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IMDbPro

O Cão dos Baskervilles

Título original: The Hound of the Baskervilles
  • 1978
  • Not Rated
  • 1 h 25 min
AVALIAÇÃO DA IMDb
4,5/10
1,4 mil
SUA AVALIAÇÃO
O Cão dos Baskervilles (1978)
A Sherlock Holmes spoof about a family that has been haunted for years by the curse of a horrible hound.
Reproduzir trailer1:48
1 vídeo
29 fotos
ComédiaCrimeHorrorMistérioParódia

Adicionar um enredo no seu idiomaA Sherlock Holmes spoof about a family that has been haunted for years by the curse of a horrible hound.A Sherlock Holmes spoof about a family that has been haunted for years by the curse of a horrible hound.A Sherlock Holmes spoof about a family that has been haunted for years by the curse of a horrible hound.

  • Direção
    • Paul Morrissey
  • Roteiristas
    • Peter Cook
    • Dudley Moore
    • Paul Morrissey
  • Artistas
    • Peter Cook
    • Dudley Moore
    • Denholm Elliott
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    4,5/10
    1,4 mil
    SUA AVALIAÇÃO
    • Direção
      • Paul Morrissey
    • Roteiristas
      • Peter Cook
      • Dudley Moore
      • Paul Morrissey
    • Artistas
      • Peter Cook
      • Dudley Moore
      • Denholm Elliott
    • 43Avaliações de usuários
    • 13Avaliações da crítica
  • Veja as informações de produção no IMDbPro
    • Prêmios
      • 1 vitória e 3 indicações no total

    Vídeos1

    Trailer
    Trailer 1:48
    Trailer

    Fotos29

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    Elenco principal31

    Editar
    Peter Cook
    Peter Cook
    • Sherlock Holmes
    Dudley Moore
    Dudley Moore
    • Doctor Watson…
    Denholm Elliott
    Denholm Elliott
    • Stapleton
    Joan Greenwood
    Joan Greenwood
    • Beryl Stapleton
    Hugh Griffith
    Hugh Griffith
    • Frankland
    Irene Handl
    Irene Handl
    • Mrs. Barrymore
    Terry-Thomas
    Terry-Thomas
    • Dr. Mortimer
    Max Wall
    Max Wall
    • Arthur Barrymore
    Kenneth Williams
    Kenneth Williams
    • Sir Henry Baskerville
    Roy Kinnear
    Roy Kinnear
    • Selden the Axe Murderer
    Dana Gillespie
    Dana Gillespie
    • Mary Frankland
    Lucy Griffiths
    • Iris
    Penelope Keith
    Penelope Keith
    • Massage Receptionist
    Jessie Matthews
    Jessie Matthews
    • Mrs. Tinsdale
    Prunella Scales
    Prunella Scales
    • Glynis
    Josephine Tewson
    Josephine Tewson
    • Nun
    Rita Webb
    Rita Webb
    • Elder Masseuse
    Henry Woolf
    Henry Woolf
    • Shopkeeper
    • Direção
      • Paul Morrissey
    • Roteiristas
      • Peter Cook
      • Dudley Moore
      • Paul Morrissey
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários43

    4,51.4K
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    Avaliações em destaque

    didi-5

    fairly lousy comedy

    A misguided attempt to present a comic parody of the Conan Doyle tale, with Peter Cook as Sherlock Holmes and Dudley Moore as Dr Watson. Moore also plays Holmes' mother (!) and in this guise, is possibly the best thing in the film. Otherwise there is a spoof of the spinning head in The Exorcist, Denholm Elliot and a constantly urinating dog, and lame excuses for ‘jokes' and ‘funny situations' which really – aren't.

    Although it has one or two moments which provoke a smile, the original source material isn't such that it survives being tweaked to this extent. Perhaps not the point, but the rest of the inspiration for this turkey must have been written on the back of a postage stamp. Skip this and watch Bedazzled and Not Only … But Also instead.
    zippgun

    Horrible!

    A wonderful cast are here involved in what must be the lowest point in all their careers.For some reason Dudley Moore plays Dr.Watson as a high voiced Welshman,and Peter Cook gives Holmes a "stage Jewish" accent!Made up of series of draggy sketches,everything but the kitchen sink gets thrown into the pot-including "The Exorcist" and Pete and Dud's "one leg short" sketch;the result is an incoherent mess.Most potentially amusing moments are killed dead by the sloppy approach of Paul Morrissey's direction.No attempt is made to capture the mystery of the original story, and the players shout,mug and flail around among pathetic threadbare sets.According to Harry Thompson's biography of Cook,Pete and Dud were deeply unhappy about Morrissey's approach to the material,and saw they'd got themselves into a disaster.

