Secret Army
- Série de TV
- 1977–1979
- 50 min
AVALIAÇÃO DA IMDb
8,5/10
1,8 mil
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaDuring World War II, a Belgian resistance movement called Lifeline, based in Brussels, organises the return of Allied airmen who have been shot down by the Luftwaffe to the United Kingdom.During World War II, a Belgian resistance movement called Lifeline, based in Brussels, organises the return of Allied airmen who have been shot down by the Luftwaffe to the United Kingdom.During World War II, a Belgian resistance movement called Lifeline, based in Brussels, organises the return of Allied airmen who have been shot down by the Luftwaffe to the United Kingdom.
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I have recently seen this series about WW2 escape lines again. It hardly dates at all. The stories are hard hitting,realistic as are the characters. I hope all these will become available on DVD soon.
I first saw Secret Army in 1977 at the age of 12, it really opened my eyes to the potential for quality drama to be something more than just entertainment. The WWII evasion lines which enabled the escape of thousands of downed pilots is an heroic story of incredible bravery by the Belgium people involved and this series more than does the story justice. As someone with a passionate interest in history I usually prefer documentaries to historical drama but this series tells the story in so many ways better than any documentary could. The series really captures the dangers, the risks and emotions involved. The series is also notable for the way it shows the many character dimensions and dilemmas facing the German occupiers.
This was drama at it's best, great stories, wonderful performances, well written, produced and directed. The suspense and tension in just about every episode is quite remarkable. Sadly overshadowed by it's spoof imitation comedy, 'Allo Allo' (in a way an acknowledgement of how good the original was) but I've watched all the episodes several times in the many years since and it is always just as compelling, quality is timeless and Secret Army is highly recommended to anyone who hasn't seen it and wants to see drama at it's very best. The DVD box set of all 3 series is excellent, Andy Priestner's accompanying booklets are so informative, so I bought his excellent nearly 700(!) page book on the series which has helped me to appreciate the series even more. Modern viewers should not be put off by some of the studio sets which show the age of the series, it is the quality of the drama which shines through.
This series is so underrated and is one which should be constantly repeated for new generations to enjoy and never be forgotten or cast aside.
This was drama at it's best, great stories, wonderful performances, well written, produced and directed. The suspense and tension in just about every episode is quite remarkable. Sadly overshadowed by it's spoof imitation comedy, 'Allo Allo' (in a way an acknowledgement of how good the original was) but I've watched all the episodes several times in the many years since and it is always just as compelling, quality is timeless and Secret Army is highly recommended to anyone who hasn't seen it and wants to see drama at it's very best. The DVD box set of all 3 series is excellent, Andy Priestner's accompanying booklets are so informative, so I bought his excellent nearly 700(!) page book on the series which has helped me to appreciate the series even more. Modern viewers should not be put off by some of the studio sets which show the age of the series, it is the quality of the drama which shines through.
This series is so underrated and is one which should be constantly repeated for new generations to enjoy and never be forgotten or cast aside.
I've just finished watching Secret Army on UK Drama and, for me, it's BBC drama at its best. It might have seemed hard for the team that had produced the highly acclaimed 'Colditz' series to live up to its reputation but I believe that this highly popular classic surpassed it.
Colditz did have a distinct disadvantage, taking place mostly within the four walls of a POW camp, making the atmosphere at times rather claustrophobic and making the scope rather limited. Secret Army, on the other hand, was able to use and contrast a variety of places and situations. As well as this, it had more detailed analysis of the all the characters - something which was often lacking in its forerunner and also examined their motives. Using the setting of Brussels in World War II, the producers were able to capture perfectly the grim realities of life under German occupation with the distant hope of liberation. Everything from the sinister music to the camera angles, special effects and scenery was cleverly thought out. The varied plots, whose frequent twists kept everyone guessing, along with many clever subtleties and inferences, made each episode thoroughly enjoyable.
The central character of Albert Foiret was carefully scrutinised, his greed and ruthless determination to keep ownership of his beloved Candide at any cost coming out. Bernard Hepton seemed able to show an inexhaustible range of emotions, making his character something of a change from the German Kommandant he had played previously. In contrast, the virtually emotionless Kessler could show generosity, and great loyalty, albeit misguided, to his beloved country and Fuehrer. Clifford Rose was perfect as the bespectacled, ice-cold SS man with no sense of humour. Even the smaller parts, such as Alain and Dr. Keldermans were well played by Ron Pember and Valentine Dyall, along with Monique (Angela Richards) whose lovely singing in the seemingly happy atmosphere of the Candide was often made to contrast the often sinister goings on elsewhere.
The series just seemed to go from strength to strength as the characters developed and plots became more complicated. The last few episodes produced a gripping climax as we were left wondering how all the ongoing issues were going to resolve themselves, and there was much irony when many did not end up the way you would have expected.
Unlike many of the older WW2 films this serial was certainly not biased towards the allies - airmen were often seen to act rather crassly and the resistance people could be less than scrupulous, sometimes killing innocent people and breaking promises for their own survival. It also addressed many issues which were not always fully appreciated, like the uneasy relationship the French and Belgian police had with the Germans, the contempt felt by the Wehrmacht for the SS and the bitter power struggle between the resistance and the communists. Being a product of the 70s there was none of the gratuitous violence or obligatory sex scenes which can sometimes mar the storylines of more contemporary works.
