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Fun with Dick and Jane serves as an entertaining satire on the upper middle class standards of living, produced in the presumably stifling corporate environment of the mid-1970's. A drunken Ed McMahon lays off overpaid executive George Segal. Lovely wife Jane Fonda, who handles matters fairly well when their landscapers tear up all their unpaid work, finds herself forced to find some source of income to maintain their expensive lifestyles – it would seem Segal's unemployment only takes them so far. Fonda secures a job as a model while Segal manages to lose his benefits when a gay unemployment officer spots him working as a bit character in the opera. When Fonda loses her apparently not very secure job, the now poor couple head out to get a loan. There they stumble upon a holdup, get taken hostage, and somehow wind up with all the loot. Enjoying their first taste of crime, the pair bungles their way through a series of hold-ups and eventually become near pros. They manage to restore their house to its previous splendor, cockily inviting McMahon to a chic pool party so he can have a gander at their newfound success. Of course, a sip only gets you thirsty, so the greedy couple find themselves faced with the quest for the Big Gulp. The story is funny for the most part, with memorable moments akin to Segal discussing music with a record store clerk during a robbery. There's healthy dose of anarchy for good measure, with destruction happily joining hands with the nouveau pauvre and the will to get back what has been lost. By having its characters steal primarily from the allegedly greedy or malevolent – the phone company, loan sharks, the Climax Court Motel – the film does maintains some shaky moral standards. In addition, Fun contains a few instances of dated racism, with jabs at homosexuals, Hispanics and African-Americans (who hold a pajama dance party in McMahon's office as Segal and Fonda crack his safe, their loud drill protected by the celebrants' louder music). A startlingly racist part goes to Hank Garcia, as an unemployed cleaner who works a bad influence on Segal. Nevertheless, the film on the whole manages to function well as a thoroughly entertaining comedy, with an ample dose of anarchism for good measure.

In these trying times, when American's financial world is going down the drain, and the dreams, aspirations and livelihood of millions of Americans are evaporating, a film like this one is just what a despairing audience needs. The story of the American Middle Class in jeopardy and is aptly personified in this movie, called 'Fun With Dick and Jane.' There have been several other films based on this theme, but for my money, the stars of George Segal and Jane Fonda are solidly entrenched and not easily replaced by later film couples. Segal stars' as Mr. Richard Harper a Aero-space executive who as his boss (Ed McMahon) states is the very best at his job, but like so many other corporate executives is no longer needed. His position is one which promised security, but has fallen on hard times. Thus he soon learns he is unemployed. The fun begins when Harper and his wife try to adjust to the downward spiral of economic descent. They like so many Americans take what they can get and object poverty is not attractive at all. Thus, when the bottom is ready to engulf them, they turn to a life of crime. Can they do any worse? Not being prepared, they soon realize, they are not cut out to be white collar criminals and decide to quit. That's when opportunity beckons once again. A great movie and one fitted to our time. ****

I love this movie! I saw it with my mom in '77 and even though I couldn't have possibly gotten all the jokes and double entendres, I loved it. Seeing it now (I own it on VHS; they don't put movies like this out on DVD all that often), I love it even more.

Everything about it positively SCREAMS mid-1970s, from Dick's Thunderbird with the 600-feet-long hood to Jane's clunky Mercury Montego wagon to JANE FONDA WEARING HER JEANS ROLLED UP TO JUST BELOW THE KNEE TO SHOW OFF HER BOOTS! If you're a 70s afficianado, you can't help but love the time capsule that this movie represents. Another big bonus is the guy who played Schneider on One Day at a Time, who here plays a loud contractor with a big bullhorn.

As others have noted, the movie is also a time capsule to an era when it was not only OK, but funny to slam African Americans, Hispanics and especially gays. It was a little painful to see George Segal be so homophobic, but I choose to see this as a reflection of how far society has leapt in the last 25 years.

I've read elsewhere that Jane only made this movie for the $ to support then-husband Tom Hayden's political campaign/career. Even still, the late 1970s was Jane's era, in which she cranked out gem after gem, from the Electric Horseman to an incredibly bitchy role in The California Suite to a powerful performance in The China Syndrome.

All in all, FWDAJ is a funny time capsule that has a few messages, but don't be mislead by posters here who say it's a thinly-veiled moralistic movie. IT IS NOT! It's a fun romp, nothing more or less.

PS: Remember when they sold those things called record albums, the sleeves of which could conceal a gun during an attempted hold-up?!

I agree with the reviewer who said that George Segal and Jane Fonda are an unlikely couple to star in this movie. But, oh, does it work! This is one of my top ten all-time favorite movies. The humor is a bit more subtle than the Jim Carey remake and I happen to prefer that kind of humor.

The premise of the movie would be hard to beat at any rate. It really works as a comedy situation. Some of the scenes in this movie will absolutely make you roar with laughter.

If you want a good laugh on a Friday night...rent this one. :) Or better yet, buy yourself a copy so you can watch it again and again. It really is that funny.

Fun With Dick And Jane has George Segal and Jane Fonda as this upper middle class suburban couple living the American dream with their son Sean Frye. It all comes to an end when aerospace engineer Segal gets fired by his unctuous and smarmy boss Ed McMahon. Owing a lot because they're keeping up appearances in their neighborhood it all comes crashing down. After trying other ways to get an income and failing, Segal and Fonda turn to a life of crime. Though they have many setbacks, they begin to like it.

Watching Fun With Dick And Jane put me in mind oddly enough of dealing with World Trade Center families at Crime Victims Board who were a lot like Segal and Fonda. Working in the Towers for various wealthy companies when the male breadwinner was taken away, these families in most serious way were in the same kind of trouble this family was. That lifestyle can be expensive. John Dehner who was Fonda's father may be a self righteous creep, but there is a grain of truth in what he preaches at them about spending on luxury items.

McMahon who America knew for decades as the announcer and boon companion of Johnny Carson on the Tonight Show turns in a really good performance. He's a guy you learn to hate more and more as the film progresses. There's a great cameo part from Dick Gautier as a crooked televangelist Fonda and Segal rob. That should almost be legal.

With all the humor Fun With Dick And Jane is an interesting social critique and commentary on American values. It even got a remake in this new century. I'll have to check it out to see if it is as good as this one.