Alta Ansiedade

Mel Brooks takes on Hitchcock movies like "Vertigo" and "Spellbound "with a dash of "One Flew Over the Cuckoo's Nest" thrown in. This is an excuse to get the whole Brooks' gang dealing with mental institutions and mental illness. Of course, it is utter zaniness as Brooks as the hospital director is in a madhouse (no pun intended). The patients have nothing on the doctors when it comes to outrageous behavior. The problem here is that Brooks never knows when to quit. With really well done comedies like "Young Frankenstein" and "The Producers" we see his genius with good scripting and characters filling out the fabric of the film. Here it's almost anything for a joke, including a casual reference to Jack Benny and highly dramatic music in one scene which turns out to be a concert band going by in a bus. These are fun, but some of the stuff isn't and draws attention outward.

Though often overlooked in favor of Blazing Saddles or Young Frankenstein, I believe this to be the pick of Brooks' parodies. Whether you share this opinion would depend on your familiarity with all things Hitchcockian.

It is not only Vertigo, as the title suggests, that gets the Brooks treatment here, but The Birds, Spellbound and Psycho are all parodied to various degrees of subtlety. Many of these films key scenes are simply re-enacted with comic touches, whilst the Hitchcock formalae is very much in evidence. The style is particularly amusing in its parody. Highlights include a probing camera becoming all too literally intrusive when it crashes through a pane of glass in the window, and a dramatic sound composition turning out to be merely the didactic passing bus load of a touring philamonic orchestra.

Resisting the out and out farce of his earlier effort, Blazing Saddles, and managing not to evolve into simply being a one joke movie such as the tendency of his recent efforts, High Anxiety is Brooks at his most clever. The cast, mainly consisting of Brooks regulars, all display splendidly entertaining and aptly silly impersonations of recognisible Hitchcock stereotypes. It is Brooks' finest hour however, with not only directing, writing, and acting to his credit but singing as well!!!

This movie was better the first time I saw it but that said, it is worth watching for several good comedy bits and the lovely performance of Madeline Kahn.

Kahn rescues the film when she enters halfway through.

Brooks also comes up with a brilliant twist towards the end which I think on its own turns this from an average to disappointing movie to a good to very good one.

I was torn between giving this a 6 or a 7 but went with a 6 since there is a lot of subpar points in the film you need to get through.

That said, Brooks is great, Cloris Leachman is amazing and nearly steals the show.

Harvey Korman is splendid.

Sad that Kahn died so young, she was a treasure as you see here.

HIGH ANXIETY suffers only by comparison to Mel's YOUNG FRANKENSTEIN, but it stands by itself as a frisky, very funny screwball spoof of the works of Alfred Hitchcock.

I do agree with others who complain that Mel should have given the Dr. Thorndyke role to someone like Gene Wilder since Brooks does lack the charisma needed to carry this sort of thing. But the other pros in the cast more than made up for this handicap--especially HARVEY KORMAN, CLORIS LEACHMAN, MADELINE KAHN and HOWARD MORRIS.

Cloris Leachman is hilarious as Nurse Diesel (practically repeating her formidable character in YOUNG FRANKENSTEIN) and Madeline Kahn is equally funny as the blonde femme fatale who finds herself in one ditzy situation after another as she tries to reach her father inside the asylum--here called "Psychoneurotic Institute for the Very, Very Nervous." Nothing subtle here. The gags are touch and go, some funny, some painfully unfunny--so it's strictly a mixed bag.

But if you know MEL BROOKS and his kind of satire, this has enough gags to keep you satisfied. Just don't expect anything on the level of YOUNG FRANKENSTEIN.

Mel Brooks arrives at the "Institute" to find suspicious goings on, and tries to find out what's going on and who is behind it. Cloris Leachman and Harvy Korman are fellow doctors at the asylum, and watch over the institute when Mel must attend a conference. Watch for Barry Levinson (writer, director, producer) as he plays the bellboy. Ron Carey from Barny Miller plays the chauffeur who tries to help Mel when he runs into trouble with the always funny Madeline Kahn. The references to all of Hitchcocks films are many and great, and Mel even sings a song in the movie. His speech given for fellow doctors at the conference goes on a little long, but can be forgiven as it is offset by the quick action for most of the movie. Cloris Leachman is hilarious as Nurse Diesel, and her manner is a funny as her costume. Half the jokes in this movie are things as simple as camera angles, facial expressions, and what people are wearing.