Secret Army was very much a true-to-life drama - even if there were many improbable coincidences and few factual errors with many memorable episodes. I'd certainly recommend it.
Colditz did have a distinct disadvantage, taking place mostly within the four walls of a POW camp, making the atmosphere at times rather claustrophobic and making the scope rather limited. Secret Army, on the other hand, was able to use and contrast a variety of places and situations. As well as this, it had more detailed analysis of the all the characters - something which was often lacking in its forerunner and also examined their motives. Using the setting of Brussels in World War II, the producers were able to capture perfectly the grim realities of life under German occupation with the distant hope of liberation. Everything from the sinister music to the camera angles, special effects and scenery was cleverly thought out. The varied plots, whose frequent twists kept everyone guessing, along with many clever subtleties and inferences, made each episode thoroughly enjoyable.
The central character of Albert Foiret was carefully scrutinised, his greed and ruthless determination to keep ownership of his beloved Candide at any cost coming out. Bernard Hepton seemed able to show an inexhaustible range of emotions, making his character something of a change from the German Kommandant he had played previously. In contrast, the virtually emotionless Kessler could show generosity, and great loyalty, albeit misguided, to his beloved country and Fuehrer. Clifford Rose was perfect as the bespectacled, ice-cold SS man with no sense of humour. Even the smaller parts, such as Alain and Dr. Keldermans were well played by Ron Pember and Valentine Dyall, along with Monique (Angela Richards) whose lovely singing in the seemingly happy atmosphere of the Candide was often made to contrast the often sinister goings on elsewhere.
The series just seemed to go from strength to strength as the characters developed and plots became more complicated. The last few episodes produced a gripping climax as we were left wondering how all the ongoing issues were going to resolve themselves, and there was much irony when many did not end up the way you would have expected.
Unlike many of the older WW2 films this serial was certainly not biased towards the allies - airmen were often seen to act rather crassly and the resistance people could be less than scrupulous, sometimes killing innocent people and breaking promises for their own survival. It also addressed many issues which were not always fully appreciated, like the uneasy relationship the French and Belgian police had with the Germans, the contempt felt by the Wehrmacht for the SS and the bitter power struggle between the resistance and the communists. Being a product of the 70s there was none of the gratuitous violence or obligatory sex scenes which can sometimes mar the storylines of more contemporary works.
Secret Army was very much a true-to-life drama - even if there were many improbable coincidences and few factual errors with many memorable episodes. I'd certainly recommend it.
I wasn't even born when this series was first made. It was my mother who introduced me to the series on uk drama. She insisted that I 'give it a chance.'I am glad that I did!
During the first series the show showed little potential, the characters were stereotypical and shallow, such as Kessler, with his robotic like ways and constant determination to get one over on life line. The melodramatic content was so bad you could almost hear him shouting: 'I'll get you next time!' at the end of every episode. However somebody waved their magic wand at the start of the second series, because the show changed it's angle completely. With the dramatic exit of Yvette, (one of my favourite scenes in television)and the introduction of the Candide. We saw alot of changes for the characters. Kessler gained a love interest, and at last we could see his human side.Life line too showed it had some weak human traits, more often then not Albert's greed resulted in him ordering command just so that he could keep his precious restaurant. And when Monique was left in charge at the end of series two she turned into a bit of a boozer! More importantly, as the storylines developed and conspiracies got more complicated, life line didn't always end up on top, usually at the expense of poor Natalie or Monique.
The show came to prove that it was more about humans fight for survival. And less about the adventurous action man enthusiasm sometimes given to war in american films. What a shame that somebody made a spoof in the form of 'allo, 'allo. This became more famous than the original classic and now shadows it's brilliance. As my Mother insisted to me, I would insist to you: 'give it a chance, please!'
During the first series the show showed little potential, the characters were stereotypical and shallow, such as Kessler, with his robotic like ways and constant determination to get one over on life line. The melodramatic content was so bad you could almost hear him shouting: 'I'll get you next time!' at the end of every episode. However somebody waved their magic wand at the start of the second series, because the show changed it's angle completely. With the dramatic exit of Yvette, (one of my favourite scenes in television)and the introduction of the Candide. We saw alot of changes for the characters. Kessler gained a love interest, and at last we could see his human side.Life line too showed it had some weak human traits, more often then not Albert's greed resulted in him ordering command just so that he could keep his precious restaurant. And when Monique was left in charge at the end of series two she turned into a bit of a boozer! More importantly, as the storylines developed and conspiracies got more complicated, life line didn't always end up on top, usually at the expense of poor Natalie or Monique.
The show came to prove that it was more about humans fight for survival. And less about the adventurous action man enthusiasm sometimes given to war in american films. What a shame that somebody made a spoof in the form of 'allo, 'allo. This became more famous than the original classic and now shadows it's brilliance. As my Mother insisted to me, I would insist to you: 'give it a chance, please!'
I too am "revisiting" this programme on UK Drama and it truly is a gem though you do realise where "Allo Allo" came from at times - I hope now that UK Drama have shown this twice that they show the follow up "Kessler" made in 1981 - i can vaguely recall it.
Você sabia?
- CuriosidadesEach of the scripts were based on real events and thoroughly researched. On several occasions throughout the series's run, the BBC would reject a script as it was deemed too accurate and potentially upsetting to audiences or too politically sensitive.
- ConexõesFeatured in The Return of 'Allo 'Allo! (2007)
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