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IMDbPro

O Carro, a Máquina do Diabo

Título original: The Car
  • 1977
  • PG
  • 1 h 36 min
AVALIAÇÃO DA IMDb
6,2/10
12 mil
SUA AVALIAÇÃO
O Carro, a Máquina do Diabo (1977)
Official Trailer
Reproduzir trailer2:01
4 vídeos
74 fotos
Car ActionActionHorrorMysteryThriller

Uma pequena cidade no deserto é aterrorizada por um carro poderoso, aparentemente possuído, e o xerife local talvez seja o único capaz de pará-lo.Uma pequena cidade no deserto é aterrorizada por um carro poderoso, aparentemente possuído, e o xerife local talvez seja o único capaz de pará-lo.Uma pequena cidade no deserto é aterrorizada por um carro poderoso, aparentemente possuído, e o xerife local talvez seja o único capaz de pará-lo.

  • Direção
    • Elliot Silverstein
  • Roteiristas
    • Dennis Shryack
    • Michael Butler
    • Lane Slate
  • Artistas
    • James Brolin
    • Kathleen Lloyd
    • John Marley
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    6,2/10
    12 mil
    SUA AVALIAÇÃO
    • Direção
      • Elliot Silverstein
    • Roteiristas
      • Dennis Shryack
      • Michael Butler
      • Lane Slate
    • Artistas
      • James Brolin
      • Kathleen Lloyd
      • John Marley
    • 179Avaliações de usuários
    • 128Avaliações da crítica
    • 21Metascore
  • Veja as informações de produção no IMDbPro
  • Vídeos4

    The Car
    Trailer 2:01
    The Car
    The Car: Right On Track
    Clip 2:36
    The Car: Right On Track
    The Car: Right On Track
    Clip 2:36
    The Car: Right On Track
    The Car: Mountain Road Chase
    Clip 2:45
    The Car: Mountain Road Chase
    The Car: Director Elliot Silverstein Interview
    Featurette 2:04
    The Car: Director Elliot Silverstein Interview

    Fotos74

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    + 67
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    Elenco principal36

    Editar
    James Brolin
    James Brolin
    • Wade Parent
    Kathleen Lloyd
    Kathleen Lloyd
    • Lauren Humphries
    John Marley
    John Marley
    • Everett Peck
    R.G. Armstrong
    R.G. Armstrong
    • Amos Clements
    • (as R. G. Armstrong)
    John Rubinstein
    John Rubinstein
    • John Morris
    Elizabeth Thompson
    • Margie Johnson
    Roy Jenson
    Roy Jenson
    • Ray Mott
    Kim Richards
    Kim Richards
    • Lynn Marie Parent
    Kyle Richards
    Kyle Richards
    • Debbie Parent
    Kate Murtagh
    Kate Murtagh
    • Miss McDonald
    Robert Phillips
    Robert Phillips
    • Metcalf
    Doris Dowling
    Doris Dowling
    • Bertha Clements
    Henry O'Brien
    Henry O'Brien
    • Chas
    Eddie Little Sky
    Eddie Little Sky
    • Denson
    Lee McLaughlin
    • Marvin Fats
    Margaret Willey
    • Navajo Woman
    Read Morgan
    Read Morgan
    • Mac Gruder
    Ernie F. Orsatti
    Ernie F. Orsatti
    • Dalton
    • (as Ernie Orsatti)
    • Direção
      • Elliot Silverstein
    • Roteiristas
      • Dennis Shryack
      • Michael Butler
      • Lane Slate
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários179

    6,212.3K
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    Avaliações em destaque

    7Cobbler

    The Devil Passed His Driver's Test!

    What a flick. I just bought the widescreen edition and watched it to celebrate the new century. Let me briefly list a few of its many strong points, most of which are essential to the success of the 1970s "Killer Object/Animal" horror subgenre:

    1. Colorful small-town (desert, Southwest-y) flavor. A parade or similar celebration (rodeo, picnic) should occur. 2. Quirky dialogue. 3. John Marley acting beligerent. 4. A Panicked Crowd Scene, with folks dashing for their lives as the demonic beast/machine/inanimate object heads their way. 5. A smart-alleck hippie who meets a horrible end.

    Seriously, though-- this film isn't "scary" in the traditional sense, but its true power lies when you really start thinking about the car itself. Where did it come from? Is the Devil driving? And is it plaguing our major characters because of their sins? (i.e. Ronny Cox as an alcoholic falling off the wagon, James Brolin as a single parent trying to keep his daughters happy as he dates sexy Kathleen Lloyd.) What I'm saying is at its heart, this is a creepy, unsettling film with some really strange philosophical/religious questions at its core. And how many horror films can claim that? A solid 7/10.
    7NerdBat

    Very Good!

    I thought it was just going to be another B movie, but hey, this one actually turned out pretty good. The only parts I wasn't too keen on was the fact that the car literally just "shows up" out of seemingly nowhere, and you never find out what it really truly is, or why its there. The way the movie is layed out, it can leave you on the edge of your seat at times, which is rare with this kind of film usually. There are some times as well that leave you forming your own little theories on why certain events are taking place, for example, the car being unable to enter a graveyard. The reasoning for this is suggested, but never truly set in stone. Later on you notice the car is completely indestructible, its tires unbustable, glass unbreakable and completely unstoppable, which adds to the suspense. The ending, for me, was both a bit confusing, and very eye opening. I really liked this film, more than I thought I would.
    gypsycaine

    Niiiiiiiiiiiice!

