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IMDbPro

Conde Drácula

Título original: Count Dracula
  • Filme para televisão
  • 1977
  • TV-PG
  • 2 h 30 min
AVALIAÇÃO DA IMDb
7,2/10
2 mil
SUA AVALIAÇÃO
Conde Drácula (1977)
Terror sobrenaturalTerror vampíricoDramaHorror

Adicionar um enredo no seu idiomaThe vampire count leaves his Transylvanian home to wreak havoc across the world.The vampire count leaves his Transylvanian home to wreak havoc across the world.The vampire count leaves his Transylvanian home to wreak havoc across the world.

  • Direção
    • Philip Saville
  • Roteiristas
    • Gerald Savory
    • Bram Stoker
  • Artistas
    • Louis Jourdan
    • Frank Finlay
    • Susan Penhaligon
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    7,2/10
    2 mil
    SUA AVALIAÇÃO
    • Direção
      • Philip Saville
    • Roteiristas
      • Gerald Savory
      • Bram Stoker
    • Artistas
      • Louis Jourdan
      • Frank Finlay
      • Susan Penhaligon
    • 80Avaliações de usuários
    • 22Avaliações da crítica
  • Veja as informações de produção no IMDbPro
  • Veja as informações de produção no IMDbPro
  • Fotos162

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    Elenco principal18

    Editar
    Louis Jourdan
    Louis Jourdan
    • Count Dracula
    Frank Finlay
    Frank Finlay
    • Professor Abraham van Helsing
    Susan Penhaligon
    Susan Penhaligon
    • Lucy Westenra
    Judi Bowker
    Judi Bowker
    • Wilhelmina 'Mina' Westenra
    Jack Shepherd
    Jack Shepherd
    • Renfield
    Mark Burns
    Mark Burns
    • Doctor John Seward
    Bosco Hogan
    Bosco Hogan
    • Jonathan Harker
    Richard Barnes
    • Quincey P. Holmwood
    Ann Queensberry
    Ann Queensberry
    • Mrs. Westenra
    George Raistrick
    • Bowles
    George Malpas
    George Malpas
    • Skipper Swales
    Michael Macowan
    • Mr. Hawkins
    • (as Michael MacOwan)
    Susie Hickford
    • Bride of Dracula
    Belinda Meuldijk
    • Bride of Dracula
    Sue Vanner
    • Bride of Dracula
    Bruce Wightman
    Bruce Wightman
    • Passenger on Coach
    Izabella Telezynska
    Izabella Telezynska
    • Passenger on Coach
    Orla Pederson
    Orla Pederson
    • Passenger on Coach
    • (as O.T.)
    • Direção
      • Philip Saville
    • Roteiristas
      • Gerald Savory
      • Bram Stoker
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários80

    7,21.9K
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    Avaliações em destaque

    9s-coote-classical

    A return to the Gothic tradition

    The BBC's 1977 production of "Count Dracula" arguably represents for many Dracula aficionados the finest screen version of Stoker's novel ever likely to be made.

    "Count Dracula" probably stands alone by virtue of its very faithful adherence to Stoker's plot, as well as the uniformly stunning quality of the acting performances (who, for instance, could forget Jack Shepherd's "Renfield"?).

    But for me, the most outstanding feature of the production is the conscious, studied, Gothic restraint of the female cast, echoing much of what was best about the early Hammer vampire movies before the regrettable advent of the "tits and fangs" genre.

    Without the exposure of a single breast, the trio of female vampires at Castle Dracula succeed in conveying an astonishing level of sexual allurement as they coquettishly tease Jonathan Harker with his letter to Mina.

    In similar vein, when the (by now un-dead) Lucy Westenra is confronted in the cemetery by the group of vampire slayers, she transforms herself almost instantaneously from a blood-stained Fury from Hell into a virginal Lady of Shalot, and then back again.

    How sad that this near-perfect cinematic achievement appears to have been very largely eclipsed by "Dracula" of 1978, as well as Coppola's "Bram Stoker's Dracula"!
    rickmont

    Wonderful Adaptation

    I must agree with all those who say that this is the best adaptation of Stoker's masterpiece. Although I enjoyed F.F. Coppola's film, I still feel that this little gem captured the eerieness and forboding of the novel much better. The production does have its flaws. Occasional poor editing and the switching from film to tape which are too obvious. Dark Shadows like special effects.

    I disagree with those who feel Louis Jourdan is miscast. I think he has just the right menace and dark sensuality to portray the Count.

    Why on Earth hasn't anyone put this on the video cassette market? It's beyond me. But more importantly, why hasn't anyone figured out that this is the definitive Dracula and done a bigger budget remake. I guess Hollywood today simply doesn't have the kind of resources the BBC had in the late 70s.
    Am3bi

    A Halloween tradition for 25 years

    One of my favorite horror movies of all time. I saw this movie on PBS when it first premiered back in '77 or '78. I recorded it a couple of years later and have watched it almost every Halloween since. My kids have grown up with this as a tradition. Sometimes we skip a year or two but always come back to this classic.

    For me the movie captures the essence of the book. Several of my favorite scenes are not necessarily the most important. In the opening while Jonathan is riding in the carriage and they pass the woman praying at the roadside shrine. Waiting all alone at the pass in the dead of night. The arrival of the Count's carriage. The late dinner with gold table service. The great scene of Jonathan shaving and the Count's sudden appearance unreflected in the mirror and his comment "The problem with mirrors is they don't show enough" as he nonchalantly drops the mirror out the window. Jonathan's growing horror as he begins to realize he's trapped. His escape to the decrepit chapel were he finds the blood stained vampires entranced in their coffins. The dreamy waltz like nightmares of Lucy's seduction. The rose pedals falling. Professor Van Helsling's scene where he's making cocoa; handing the first cup to his guest, joined by another he hands his next cup to him and then again until he's eventually made cocoa for everyone. The scene in the woods with Van Helsling, Mina and the three brides of Dracula (especially the terrorized horses bolting). The return to castle Dracula in the light of day.

