Le Crabe-Tambour

I saw this film five or six years ago after selecting it at random on the "French" shelf of my local video store. It made quite an impact on me, but I subsequently forgot the title and had to go to quite some lengths to relearn it.

I wish I had the time and patience to write out my thoughts at length and with eloquence. Simply put, this feels like one of Joseph Conrad's sea novels, in particular "Lord Jim." It's gorgeously lit and shot -- in fact, I'd go so far as to call it a photographic masterpiece. Maybe the narrative unfolds a bit too slowly or bogs down here or there, but the film concludes beautifully and has haunted me ever since the one and only time I saw it. This may owe something to the casting of Jacques Perrin in the title role. For once here's someone with enough dash and je ne sais quois to justify an entire film spent in search of a supposedly legendary character. Even Brando somewhat disappointed in this regard in "Apolcaypse Now" (which, come to think of it, was very loosely based on Conrad).

It's inexplicable to me that "Le Crabe-Tambour" has never had, and likely never will, much of a following. For my money, the French have never excelled at "classical" film-making in the key of Hollywood. Nor am I typically a fan of that kind of thing; however, this film is an exception in either case. I just picked up the VHS box on the shelf at the verysame video store last night, which is what prompted my comment. I think I'll rent it again tomorrow.

Movie is strongly architectured with flashbacks and could be understood at first as the story of a pure and almost mythical officer (Wilsdorf). At that level, it is just a good story. Much more interesting are the other characters (Doctor, Captain, Mechanical officer) that have been all fascinated by Wilsdorf. It is a deep human picture of all our weaknesses and dreams. Everybody may find some points in these lifes while Wilsdorf is more an abastract heroe. For French, debates about colonial period and fidelity is also interesting. On top of that, some scenes at sea are great (I checked on a sister ship during my military duty).

This was an amazing movie to look at--the footage of the North Atlantic was gorgeous and breathtaking. I can really appreciate all the trouble everyone went to making this film. However, apart from the great cinematography, I found the movie not particularly interesting. I think that is because the film is told in the form of flashbacks from several different people--it tends to bounce around a bit and can lose the viewer in the process. Getting lost was not as big an issue for me, as I am a history teacher. However, many non-French viewers will not understand the context for what occurs in the movie and the flashbacks will leave them baffled.

FYI to anyone wanting more background info--Following WWII, the French were trying desperately to hold on to the colonies it controlled before the war. The movie begins with the French in Indochina (Vietnam). They are continuing a war that had actually begun before the Japanese took over Vietnam. In essence, when the Japanese left, the war between the French and Nationalists resumed. The French lost this war in the mid-1950s and the United States entered this fray about a decade later.

Although there were some other small skirmishes along the way that were not mentioned in the film (such as the joint British-Israeli-French invasion of the Suez region), the movie picks up AFTER an abortive coup in the early 1960s. That's because Nationalists in Tunisia and Algeria had been pressing the French for independence (though many saw this land as an extension of France--not merely colonies--and losing it was unthinkable to them). This seriously undermined the French government and the military made attempts on deGaulle's life as well as attempts at a military coup. The officers involved were in some cases executed, imprisoned or fled the country. All this occurred because deGaulle's government reluctantly agreed to give up North Africa and the military felt this was a betrayal of France. The lead in the movie Drummer Crab was apparently one of those involved in these coup attempts. Another film that briefly discusses this same topic is the incredibly great film, Day of the Jackal (not to be confused with the supposed remake).

A chance remark leads three French naval officers to reminisce, together and privately, about the compelling young commander Willsdorf, nicknamed The Drummer Crab, recalling his exploits from the fog-shrouded rivers of Indochina to an attempted military coup in Algeria to his lonely, anonymous vigil in the North Atlantic fishing lanes nearby. Joseph Conrad would have loved this film, arguably the finest modern seafaring adventure ever made: a thoughtful and thrilling study of man versus the elements, where the past itself becomes an elemental force even more unyielding than the vivid Winter seascapes captured by Raoul Coutard's breathtaking cinematography. In metaphor, Willsdorf's fate is the fate of French colonialism, and only by pursuing his memory, through crashing waves and hissing spindrift, can his three erstwhile companions (a dying captain, a middle-aged medical officer, and a robust, veteran Chief Engineer) confront and endure their collective loss. This is a spellbinding film, rich in history and detail.

There are many war movies, but few movies about war. War movies are usually action movies set during a war. Other movies deal about war itself, why the people do it, why they enjoy it and suffer from it. Like Apocalypse Now or the Thin Red Line, The Crabe-Tambour is about war, though, unlike these movies, it shows little of it. It tells the story of Wilsdorf, a.k.a. the "Drummer-Crab", a French officer in the colonial armies, who witnessed (and took part in) the fall of the French empire after WWII. The man himself has become a legend and lives in the memories of fellow soldiers, who tell different tales - fantastic, ironic - about him. Wilsdorf appears as an elusive and shining ghost, a youthful figure of their past, who is still roaming the world as a free man while they grow old and embittered. Some may find there both a dubious fascination for the military (strongly reminiscent of Hugo Pratt's Corto Maltese series) and nostalgia for the colonies. However, it's so beautifully filmed that this can be easily forgiven.