think and plan and not merely act on their basic instincts, as the scenes where they suspend the doctor on a rope and systematically destroy the House of Pain and release the captive animals show. So in a way, Dr Moreau's experiments were not a total failure as he thought, they just didn't turn out the way he anticipated.
Você sabia?
- CuriosidadesDuring the fight between the bullman and the tiger, the animal actually took the stuntman's head in his jaws. Luckily he was wearing a fiberglass helmet which protected him.
- Erros de gravaçãoDuring the opening scene when the boat is being pushed ashore you can see the shadow of the boom mic in the water's edge.
- Citações
Sayer of the Law: [about Moreau] His is the hand that makes. His is the hand that hurts. His is the hand that heals. His is the House of Pain. His is the House of Pain. His is the House of Pain. He who breaks the law shall be punished back to the House of Pain.
- ConexõesFeatured in A Century of Science Fiction (1996)
- Trilhas sonorasDer Vogelfänger bin ich ja
(Papageno's Aria from "Die Zauberflöte" K.620)
Written by Wolfgang Amadeus Mozart
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