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IMDbPro

A moça do Pijama Amarelo

Título original: La ragazza dal pigiama giallo
  • 1978
  • Not Rated
  • 1 h 42 min
AVALIAÇÃO DA IMDb
6,0/10
1,5 mil
SUA AVALIAÇÃO
A moça do Pijama Amarelo (1978)
GialloCrimeHorrorMistérioSuspense

Adicionar um enredo no seu idiomaIn Australia, a retired police inspector is called to duty to solve the murder case of a young woman whose partially-burned body has been found on the beach.In Australia, a retired police inspector is called to duty to solve the murder case of a young woman whose partially-burned body has been found on the beach.In Australia, a retired police inspector is called to duty to solve the murder case of a young woman whose partially-burned body has been found on the beach.

  • Direção
    • Flavio Mogherini
  • Roteiristas
    • Flavio Mogherini
    • Rafael Sánchez Campoy
  • Artistas
    • Ray Milland
    • Dalila Di Lazzaro
    • Michele Placido
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    6,0/10
    1,5 mil
    SUA AVALIAÇÃO
    • Direção
      • Flavio Mogherini
    • Roteiristas
      • Flavio Mogherini
      • Rafael Sánchez Campoy
    • Artistas
      • Ray Milland
      • Dalila Di Lazzaro
      • Michele Placido
    • 40Avaliações de usuários
    • 52Avaliações da crítica
  • Veja as informações de produção no IMDbPro
  • Veja as informações de produção no IMDbPro
  • Vídeos1

    Trailer
    Trailer 3:54
    Trailer

    Fotos32

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    + 26
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    Elenco principal20

    Editar
    Ray Milland
    Ray Milland
    • Inspector Timpson
    Dalila Di Lazzaro
    Dalila Di Lazzaro
    • Glenda Blythe
    Michele Placido
    Michele Placido
    • Antonio Attolini
    Howard Ross
    Howard Ross
    • Roy Conner
    Ramiro Oliveros
    Ramiro Oliveros
    • Inspector Ramsey
    Rod Mullinar
    Rod Mullinar
    • Inspector Morris
    Eugene Walter
    • Dorsey
    Fernando Fernán Gómez
    Fernando Fernán Gómez
    • Forensics Detective
    • (as Fernando Fernan Gomez)
    Vanessa Vitale
    • Quint's Neighbor
    Antonio Ferrandis
    Antonio Ferrandis
    • Nottingham
    • (as Antonio Ferrandiz)
    Giacomo Assandri
    • Quint
    Mónica Rey
    • Patricia Clark Dorsey
    • (as Monica Rey)
    Mel Ferrer
    Mel Ferrer
    • Professor Henry Douglas
    Luis Barboo
    Luis Barboo
    • Viewer of Body in Glass Case
    • (não creditado)
    Sandra Dobrigna
    • Little Girl
    • (não creditado)
    Tito García
    Tito García
    • Fat Man in Final Foursome
    • (não creditado)
    Andrea Gnecco
      Franca Lumachi
        • Direção
          • Flavio Mogherini
        • Roteiristas
          • Flavio Mogherini
          • Rafael Sánchez Campoy
        • Elenco e equipe completos
        • Produção, bilheteria e muito mais no IMDbPro

        Avaliações de usuários40

        6,01.5K
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        10

        Avaliações em destaque

        7christopher-underwood

        unusual film with most original structure

        Quite an oddity this and none the worse for that. So late into the seventies and set in Sydney, Australia, this was never going to be in any way a standard giallo and in truth it is more a romantic thriller with giallo overtones. This did not start well for me with the opening song and I never really appreciated the soundtrack throughout which I found to be rather grating. Things didn't get better with the appearance of a seemingly over acting Ray Milland but gradually it began to win me over until it seemed Milland was in some other film. Calming down again, helped by the constant on screen smouldering of Dalila Di Lazzaro, I allowed the film to wash over me and presto a most unusual film with most original structure reveals itself. It's not perfect but give this one a chance to surprise.
        lastliberal-853-253708

        You've hidden my panties, haven't you.

        Ray Milland had a long career (1929-1985) and many roles, including his Oscar as Best Actor in Billy Wilder's Lost Weekend. He managed a couple of Italian films in the 70s, including this one.

        It is not a typical giallo, as the body count is very low. However, it does have a certain charm as a police procedural as they try to discover who killed the girl in the yellow pyjamas.

        Seeing Dalila Di Lazzaro certainly makes the film worthwhile, and you do see all of her as she romps with men and women (Vanessa Vitale, who was not bad herself.).

        Red herrings and surprises abound in a film that was shot in Sydney, and really looked good there. In fact, it was based upon a true story in Austrailia in the 30s.

        Good acting by Lazarro and Michele Placido, as well as a fine performance by Milland.
        6lost-in-limbo

        Engaging Giallo that takes a different approach.

        A young girl and her older brother find a body of a young woman dressed in yellow pyjamas on a Sydney beach. So a retired inspector comes out of retirement to help out the police with their investigation. But he sees that the modern methods of police work aren't getting results and when they make their mind up there's no swaying it. So Inspector Thompson decides to start his own case on the side using his own methods.

