As Pedras do Dominó

Run-of-the-mill crime thriller resulting in a muddle , so-so flick in which lunkhead Gene Hackman is coerced in recruitment by a mysterious organization bent on politican assasin . Stars a Vietnam War veteran , named Tucker (Gene Hackman) , he is a doltish , chronic underachiever , and a real loser who's imprisoned for murder , along with his colleague Spiventa (Mickey Rooney) . The only thing Tucker to be aware of the Vietnam war was his skill with a rifle . But one day an elegant person (Richard Widmark) visits him in prison, a man he has never seen earlier , and informs him that he can walk out of prison as a free man if he will carry out a perilous assignment , no questions asked about this risked mission . As he is offered his freedom if he accepts to undertake a sinister , risked contract for a shady organization. Trust no one. No one.

An average , predictable thriller stars Gene Hackman as a tough convict sprung from the joint by a government organization to do some dirty work , working as a political assassination , including noisy action , double-crosses , romance and violence , but never have so many been wasted on so little . It is cloaked in mystery , though hardened thriller enthusiasts should have have little trouble in guessing pretty well what's going on. Even the always excellent Gene Hackman as a Viet vet can't do anything playing a confused convict busted out of prison with the intent to kill somebody . Along with Gene Hackman as an inmate Vietnam war appears the attractive Candice Bergen as a lower-middle-class housewife , but both of whom fail to convince on their respective roles . They are accompanied by a distinguished cast , these are following ones : Richard Widmark who contributes the best portrayal as a mysterious contractor , Edward Albert as a violent agent , Eli Wallach as a suspicious General and Michael Rooney offers his customarily pugnacious acting . And brief appearances from Neva Patterson , Majel Barrett, Ken Swofford, Joseph Perry and Jay Novello.

It contains an atmospheric and evocative cinematogaphy by two great cameramen : Fred J. Koenekamp and Ernest Laszlo . As well as thrilling and moving musical score by composer Billy Goldenberg . The motion picture was heavily-handed and regularly directed by Stanley Kramer and lack of intrigue and suspense make it less than it should be . Prestigious producer/director Stanley Kramer was consequently tagged as a "message film maker" and "Hollywood's Conscience" . Among his most popular films are : The pride and the Passion¨, ¨On the beach¨, ¨¨ Judgment at Nuremberg¨, ¨Ship of fools¨, ¨World is mad , mad ,mad¨ . And , of course , being ¨Guess Who's Coming to Dinner¨ his biggest hit ; however , ¨Oklahoma crude¨ and ¨The Domino Principle¨resulted to be flops at box office . The Domino Principle (1977)rating : 5/10 , very average and frustrating movie ; only for Gene Hackman's hardcore fans.

It's amazing how so many reviewers are blinded to great art by their own opinions of a movie's story. The Domino Principle is work of art with a great cast who give wonderful performances surrounded by beautiful music, cinematography, and film direction. Not to mention a good script and screenplay. Micky Rooney Gave an Oscar quality performance as did Gene Hackman. There are no slouchers in this film. No matter what you think of the plot you have to appreciate the quality of the work put into the making of this movie. If you don't then please stop writing reviews. 7.3/10.

"The Domino Principle" is an unusual film since the leading man apparently hated it and found the plot confusing...and he let reporters know he felt this way. Well, although I agree that there are a few portions which are a tad confusing, I enjoyed the movie very much...even if it left many questions unanswered when the story concluded.

Tucker (Gene Hackman) is a guy who's been in prison for some time...and he has at least another 15 years to go on his sentence for murder. One day, a stranger comes to the prison to meet him and offer Tucker a deal. If Tucker would agree to do 'something' for them, this group of people would arrange for his escape. While the something isn't 100% clear, you know it involves him killing someone. As the story progresses, he learns that whoever is behind it wants no loose ends...and soon some of his contacts with this organization begin to die...and he wonders who is next.

This is a very paranoid style film...like other contemporary pictures like "The Parallax View" and "Three Days of the Condor". Some may find the movies too bleak (especially since some of them end in a very fashion)....but I found the story interesting and didn't mind all the vagueness of the plot. Overall, a very interesting film...not perfect but clearly much better than Hackman thought at the time he made it.

i thought that this was a very intriguing movie to say the least. Gene Hackman, Eli Wallach, Richard Widmark, Candace Bergen so you have a cavalcade of stars. our story follows a man in prison with no real hope of ever seeing the light of day until he is approached by a mysterious man claiming to work for a government organization, he tells our prisoner he can be let go out of prison,, free to walk, he must only do one thing.... kill the President. for some reason our main character brings along his cellmate who he really despises.. our bad guys quickly eliminate the loose end. our prisoner is given a new identity but really doesn't change his looks that much. he reluctantly agrees to go ahead and carry out the mysterious mans orders. here's where i will leave it so you can watch it and tell me what you think.

Kramer, first as a producer and then a director, had been at the forefront in dealing with important social themes in Hollywood (THE DEFIANT ONES [1958], ON THE BEACH [1959], INHERIT THE WIND [1960] and JUDGMENT AT NUREMBERG [1961] were his best films); by the late 60s, however, his particular brand of investigative style went out-of-date. In its place – largely in the wake of the Kennedy and Martin Luther King assassinations – the Kafkaesque political thriller became fashionable; unsurprisingly, Kramer decided to try his hand at this as well – but the end result proved middling at best.

He certainly had his heart in the right place by choosing Gene Hackman, one of the finest actors of his generation, for the lead role – having already appeared in such superb pieces of alienation and paranoia as Francis Ford Coppola's THE CONVERSATION (1974) and Arthur Penn's NGHT MOVES (1975). His supporting cast looks impressive enough on paper, but they're given little to do: Candice Bergen (who's supposedly decorous here but is saddled with a highly unbecoming wig!), Richard Widmark (appropriately craggy in the role of a leading member of the secret organization), Mickey Rooney (amusingly cantankerous as Hackman's prison pal), Edward Albert (playing Widmark's young, ambitious and confrontational sidekick, thus making an interesting foil for the world-weary Hackman) and, in perhaps the least rewarding part of the lot, Eli Wallach (as Hackman's 'job' co-ordinator).

The film looks good but is bogged down by a rather icky central romance and the deliberate obliqueness of its narrative (starting with the hokey credit sequence). The effectively ironic revelation, then, is unfortunately followed by a number of other less convincing (not to say unwarranted) plot twists in quick succession – the last of which even rips off GET CARTER (1971)!