    No wonder the off screen audience throw rotten vegetables at Dudley at the end.A truly stupid film. .....that rumbling noise whenever this film is shown is old Sir Arthur spinning in his grave!
    3BaronBl00d

    Moore and Peter Cook Up a Big DUD!

    Painful. Wincing. Shameful. Just a few quick words to summarize my experience sitting through what looked to be a promising parody by a couple of generally very funny and talented men - Peter Cook and Dudley Moore. This film starts off badly and then bottoms out within the first ten minutes. The rest of the film really became an onerous chore to sit through and only and I mean ONLY was saved by the promise of seeing some great British character actors and funny men/ladies in bit parts. Unfortunately watching Hugh Griffith, Prunella Scales, Terry-Thomas, and oh so ever did I feel sorry for someone Joan Greenwood embarrass themselves with witless, nonsensical, unfunny material did little to improve matters at all. Peter Cook plays Sherlock Holmes and really misses the character entirely, but he need not fear because Dudley Moore as Watson with a hideous Scottish brogue is even worse. The jokes are stale for the most part - missing hugely. There is a terrible Exorcist sequence that made me just want to fast-forward the rest of the film. but like a trooper I sat through till the end and was relieved when it finally finished. The story has the basic structure of the Doyle novel intact with some obvious changes meant to be funny. And some of the changes would have been funny maybe if a little more had been done with the material. I am not saying there is nothing funny in the film. There are a few bright spots. Dudley Moore with a chihuahua and Denholm Elliot was a decent comedic scene until it just went on and on. And I also liked the sequence with Cook and Moore as a one-legged man trying for a position as a runner on the moors for Holmes. That was, for me at least, easily the funniest scene in the entire film. The rest is a mismatch of things that just didn't work for me at all. Maybe a bit more respect for the material would have rendered this more amusing. Maybe some more realistic characterizations and less broad, really broad, and embarrassingly broad portrayals by Cook and Moore and Griffith as a man with a young girlfriend with the bust of a popular stripper and who enjoys throwing chunks of meat on the moors, Joan Greenwood, yes, Joan Greenwood, vomiting pea soup with spinning head, and Kenneth Williams really going over the top- even for him - toning it down a bit and making their characters a bit more believable might have helped. The script though is woefully lacking even for a farce like this. Director Paul Morrissey show little talent here and it is a real pity when you have such huge talents to work with. Penelope Keith is wonderful in a brief cameo as a bordello hostess(sultry too). Spike Milligan has a fine brief cameo as a policeman. Terry-Thomas is Terry-Thomas in a final bow as that which he basically made his career playing, a cad. This was his last meaningful screen role - a pity for Thomas fans but at least you get an older vintage Thomas nevertheless. More than anything else I was just surprised at the low level of intellect, given a title like The Hound of the Baskervilles, required, nay, even expected, to enjoy this moronic, sophomoric tripe. A real pity as I said.
    Krustallos

    Wasted Opportunity

    Harry Thompson's very readable biography of Cook gives some of the background to the making of this dismal effort. Cook and Moore didn't have the creative control they should have done, and for whatever reason didn't feel able to pull the plug when it was clear that things were going horribly wrong.

    The main problem is that Paul Morrissey has no clue about how Pete & Dud's humour works. This leads him to try and shoehorn them into his idea of "Carry on Sherlock" (a genre which he also fatally misunderstands).

    Worse, much of Pete & Dud's groundbreaking work from the 60's is recycled in debased form - notably the one-legged man auditioning for the part of Tarzan.

    I didn't even make it all the way through this when it was on TV a while back. See "Bedazzled" which has the benefit of a proper director and is a worthy showcase for perhaps the best English comedian of all. This is only notable as evidence of/a contribution to Cook's sad decline.
    tomfarrellmedia