        'The Girl in the Yellow Pyjamas' is a reasonably modest Italian/Spanish giallo that does construct itself around some striking fixtures and an involving plot. A quick note; during the opening proceedings it's labelled that the actual story is supposedly based on true facts with the names of those involved changed. I'm not what you call an expert of this sub-genre, as I've only come across oh so few, so you can say I'm fairly new to it all. Thinking that man I've got to see more gialli, I notice that this was playing on telly one night and I thought that it isn't one to pass by. Form what I saw; I definitely had an above average time with this giallo piece. It was a bit confusing at first glance, but as you keep on following the story it all comes together rather neatly, without any real hiccups. I'll admit when watching it I was kind of thinking is this actually going to go anywhere or is it just going lose its way. As I thought some sequences were rather pointless to this whole investigation with the mystery playing second fiddle to the central drama position, but the structure of the story, which I've never come across before works out in the bigger picture. Well I have, but definitely not edited in this way. So don't be fooled like I was that most of the sub-plots were not contributing to the case, but they most definitely are and that's proved so, in the last half-an-hour.

        The story structure comes into its own by being truly ambitious, which it could make or break the film, but actually I thought it was quite ingenious and refreshing. The plot does more than enough to throw you off course with some surprising knock offs. Like a reviewer had already mentioned there's so much going on in a matter time that it does become crowded with characters coming and going. Too many characters can spoil the brew, but this time it was easily overcome. Throughout the feature we get very moody and drawn out sequences that has of touch of pretentiousness to it, but still it's hard to take your eyes off it.

        Director Flavio Mogherini makes the most out of the impeccable location cinematography. The Sydney backdrop is easy on the eyes, but at times I just couldn't stop getting the sneaking impression that they seem to forget they were shooting a film. I say that because excessively it felt like there was more concern in the sights then developing any rhythm and plot. But in the long run I was wrong. Another factor that stabs away at you is the funky soundtrack that makes one real lasting impression. Which at times was a good thing, but also a bad thing. Moments it would be humming with irresistible ooze that breathed such silky elegance, but that wasn't always the case with some high-strung tunes that were tiresomely wretched. The repetitiveness too didn't help either. Mogherini creates some spots of brilliance amongst some odd and arty images that do make headway, like the tasteless scene involving a dead body and glass case and the moment when we discover the dead body. The pacing is stodgy but somehow your just transfixed to what's happening that it doesn't really matter, especially because it does pick up after the hour mark with an cleverly laid out climax that's more than a exceptional ending. The editing was executed to perfection, but the camera work is a bit unstable and lacking flash of style. The performances were that of high quality and Ray Milland as Inspector Thompson was leading the way. Dalila Di Lazzaro as Glenda Blythe was impressive too. What might be a turn off is that it might lack the violence and brutality, but not a sexually charged vibe. Though you might call it very sleazy. Overall, it a professionally done production.

        It might have its fair share of flaws, but this unique Giallo has a whole lot more lurking under the surface than what actually meets the eye. It's definitely worth tracking down if you're an enthusiast of the sub-genre.
        Wheatpenny

        Brilliant Idea Executed Very Well

        A detective searches for the identity and killer of a young woman found dead on the beach, wearing only a pair of yellow pajamas; meanwhile, a friend of the dead woman sets off on the road to avoid being the next victim. That's not all there is, but the central idea behind this film's construction is so brilliant I can't say any more. The end is such a surprise that you'll either be blown away or feel ripped off. It plays with story construction in a way I've never seen done before, one that's begging to be copied by some high-profile indie here in the US. Film school buffs will dig it and find a lot to argue about, others might be confused or annoyed. Ray Milland is good but kind of decrepit-looking, here in the evening of his career; the chief culprits in this film are the pop songs that they repeat endlessly (though catchy). I'd love to see reactions to this one; I recommend it highly.
        joedz

        Direction ahead of its time

        This film was confusing when I watched it, however, all was revealed at the end. Suddenly, everything fell into place and it seems that this films' directional technique was employed years later by directors like Tarintino and Ritchie.

        The film doesn't run in the standard order of things, making it stand out for it's time. A good screenplay, good acting all round and not bad by any movie viewers standards.

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        Enredo

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        Você sabia?

        Editar
        • Curiosidades
          This film was inspired by a sensational real-life murder case that happened in Australia in 1934.
        • Citações

          Amanda Lear: The man that you really wanted, and who got away. And then came another, didn't know the way to love her. And you want another, cause you know it's now or never, because you're a woman.

        • Conexões
          Featured in The Pyjama Girl Mystery: A True Story of Murder, Obsession and Lies (2006)
        • Trilhas sonoras
          Look At Her Dancing
          Written by Amanda Lear and Riz Ortolani

          Sung by Amanda Lear

        Principais escolhas

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        Perguntas frequentes13

        • How long is The Pyjama Girl Case?Fornecido pela Alexa

        Detalhes

        Editar
        • Data de lançamento
          • 12 de janeiro de 1978 (Itália)
        • Países de origem
          • Itália
          • Espanha
        • Idioma
          • Italiano
        • Também conhecido como
          • The Pyjama Girl Case
        • Locações de filme
          • Dear Studios, Roma, Lazio, Itália
        • Empresas de produção
          • Zodiac Produzioni
          • Producciones Internacionales Cinematográficas Asociadas (PICASA)
        • Consulte mais créditos da empresa na IMDbPro

        Especificações técnicas

        Editar
        • Tempo de duração
          • 1 h 42 min(102 min)
        • Cor
          • Color
        • Mixagem de som
          • Mono
        • Proporção
          • 1.85 : 1

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