    The devil made me do it. Really. I bought this VHS the second I saw it. It kept me awake with nightmares as a child, and the library offered no help in locating it until I hit that nice vowel-starting auction site. In re-watching it, I realized that there are signs of the decade it was created (especially in the bell-bottoms, I couldn't stop laughing when I watched the kids in the band practice their parade because the fashion world has come back to them again!), but there are other nice things.

    One of the main details that this movie has is no explanations are made. The Indian woman comments about the ill wind that came with the car when she gives testimony. The sheriff's deputy feels that the reason it can't go into the graveyard is due to the hallowed ground. (Btw, the graveyard scene is the one that freaked me out as a kid). Parent (Brolin) discovers there are no handles on the doors, and another witness says that there's no driver. This all adds up to a nasty scenerio. Much like the later movie Poltergeist, you have to wonder if the Indians are right--get out of town! (they fled to the Deep Country--smart cookies!)

    I adore Kim Richards, and her sister Kyle is a darling in this film. As an adult, I couldn't help but think who would take care of them should something happen to Parent. I think this is a good sign in a movie--you really begin to identify with the characters when things like this come to you!

    The comment at the beginning from Anton gives the whole movie's plot a good basis. I do recommend this as a stay-home, eat popcorn, and enjoy flick!

    ;)

    **** out of *****
    7guystr09

    Less is More

    The Car is a good example of how restraint in the horror genre can work. It honors the tradition of real suspense movies by hinting at more than it shows, and inferring more than it explains. From the cryptic opening quote by Anton Le Vey to the ending in which the two main characters disagree on whether this is really the end, this "demon car" film keeps asking more questions than it answers. For some, this will bring frustration, for others, it makes the movie that much more fascinating. The "body count" is a total of 10 people, with no explicit scenes. And there are no "anonymous" killings. Each victim is named and acknowledged as a real human being and a loss. This is a refreshing departure from gore-fests. I'd rate it a 7 1/2.
    Jeope!

    They Saved Hitler's Car!

    Lemme say this about "The Car" - the horror movie genre received a monumental boost in credibility with the release of this proud and noble pic. Gathering together some key horror movie elements (small desert town, scrappy desert folk, demonic Lincoln), the makers of "The Car" must've felt they were on top of a goldmine. They had an A-list cast led by the future Mr. Barbra Streisand and the awesome Ronny Cox. After a decade of love, peace and grooviness, America was once again ready for killer car movies. So what went so terribly wrong? Two words: Star Wars.

    It's true. If it weren't for George Lucas, "The Car" would've been the surefire hit of 1977 and we'd all be reminiscing about the classic "Car Wars" trilogy and remembering how incredible James Brolin was as Indiana Jones.

    Sadly, "The Car" disappeared into the night, never to receive the credit it deserved as a true horror breakthrough as a classic portrayal of man versus machine. Pitting a mysterious chopped-down souped-up Lincoln with a cruise-ship horn against a motley crew of never-say-die townsfolk, "The Car" follows the bloodthirsty path of a supercharged, soulless sedan as it brutally chews up scenery, cyclists, and one memorable french-horn-toting hitchhiker. It is indeed a chilling movie that eerily foretold future trends such as road rage and godawful James Brolin films, with an ending for the ages.

    Bearing in mind, a great deal of this is sarcasm. But truthfully, "The Car" is highly recommended for the good-bad-movie lover - it is an excellent film to make fun of.

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    Enredo

    Editar

    Você sabia?

    Editar
    • Curiosidades
      Car cost $84,000.00 to build.
    • Erros de gravação
      During the final chase on the motorbike, it alternates from night / day.
    • Citações

      Amos Clements: [complaining about Morris' french horn] And if I hear another sound out of that thing, I'll ram it so far up your ass, you'll be farting music for a year.

      John Morris: [thoughtfully considering the idea] Wouldn't that be fantastic? Farting music. For a year!

    • Cenas durante ou pós-créditos
      The Car's horn blows at the beginning and the end of the ending credits.
    • Versões alternativas
      The NBC edited for TV version of this film includes some additional scenes to pad out the movie due to needed commercial breaks. The aforementioned additional scenes were during the cemetery standoff between the school band and the Car. The part where Lauren is insulting and taunting the Car is longer and there is a short dialog between her and her friend Margie planning on how one of them will run out and escape to call for help. These are not on the official 1999 DVD/VHS release.
    • Conexões
      Edited into A Super Máquina: Trust Doesn't Rust (1982)
    • Trilhas sonoras
      Dies Irae, Dies Illa
      (uncredited)

      Traditional, thought to be written by Thomas of Celano

      [Instrumental version played over the opening title card and credits]

    Principais escolhas

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    Perguntas frequentes15

    • How long is The Car?Fornecido pela Alexa
    • What kind of car is "The Car"?

    Detalhes

    Editar
    • Data de lançamento
      • 13 de maio de 1977 (Estados Unidos da América)
    • País de origem
      • Estados Unidos da América
    • Central de atendimento oficial
      • -The official trailer
    • Idioma
      • Inglês
    • Também conhecido como
      • El auto
    • Locações de filme
      • Snow Canyon, Utah, EUA(Carter's Road)
    • Empresa de produção
      • Universal Pictures
    • Consulte mais créditos da empresa na IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      1 hora 36 minutos
    • Cor
      • Color
    • Mixagem de som
      • Mono
      • 4-Track Stereo
    • Proporção
      • 2.35 : 1

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