Alta Ansiedade

HIGH ANXIETY suffers only by comparison to Mel's YOUNG FRANKENSTEIN, but it stands by itself as a frisky, very funny screwball spoof of the works of Alfred Hitchcock.

I do agree with others who complain that Mel should have given the Dr. Thorndyke role to someone like Gene Wilder since Brooks does lack the charisma needed to carry this sort of thing. But the other pros in the cast more than made up for this handicap--especially HARVEY KORMAN, CLORIS LEACHMAN, MADELINE KAHN and HOWARD MORRIS.

Cloris Leachman is hilarious as Nurse Diesel (practically repeating her formidable character in YOUNG FRANKENSTEIN) and Madeline Kahn is equally funny as the blonde femme fatale who finds herself in one ditzy situation after another as she tries to reach her father inside the asylum--here called "Psychoneurotic Institute for the Very, Very Nervous." Nothing subtle here. The gags are touch and go, some funny, some painfully unfunny--so it's strictly a mixed bag.

But if you know MEL BROOKS and his kind of satire, this has enough gags to keep you satisfied. Just don't expect anything on the level of YOUNG FRANKENSTEIN.

Mel Brooks is a very funny man, and though sometimes I think his comedy is a little on the low side, "High Anxiety" has some truly hilarious moments.

Mel riffs on Hitchcock, right down to Madeline Kahn's gray suit a la Kim Novak in Vertigo. He combines scenes from "Spellbound," "Vertigo," "Foreign Correspondent," "The Birds," "Psycho," "Dial M for Murder," and "North by Northwest" in this story of a man taking over as the head of a mental sanitarium, replacing a man who is murd - uh, dead.

Kahn is the Hitchcock blonde whose father is in the asylum. To give you an idea of this place where the lunatics have definitely taken over - Cloris Leachman plays a nurse who's into S&M with Harvey Korman. Both of them are a riot. Mel plays it straight which makes him even funnier.

I have two favorite scenes - the first is Mel, doing a perfect imitation of Sinatra's style, singing "High Anxiety" to Kahn. He's fabulous, and the look on Kahn's face is delicious.

My other favorite scene occurs when Brooks and Kahn disguise themselves as elderly people to get through airport security. Psychiatric expert Brooks thinks the more noise you make, the less people notice you. The two of them do a fabulous skit which is priceless.

We really lost a treasure when we lost Madeline Kahn, one of the all-time great talents. It's wonderful to see this and remember her.

I do believe that because of the humor, the film can be enjoyed without having seen the Hitchcock films spoofed, but of course, it's all the better if you have. A delightful film.

This movie was better the first time I saw it but that said, it is worth watching for several good comedy bits and the lovely performance of Madeline Kahn.

Kahn rescues the film when she enters halfway through.

Brooks also comes up with a brilliant twist towards the end which I think on its own turns this from an average to disappointing movie to a good to very good one.

I was torn between giving this a 6 or a 7 but went with a 6 since there is a lot of subpar points in the film you need to get through.

That said, Brooks is great, Cloris Leachman is amazing and nearly steals the show.

Harvey Korman is splendid.

Sad that Kahn died so young, she was a treasure as you see here.

Though often overlooked in favor of Blazing Saddles or Young Frankenstein, I believe this to be the pick of Brooks' parodies. Whether you share this opinion would depend on your familiarity with all things Hitchcockian.

It is not only Vertigo, as the title suggests, that gets the Brooks treatment here, but The Birds, Spellbound and Psycho are all parodied to various degrees of subtlety. Many of these films key scenes are simply re-enacted with comic touches, whilst the Hitchcock formalae is very much in evidence. The style is particularly amusing in its parody. Highlights include a probing camera becoming all too literally intrusive when it crashes through a pane of glass in the window, and a dramatic sound composition turning out to be merely the didactic passing bus load of a touring philamonic orchestra.

Resisting the out and out farce of his earlier effort, Blazing Saddles, and managing not to evolve into simply being a one joke movie such as the tendency of his recent efforts, High Anxiety is Brooks at his most clever. The cast, mainly consisting of Brooks regulars, all display splendidly entertaining and aptly silly impersonations of recognisible Hitchcock stereotypes. It is Brooks' finest hour however, with not only directing, writing, and acting to his credit but singing as well!!!

Mel as a psychiatrist? That's crazy!

But it's funny.

And so is "High Anxiety", a spoof of everything Hitchcock, with a few touches of Mel's own creativity dashed here and there.

As head psychiatrist for the Institute for the Very, VERY Nervous, Mel finds strange goings-on involving kidnapping, murder, double-crossing and Harvery Korman in leather.

Nearly every big Hitchcock scene is clobbered as the story progresses: the shower scene in "Psycho", the jungle gym scene in "The Birds", the shooting in "North by Northwest", the climax of "Vertigo".... The list goes on and on.

Mel does too, God bless him. Laugh after laugh after laugh is produced, and Mel and his writers seem to have an inexhaustable supply of sight gags, one-liners and word plays. And they all work.

Suffice it to say, this isn't as funny as "Blazing Saddles", but it's prime Mel and if you're like me, almost any Mel is good Mel.

Eight stars. And he has a lovely singing voice, too.