Força Vigilante

Vigilante Force (1976)

** 1/2 (out of 4)

A small town comes under attack from a group of rednecks so a man (Jan-Michael Vincent) decides to talk the Sheriff into letting his Vietnam vet brother (Kris Kristofferson) and his four vet buddies clean things up. The plan starts off good at first but soon the five vets decide to do a few illegal things of their own. VIGILANTE FORCE starts off as a pretty good exploitation flick but it slowly begins to fall apart as the story for some reason switches directions. The beginning of the movie is the type of over-the-top actioneer that you'd expect to see from producer Gene Corman. The start of the movie features a greatest hits package of redneck damage, which includes bar fights, shootings, a stabbing and more violence all of it in drive-in camp fashion. Kristofferson arrives on the scene much like Sam Elliott would in the later cult classic ROAD HOUSE and the movie is still doing good at this part. The actor is very fun in the part and it's entertaining seeing him and his vet buddies walk around putting an end to the trouble. Where the screenplay really lost me was in the second half when they turn these fun guys into coldblooded killers. For the life of me I couldn't understand why they wanted to go this direction but my closest guess is that they wanted the brother versus brother showdown between the two stars. The eventual showdown really doesn't pay off and it also doesn't cool the bad taste left in your mouth from some of the actions that the Kristofferson character does. I won't give any spoilers but some of the murders just make you hate the guy, which completely goes against the feelings they build up early on. Kristofferson is very good in his part as is Vincent as his brother. The supporting cast includes Victoria Principal, Bernadette Peters, Charles Cyphers, Andrew Stevens and John Steadman who is best remembered for Wes Craven's THE HILLS HAVE EYES. As is, the film works good enough in its first half to make it worth viewing but one wishes they had kept up with the fun times instead of doing something different.

There is a ton that went wrong with this movie. Haha but the cast kept it alive. Dumb ending as well. About as shallow and thoughtless of a script as you can come by. Haha however again the actors kept it alive.

Decent first half devolves into ridiculous plot with a town seeing basically a military battle. Deaths are brushed off as nothing. Pretty much the whole plot is so incredibly unbelievable that the movie is almost funny. Good cast though. A 70s curiosity only.

Just a few months before "A Star Is Born" was released and made him a box-office name, Kris Kristofferson took on this ungainly role, that of a Vietnam vet who appoints himself judge and executioner in a backwater town run amok. He eliminates anyone (including women) who question his authority, making resident and younger brother Jan-Michael Vincent really sorry he ever asked for his help. Thoughtless and mean-spirited action-thriller from writer-director George Armitage has good location shooting in Simi Valley, CA but an utterly unsympathetic script filled with redneck clichés and ugly violence. Armitage has managed to gather together a most curious supporting cast for the film, including Victoria Principal, Bernadette Peters, Loni Anderson in a bit part, Andrew Stevens, David Doyle, Brad Dexter and Paul Gleason. Unfortunately, the center of the whole thing is Kristofferson, who is despicable throughout. Even viewed as a tacky co-feature or drive-in entry, "Vigilante Force" is a nasty piece of work, and one with a ridiculous climax. * from ****

I wonder if this mid 70s drive-in actioner is still on the Bernadette Peters CV? near Sunday IN THE PARK WITH GEORGE? Perhaps MGM saw this and decided she HAD to be in PENNIES FROM HEAVEN....perhaps the Broadway casting office for her recent role in ANNIE GET YOUR GUN designed posters that read: "Bernadette (VIGILANTE FORCE) Peters now on Broadway in Irving Berlin's greatest musical triumph....." it's all as valid as "Stephen Boyd, star of BEN HUR now in his biggest film: JUMBO"............ anyway...

In the mid 70s, wasn't Jan Michael Vincent a major star! There was legions of action fans ready to roll up to the drive in and not molest their girlfriends because they would actually watch all the film! VIGILANTE FORCE is quite a brutal 70s action thriller and has some astonishing stunt fights with the added horror of baseball bats as weapons. I personally was really shocked by these wild fights and found them really upsetting. I think today this film deserves re appraisal for capturing the feel of tough nasty rural town lawlessness and drunken lout rule ...and all in a fantastic 70s time. The look of this film alone would get a big willing audience. Today these films don't exist instead we get disgusting mutilation crap like THE DEVILS REJECTS or WOLF CREEK. In the 70s this action drive in movie was a real action movie, a modern western with trucks and Jack Daniel bars and chicks in teeny weeny denim hotpants. Great fun. Occasionally thumping but not horrible. There is an unforgettable early scene in this film where the boys screech to town in their pickup truck and spin into the main street... it is a jamboree of hooter'n and holler'n and dust and yellin and screamin..all in camera crane sweep.. a whole street of wild Friday afternoon drinkin and crashing! What a stunt vista! unforgettable after 30 years...and a great way to establish what we are in for. DUKES OF HAZZARD meets BUCKTOWN. Hell then breaks loose even more...and poor Miss Peters has to dodge the baseball bats while trying to have a relationship. VIGILANTE FORCE was part of a great series of films - often most with JMV as well - like THE STREETFIGHTER, or BITE THE BULLET or WHITE LINE FEVER., BABY BLUE MARINE, BUSTER AND BILLIE, ALL THE BEASTS AND CHILDREN etc...all well worth seeing again for their purity in presentation...as lean as a Republic serial and as compelling. In the 50s there was a film called THE PHENIX CITY STORY made by Allied Artists as a noir drama. It too has similar themes in an urban setting, and is distinguished by it's tough ideology for the time.