Aeroporto 77

Of all the disaster flicks, this seems to be the one I enjoy most, perhaps it was the first one I would see.

But looking back at the hot pants in Poseidon Adventure & Dunaway's dress and the tuxedoes in Towering Inferno, Airport '77 is quite an elegantly dressed cast, aren't they?

The movie would get famed Hollywood fashion expert Edith Head to dress the cast and it shows. Anyone else would have made Brenda Vaccarro look obese trying to put her in that pullover sweater.

Airplane! would make fun of Edith Head being credited for '77 like that, by crediting their own costumer, but 27 years later, the wardrobe makes the cast of '77 appear tremendously dashing, giving the tragedy that greater a feel as well.

Jack Lemmon was an incredible standout as the hero of the piece, in comparison to Paul Newman's sexism in Towering Inferno (he never speaks to Jennifer Jones as a human during their entire ordeal with the children) or Heston's stiffness or McQueen's inexpressiveness.

Two years after her Oscar nomination, Vaccarro was hardly the disaster flicks idea of a leading lady as well, so she is quite a one-of-a-kind casting also.

When I was little, I was most fascinated with Arlene Golonka, who I knew from the Andy Griffith show.

Later, identifying the rest of the cast just made it more and more fun. Dracula, Buck Rogers, Kolchak the Nightstalker (Darren McGavin & Jack Lemmon were a powerhouse duo).

Then the names and stars figured into it. DeHavilland, Cotten, Grant. No one looked more out of place than Olivia DeHavilland in an underwater airplane.

Robert Hooks as the crippled bartender and Tom Sullivan (who is actually blind) as the pianist added even more flavor.

There is M. Emmet Walsh, "The Name, But What Which One Is Him?" actor. He is the doctor, and I do enjoy his one scene when he explains who he really is.

Monica Lewis, disaster movie staple. She would appear in Earthquake and Concorde: Airport '79. Check out her expression as she and Olivia DeHavilland enter the lifeboat. It reads "Miss DeHavilland, I'm one of your biggest fans. I really enjoyed you in Gone With The Wind." Lucy Ricardo lives.

Should it have been a commercial airline, instead of a private plane? Not necessarily.

I enjoy watching it now and observing a few of the female extras at the beginning of the crash don't seem to be present anymore by the end. It seems that they weren't available for filming then.

I would argue, as a movie, that this one is more fun to watch than the first one. Lancaster and Seberg in the first Airport movie are comical to me trying to be so serious.

And the second Airport movie, Airport '75, is funnier than Airplane.

There is a very strong and different feel from Airport '77 than the other Airport flicks or the other disaster films in general.

Landing after the TV sitcom-level cast/plot of "Airport 1975", but arriving before the ludicrous "The Concorde-Airport '79" is this slick disaster film entry. Featuring Oscar-winning and nominated stars like Lemmon, Grant, de Havilland, Quinlan, Kennedy and Stewart, it also offers one of the best caliber casts of the '70's disaster cycle. There is no deep thinking involved in watching the film, but it does offer some watery thrills and some fun thrashing around as the plane first skips along the surface of the water and then slips under. Suspense builds as the pressure continues to wreak havoc on the plane's outer skin and, unusually for an "Airport" film, pretty many lives are claimed! The death toll in this film is higher than the other three combined. It's great to see so many once and future stars flopping around in the underwater tomb, but the main attraction is Lee Grant. Clocking in with only about a dozen or so total minutes of screen time, she is utterly hilarious and unforgettable as a shrewish, boozy, sarcastic lush. No one is safe from her rude, brash comments and she is a joy to behold for bad-move connoisseurs. Her husband in the film is Christpher Lee. Fortunately, they didn't marry offscreen or she would have become Lee Lee, but that's another story.......

I was first exposed to this movie when it seemed to air on NBC every six months or so back in the early 80s, and as a result it's hindered my ability to enjoy it as a guilty pleasure on home video, even on widescreen DVD. That's because the TV showings were purposefully padded to two parts with more than an hour of extra footage that in this case places the characters in much better context than they appear in the theatrical version, (don't get me wrong, it doesn't elevate it to a topnotch story, but at least the narrative makes better sense). The biggest revelation upon seeing the theatrical cut was how all of George Kennedy's scenes before the crash weren't there any more.

Even at it's best, Airport 77 is only par for the course as far as disaster movies go. The plot is a little more innovative and the rescue scenes of trying to survive and then get the plane raised are more realistic than what we were served up in Airport 1975 with the stewardess flying the plane. Jack Lemmon does succeed as the nominal lead and that helps make one more charitable toward the rest of the supporting cast which is largely wasted in some classic, stereotyped cliched roles. But towards the end, it starts to drag just a bit. You can also see the beginnings of Jimmy Stewart's declining health since he's basically forced to play his part as though he were appearing as a guest on the Johnny Carson show instead of making his character more distinctive.

The widescreen DVD is worth having but I strongly recommend catching the expanded TV version instead, even if it is panned and scanned.

1st watched 8/12/2007 - 6 out of 10(Dir-Jerry Jameson): Surprisingly appealing rescue movie despite some of the silly characterizations and typical goofiness that tends to accompany these type of movies. The thing that the movie does well is hold your attention to the very end. You genuinely care for some of the characters involved primarily because of the good acting by leads like Jack Lemmon, who plays the pilot in this one. The danger also seems very real all the way up to the end which adds to it's believability. The movie starts setting up the story as an airline president and master collector, played by Jimmie Stewart, is promoting the opening of a museum and a new plane that will be sent down to the island paradise with his very special guests. Included on the plane are his daughter and grandson, whom he has not seen for a very long time. A small group including one of the co-pilots decide to capture the plane while it's airborne, putting the passengers to sleep, in hopes to take it's valuables and run off to South America. Their plan goes awry when the pilot crashes in a shallow part of the ocean(wherever that might be) in the Bermuda triangle. The rest of the movie is an underwater rescue movie as the plane drifts to the shallow bottom. There are the usual stupid moments, like allowing the pilot to go nuts but the women passengers can't for some reason, and the attempt to save the plane in-tact with the people is a little far-fetched. These are the moments that get you talking to the screen. But despite this, the overall effect of the movie is satisfying which I honestly didn't expect because these movies usually don't appeal to me. I really think that the strong presence of the believable hero in Jack Lemmon as the pilot really helped the movie become a little more than the typical disaster movie for me.

I loved this film growing up.

I have even become a flight attendant because of this film and the movie Survive ( the Rene Cardeno Jr version).

I could pick this movie to bits. However I will not as it is there for pure entertainment and entertain it does.

I have always wondered if there was a longer version though. As a child i remember it being shown over two nights the same with earthquake. If anyone can help with this and verify if there is a longer version let us know. If you want some disaster fun this is it. A plane crashes into the sea and survivor's must fight for their lives. Some may make it and some may not. Oliva DE Havilland does look out of place in this movie I think this is because she was a great star and a disaster movie just did not seem to be a role she would do. the same with Gloria Swanson who also ended up in a disaster movie. But we all must eat.

Lee Grant steals the show this could be debatable but I believe she does as a booze drinking socialite.