Tunnelvision

1976's "Tunnel Vision" suffers from following the groundbreaking success of "The Groove Tube," but still preceding better known efforts like "The Kentucky Fried Movie," "Americathon," "IMPS (The Immoral Minority Picture Show)" and "Amazon Women on the Moon." A Congressional hearing to decide the fate of 'The No Bullsh-t Network,' which has captivated audiences of 1985 to such a degree that people have given up work to stay home and watch, is examined by a day's worth of programming lasting little more than an hour. Like others of its ilk it's a hit and miss affair, much loved in its day but has not aged well. Many familiar faces pop up all too briefly, almost all of them yet to achieve comic fame, with Chevy Chase (as himself) returning from "The Groove Tube," along with future TV stars Laraine Newman, Al Franken, Tom Davis, and John Candy. Fans of Kurt Russell's "Used Cars" will get a kick out of seeing Gerrit Graham as the boyfriend of sitcom star 'Marie' (Lynne Marie Stewart), his obstinate pleading successfully earning a bit of 'deep throat' on the couch; there's also Joe Flaherty (the attorney) and Betty Thomas (a literal car stripper) appearing together in a flat game show spoof where she wears a G-string and pasties while he dons a dress, willfully earning prizes for revealing their most disgusting acts. Laraine Newman plays the mother in a Gypsy flavored ALL IN THE FAMILY satire, she as close to the wayward gay son as the father is to the prostitute daughter. Cleveland's legendary Ernie Anderson, who gave up local fame as Ghoulardi for a lucrative gig as ABC's chief announcer, gets to do his usual thing as a newscaster, earning chuckles by playing it completely straight (always wanting to do a small part in a movie, he gets his wish). Yes it's dated but definitely worth a look to see what would shock audiences of the freewheeling 70s.

It's extremely dated, dopey and wildly uneven, but there are still some pretty good laughs to be had in this short collection of skits that take a look at what "television of the future" will be like (?) Even if the humor isn't your cup of tea, it's worth a look just to spot the large cast of then-unknown and up-and-coming comedy talent. Rent it with the similarly-themed "The Groove Tube" for an evening of mindless juvenile fun.

I missed the beginning but I did see most of it. A friend got it on DVD in the cheap room at FYE.

The skits are all very short, and yet most of them are still too long. The majority of them, they seem to have forgotten to have something funny! Quite a lot of racist/sexist/"homophobic" humor in it, skits based on stereotypes, or skits which use racist terms for people.

I'm trying to remember anything I thought was funny in it, and I'm having trouble.... The logo for the Tunnel Vision network is a lipsticked mouth with an eyeball in it. The mouth opens and closes over the eye like eyelids. Kind of creepy.

What a disappointment. Most of the actors went on to better things, and it's lucky this bomb didn't hold them back.

Tunnel Vision is a unique sort of grindhouse film. It is a feature-length collage of comedy sketches, loosely tied together by a simple (and not terribly important) framing mechanism. The production values are rather low, very rough around the edges in the same way the Python TV show was, but the humor here comes across nonetheless. Those of you with delicate taste, beware. The comedy in this film is extremely dark, savage, and mercilessly satirical. It takes on the the TV-junkie generation, ripping into network television with energy and vehemence. If you like dark humor and satire, like Terry Southern or Robert Downey, Sr., you will probably like this film. Just don't expect glossy visuals or a strong central narrative.

I really wanted to like this movie. With a cast like this, I expected better. Chevy Chase, Laraine Newman, John Candy, Joe Flaherty, Howard Hesseman and more. The reason I picked it up was because Ernie Anderson plays Quant O'Neil, Tunnel Vision anchorman. He only appears a few times but he narrates throughout the movie.

This movie suffers due to bad writing. I can't imagine that I would've thought this movie was funny even back in 1976 and stoned. I think I chuckled once, not sure when. It's really only worth watching to see these folks in their youth, before they became big and famous.