O Desaparecimento

The Disappearance, to me, is a Hitchcock wannabe that simply isn't. It's a slowly paced, talky thriller that just doesn't cut it. Donald Sutherland and the cast are great, but there are so many British actors in the cast that the term "Canadian-Made" sounds like a cheat. If this is a Canadian movie, wouldn't it have been better if they had put all Canadian actors in the cast? Also, if the movie takes place in Montreal (a mostly French-speaking city), wouldn't it have made more sense to have Sutherland's character do his foreign assignment in somewhere like Paris, France, instead of in England? After all, this is not a British movie, it's Canadian.

It surprised me that Sutherland and Francine Racette were married and had 3 children.

I recommend this only for fans of deep psychological thrillers. As for me, I think I will be putting a "Previously Viewed" label on this one and dropping it in the drop-off slot at my local video store.

Rating: **

A contracted hit-man (Donald Sutherland) working for a strange organization (his contact is David Warner) discovers a rare link between his new target and his missing spouse (Francine Racette, Sutherland's wife on real life ) while they're living in their Montreal apartment.

This slow-moving film results to be a boring and confusing story that deals about assassin's preoccupation with the disappearance his wife . The picture is full with continuous flashbacks , suspense , twists and turns. Nice performance by Donald Sutherland as a cold and tough assassin . Good supporting actors formed by all-star-cast as David Warner, John Hurt , Virginia McKenna, Christopher Plummer, and David Hemmings, also producer . This unknown movie was a flop because of flaws , gaps and disjointed scenes . Colorful cinematography by John Alcott , Stanley Kubrick's usual , an splendid cameraman who photographed ¨2001¨, ¨Clockwork Orange¨ and ¨Barry Lyndon¨. Sad and melancholic soundtrack by piano music is composed by Robert Farnon. The motion picture was professionally directed by Stuart Cooper with pretentiously arty film-making . He initially directed cinema movies as¨¨ Little Malcom¨ and ¨Overlord¨ but went on making TV movies as ¨The hunted¨, ¨Fortunate pilgrim¨ , ¨A.D.¨, ¨Long Hot summer¨ and several others. Rating : Acceptable but tiring movie .

I had never heard of the "The Disapperance", but then again there are very few movies from the late 70s that come to my mind at all. But I do like Donald Sutherland and I try to see much of his contributions to film.

This movie almost made me give up. I found the beginning confusing, the setting boring, and the flashbacks frustrating. However for Donald's sake I struggled through. The feelings I experienced may well have been the intended design.

As the story progresses, it does become more interesting. The plot has some nice changes and I found myself more encouraged to concentrate on the developments, and eventually was actually enjoying the movie.

I don't know if I would watch this a second time, but I am glad I survived it the first time. The ending didn't surprise me, but if you are a fan of Donald's as well, you should try "The Disappearance" and see how you feel at the end of it.

Cold blooded hitman Jay Mallory (Donald Sutherland) experiences uncharted emotions when his wife (Francine Racette, Sutherland's partner and future wife) suddenly disappears. It makes him nervous about his next job (which the hitmen call "the shy"), a high profile hit in England, but he ultimately accepts the risks. Based on the novel "Echoes of Celandine" by Derek Marlowe, this is a tiny and engaging thriller put together by David Hemmings (he also has a small role). According to the L. A. Times, Hemmings raised around $2 million to make it (Sutherland also invested his own $200,000). The team must have called in a lot of favors as also onscreen in small roles are David Warner, John Hurt, Virginia McKenna, and Christopher Plummer. Director Stuart Cooper handles it all well and makes the film extremely "cold" on screen. By that I mean you can almost feel the chilliness in the Canadian and England locations. Mallory's home is also a cool site/sight as they shot at Habitat 67, a futuristic looking apartment block built for the World's Fair in 1967. All of this is captured beautifully by cinematographer John Alcott, who had just done Barry Lyndon(1975) and would soon do The Shining (1980) for Kubrick. In the end, it had a rough go in terms of release. World Northal picked it up for the U. S. and eventually put it out in 1981. By that time, Sutherland had already made 10 more films.

Director Stuart Cooper, about whom I know nothing, gets his cinematography and editing teams to produce a sweeping visual job of Canadian snow-laden landscapes, Montreal buildings and river, lush English forests, and luscious Francine Racette, Sutherland's real life wife, that keeps you watching in earnest. Very good support cast includes John Hurt, David Hemmings, Peter Bowles, the ever beautiful and classy Virginia McKenna and, of course, Sutherland's fellow Canadian-born actor, Christopher Plummer.

Sutherland's tall, slender figure, is emphasized throughout in stylish photography and lit background shots, and his chemistry with gorgeous Racette is palpable, adding believability to his situation as the husband missing his beloved wife, who has disappeared. Has she left him out of boredom? Has she found another love interest - after all, she leaves then hubby Hemmings at the party for sex with Sutherland? Or are there darker forces involved and she has been abducted? Or worse?

Flashbacks explain it. For a tad patient viewer it can make for rewarding cinema and storytelling, even if why Sutherland became a hitman in the first place is not disclosed (I did get the impression, though, that he needed Francine in his life to keep the right mental attitude to killing, as signs of burnout and wanting to leave the profession begin to emerge).

Such questionable moral and professional values aside, THE DISAPPEARANCE deserves attentive watching. 8/10.