    Dracula is portrayed as both supernatural and human (never melodramatic or campy), very European, very Old World and of course, very tragic. He even is Biblical in his comments that "I make this world my domain" like Satan going to and fro, to and fro in the world.

    For me great stories always have a feeling as if they were going on before we arrived and will continue after we leave. This story is like that. I feel as if the story does indeed go way back. And though it has a logical ending it seems as if it will go on. Truly a classic.
    10jmdanley

    Best "Dracula" Ever

    Faithful to the novel, magnificently performed in every way. This mini-series showed how well a classic novel should be adapted. Coming only 2 years before Langella's performance, Louis Jordan showed how sexy a middle aged man can be in this role.

    Thirty-five years after I first saw it, most of it sticks in my memory as the greatest adaptation of Bram Stoker's timeless novel. From the opening scenes as Jonathan Harker makes his way through the Carpathian Mountains to the final scenes as the heroes converge on the Count, this took the approach of being presented in a mini-series format to tell the long story that Bram Stoker conceived.

    Lucy's slow transformation from dying waif to lusting vampire is the most memorable scene and may actually be too intense for some viewers.

    Far better than Francis Ford Coppola's version of the early 90's. Definitely worth watching annually on Halloween.
    8leonardmlee

    Simply the best adaptation of Bram Stoker's original novel.

    Like most people on here I also thought this BBC version was the most faithful adaptation of Stoker's original novel. Granted, they have changed a few details; for example, Mina and Lucy are sisters, the characters of Quincy and Arthur have been amalgamated and Jonathan visits the Count at his castle in Bohemia rather than Transylvania, but these minor deviations aside, I think even Stoker himself would have said this version was fairly close to what he had in mind while writing his famous novel.

    Being from the UK I have grown up with the BBC and the programmes it produced in the 1970's. Watching 'Count Dracula' as an adult on DVD was, in many ways, a very pleasant nostalgic journey back to my childhood. Yes, I agree the budget did impose certain restrictions on the production...fake bats and obvious stage sets instantly spring to mind.....along with the mix of video and film but, to me, instead of being negative points these so called 'flaws' all added to its charm. That said, it also had some genuinely outstanding points; it is truly creepy, fantastically acted, perfectly cast and and had excellent script. The undoubted highlight for me has to be the location filming in Whitby cemetery; the scenes of Lucy being attacked in the graveyard were actually filmed in the very graveyard that inspired Stoker when he was writing the novel back in the 1890's. Cut to Francis Ford Copploa's 1992 version....which also makes a claim to being a faithful adaptation of the novel... and it doesn't even mention Whitby at all.

    As for Louis Joudan, in my opinion, he is simply the best ever Dracula; understated, sophisticated, menacing and arrogant. Both Lugosi and Oldman were good but they were a bit too camp and shouted their evil from the rooftops. Jourdan, on the other hand, whispered in your ear and chilled the very depths your soul without you even really knowing why. In a word, genius. Another role worth noting is Jack Shepherd as Renfield. Again, not a typical over the top portrayal of a madman in an asylum but rather a somewhat more complex character; a normal man tortured by very specific moments of madness. The scene when he begs Dr. Seward to release him is truly, truly magnificent.

    I'll not hide the fact that I am a Dracula fan. I love Stoker's original novel and I love the Victorian Gothic ambiance that it contains. While the BBC's version doesn't quite match Coppola's film for atmosphere and special effects, it certainly makes up for it with its script, the quality of the acting and its faithfulness to the original novel. It has to be, without doubt, my single favourite version of the Dracula story.

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    Enredo

    Editar

    Você sabia?

    Editar
    • Curiosidades
      Bruce Wightman who has a bit part in this was a expert on Bram Stoker and founder of the Dracula Society.
    • Erros de gravação
      When Renfield grabs the bars of his padded cell we can see that they wobble and are clearly made of rubber.
    • Citações

      Count Dracula: Welcome to my house, Mister Harker. Come freely. Go safely.

      Jonathan Harker: Count Dracula?

      Count Dracula: I am Count Dracula. Will you come in?... And, please, leave here some of the happiness that you bring.

    • Cenas durante ou pós-créditos
      The credits are superimposed over the infamous German woodcuts depicting the crimes of the historical Voivode Vlad Dracula.
    • Conexões
      Edited into Great Performances: Count Dracula: Part 1 (1978)

    Principais escolhas

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    Perguntas frequentes1

    • Is this version of "Dracula" very faithful to the original novel?

    Detalhes

    Editar
    • Data de lançamento
      • 22 de dezembro de 1977 (Reino Unido)
    • País de origem
      • Reino Unido
    • Central de atendimento oficial
      • BBC Worldwide - Special Interest
    • Idioma
      • Inglês
    • Também conhecido como
      • El Conde Drácula
    • Locações de filme
      • Alnwick Castle, Alnwick, Northumberland, Inglaterra, Reino Unido
    • Empresa de produção
      • British Broadcasting Corporation (BBC)
    • Consulte mais créditos da empresa na IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      • 2 h 30 min(150 min)
    • Cor
      • Color
    • Mixagem de som
      • Mono
    • Proporção
      • 1.33 : 1

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