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Unusual biopic of notorious Australian bush-ranger Daniel "Mad Dog" Morgan (played with animation by crazy-eyed Hopper), of Irish extraction who after witnessing a bloody massacre at a gold diggers site, flees into the Victorian countryside where he attempts a robbery, is captured, incarcerated and makes a lifelong enemy of sadistic trooper Bill Hunter. Following an early release for good behaviour, he's soon mistaken for a thief, shot at and left for dead. Aboriginal tracker (Gulpilil) finds, mends and befriends the affable if at times hot-headed Irishman and the pair go on to become the quintessential criminal duo, pillaging the countryside where Morgan becomes a champion for the battler, the bane of the establishment's fragile class structure.

Meandering tale is full of memorable scenes, picturesque landscape and quirky dialogue, but never quite gels the components homogeneously. The cast is superb with Hopper's erratic and at times dramatic characterisation nicely balanced by Gulpilil as his smiling, more at ease companion, Jack Thompson as a very serious-looking trooper, and Frank Thring as a brutal superintendent with a macabre legacy in mind. Graeme Blundell has a frivolous cameo as an Italian settler, while Liza-Lee Atkinson is sure to float your boat as a horny bar-maid starstruck by Morgan's wild-boy reputation.

Violent and sadistic (e.g. Morgan's sodomy in gaol), there's a Sam Peckinpah quality to the bloody executions, where the blood pumps and spurts out of gaping wounds like sauce from a squeezy bottle. Gory elements aside, there's also plenty of humour, particularly Morgan's delight when he hears of his 'up the establishment' reputation from people he encounters while on the lam. It's a bit amateurish in parts, though it's difficult not to like and the ending's implied gruesome epitaph is both shocking and memorable.

This Australian film is based on a true story of an outlaw in the rough and ready world of the 1800's Way Down Under. It's a very rough world indeed. There are no jokes, no hijinks, no pretty lady loves. Morgan is brutalized by his environment of gold camps, opium dens, and a hellish period in prison. His one love, his one true friend, is a male aborigine who acts as both his savior and his servant.

This is, indeed, an ugly film. Yet Dennis Hopper manages to find a note of grace, and gives the film it's heart. The last portion of the film seems deeper and truer than the scenes that went before, allowing the viewer to understand more fully the complexity of a man such as Morgan.

The movie is low-budget and a bit disjointed. It is also often compelling.....and unsettling. I can't give it a high grade, due to it's poor producton values. But I'm glad it's in my collection.

If you check the credentials of Philippe Mora you will find he leans towards the outre school of film-making. In terms of cinematic crap he has managed to helm three of the all time greatest duds: THE RETURN OF CAPTAIN INVINCIBLE, SWAMP THING and the never to be forgotten, HOWLING 2 (The jury is still out on HOWLING III: THE MARSUPIALS...its either WORSE than 2 or a camp classic)

Whatever, MAD DOG MORGAN (MAD DOG in the US) offers too much to either ignore per se or to slate unmercifully. As a towering portrait of a reasonably obscure bushranger, it is just to disjointed and lacking in sane continuity to be considered a winner. Dennis Hopper's work and intense interpretation of Morgan however is just plain awesome - I consider it amongst his career highlights - up there with BLUE VELVET (are these two characters cosmically related somehow?)

The cinematography is sumptuous although on some dvd's I've noticed a strange discoloration towards the center of the screen throughout the print...oddly though it adds rather than detracts. The music is at times jarring and fully inappropriate, then before you can say "Is this one odd flick or not?" you're watching Hopper perched alone in a bar room, musing on his past and telling his would-be seductress - "I only ever knew one woman - my mother...I'm sorry." That scene alone makes the film worth watching. One of those scenes stays with you if you have any compassion whatsoever.

Frank Thring still thinks he's playing Herod from KING OF KINGS as the head of Victorian Police. His psychotic demands at the end of the film sicken even his subordinates. Clearly he is closer to an institution even than Morgan!

Excellent supporting work from Gulpilil as always. He also plays the film's didgeridoo on the soundtrack.

MAD DOG MORHAN is no thinking-person's classic, its not even an especially good film. What it DOES achieve though, is a fairly accurate representation of Australian Bush life from a bygone period. Within its budgetary limitations, insane direction and superior acting, it is a mini-beacon of sorts from the mid seventies. PICNIC AT HANGING ROCK it ain't...but neither does it generate the cringe factor of THE ADVENTURES OF BARRY MACKENZIE.

The 4.8 IMDb rating is woefully inadequate and quite absurd. This is a 5.6 (min) to 6.5 (max) if you consider the film rationally by virtue of the sum of its parts.

Despite some technical shortcomings and rather loose presentation, Mad Dog Morgan is an entertaining showcase of the Ozploitation genre. Dennis Hopper gives a strong performance, firing away as Irish prospector turned bushwhacker Daniel Morgan and there's rarely a dull moment. The pacing is quick and punchy, but not without it's more subtle dramatic moments.

Though what's most fascinating is that it's no more about crime than how easily a life can be corrupted, turning an individual into a criminal. Daniel Morgan is a confused, violent character but we sympathize with him nonetheless

All in all it's an interesting, near forgotten piece of film-making. You'd be hard pressed to find a proper version, but it's a must see for anyone interested in the sub-genre.

Philippe Mora's film has more often than not been categorized as a western but might as well be called a political drama. The central character, the famous bushranger Daniel 'Mad Dog' Morgan becomes a bandit as a result of the harsh treatment the racist and unfair government doles out to the poor and ethnic minorities in Victorian Australia. The extremities of this injustice is made clear when a Chinese settlement is burned down -without there being any notable sanctions- while Daniel Morgan is locked up for six years for stealing some clothes. The victim of condoned rape and torture in prison, Morgan swears to revenge himself on society and becomes a sort of down under Robin Hood, much loved by the common people.

Those who love smooth Hollywood storytelling will not be entertained by the rambling structure of this film. However, there are moments of rough and ready poetry to be had for those who care to take a chance and watch something out of the ordinary. Morgan's friendship with Billy, a young aboriginal who saves his life and becomes his partner in crime, lends a strong, anti racist statement to the film which is quite unique. The script is very fragmentary, only dealing with the highlights of Morgan's career. Still, the sober treatment of the story and balanced portrayal of the bandit's growing frustration with the law and life itself, makes for compelling watching.

Dennis Hopper was never better than in this part. The transformation from excitable but honest and friendly Irish immigrant to desperate and saddened outlaw, hunted down by the police and tired of running, is minimally but very persuasively handled. Those of you who are familiar with the sentimental nature of the Irish, will recognize Hopper's truthful treatment of the character.