    The Hound must have worms

    British humour has such a rich hierarchy of anarchists, loonies, clowns and mad geniuses that it would be very hard to establish any kind of 'A Division.' But undoubtedly Peter Cook and Dudley would be in there. Their work with Beyond and Fringe and later 'Not Only but Also' and 'Derek and Clive' is unimpeachable and they had impressive solo CVs. But in 1978 some kind of evil curse seemed to be floating about given that this year also saw the release of 'Sergeant Pepper The Movie' Renaldo and Clara AND the 'Star Wars' Thanksgiving Special. Paul Morrisey decided to direct this Holmes and Watson spoof without making up his mind whether it would be sea-side English bawdiness in the Carry On style or Pythonesque anarchism. In the event the movie was neither, simply a burst whoopie cushion where every gag falls flat and a strong cast is completely wasted. Tragically Terry Thomas made his last movie appearance in this stink bomb, while Spike Milligan was only given three minutes. Max Wall, Roy Kinnear and Prunella Scales were hardly allowed rescue the movie while Kenneth Williams was inadvisedly slotted in as Henry Baskerville. Prancing around with his 'startled moose' expression and flared nostrils, this movie buries the myth that he was a great comic actor who was trapped by the mundane Carry On scripts. But it is Dud and Pete who really disappoint, affecting (for no apparent reason) Welsh and Stage Jewish accents with Moore playing Cook's insane mother, a potential comedy winner that instead simply irritates. Elsewhere, Denholm Elliot's urinating dog spraying Moore in the face simply causes the viewer to avert his or her eyes while reheated sketches from their 1960s show (i.e the one legged runner) only underscore the movie's lack of invention. Although Cook had problems with drink and depression by the late 1970s, the duo was also producing the much-praised punk humour of Derek and Clive at the same time. That said, it probably was a factor in their 'divorce' and Moore's flight to New York, Lisa Minelli and 'Arthur.' The look of the movie is cheap and shabby and at least a decade out of date. Moore was a fine pianist but his score is out of place in a comedy. It is wholly appropriate that the final credits end with the unseen audience pelting him with rotten fruit

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    Enredo

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    Você sabia?

    Editar
    • Curiosidades
      Final English language cinema movie of actor-comedian Terry-Thomas.
    • Erros de gravação
      (52:03) The chihuahua Watson walks past is clearly tethered to the set (in the one opening shot of the sequence) to keep it on-camera.
    • Citações

      Sir Henry Baskerville: All the Baskervilles have hearty dicks... dicky hearts, I mean.

    • Versões alternativas
      The UK R2 DVD contains 2 versions of this film. The original 1978 theatrical print that runs 85 mins and a re-edited re-release print that runs 74m. The major differences are (a) in the theatrical print the opening credits are postioned after the scene with the 3 nuns and roll over various amusing shots of Holmes and Watson in their Baker Street study (Holmes is reading a book by Freud called Guilt without Sex). In the re-edited print, the credits are positioned over the pages of the book after the intro scene with Dudley Moore on the piano. These credits are much abbreviated compared to the theatrical print and run much shorter. (b) When Holmes is first seen in shadow playing the violin the re-edited version then cuts back to Watson with the nuns saying he is Budapest and Holmes appearing behind him. The theatrical print extends the footage of Holmes in shadow so he now gets up, turns a light on, turns off a gramophone player and spits out his coffee before meeting the nuns. (c) the scene in which Watson meets Dr Franklin is much abbreviated in the re-edited version. In this version the scene ends after a brief conversation between the two in front of Franklin's shack. The theatrical print continues on with the scene for several minutes as Watson enters the hut with Franklin, views various stuffed animals' heads, and they have a conversation about why Franklin hated the late Sir Charles - jealously over his mistress. Franklin's mistress then enters the hut, the conversation continues, and then Franklin gets insanely jealous and starts strangling his young mistress as Watson crawls out of the building. The longer theatrical cut makes more sense and is better than the shorter print.
    • Conexões
      Featured in Paul Morrissey - Trans-Human Flesh & Blood (2025)
    • Trilhas sonoras
      Twelve String Ties
      (uncredited)

      Music by John Churston (pseudonym of H.M. Farrar)

      De Wolfe Music Ltd

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    • How long is The Hound of the Baskervilles?Fornecido pela Alexa
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    Detalhes

    Editar
    • Data de lançamento
      • outubro de 1978 (Reino Unido)
    • País de origem
      • Reino Unido
    • Idioma
      • Inglês
    • Também conhecido como
      • The Hound of the Baskervilles
    • Locações de filme
      • Bray Film Studios, Windsor, Berkshire, Inglaterra, Reino Unido(Studio)
    • Empresa de produção
      • Michael White Productions
    • Consulte mais créditos da empresa na IMDbPro

    Especificações técnicas

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    • Tempo de duração
      1 hora 25 minutos
    • Mixagem de som
      • Mono
    • Proporção
      • 2.35 : 1

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