Amor é Vida

Kabhi Kabhi – Sometimes life comes in full circle! Amit (Amitabh) loves Pooja (Rakhee) since college days.

Pooja gets married to Vijay (Shashi) and conceives Vicky (Rishi).

Vicky falls in love with Pinky (Neetu) – an adopted daughter of the Kapoors.

Pinky is the illegitimate (pre-marital sex locha) child of Anjali (Waheeda).

Anjali is wife of Amit! Anjaili gives birth (legitimate this time)to Sweetie after sleeping with Amit (her husband).

Sweetie falls in love with Vicky! Vicky rejects Sweetie – earning the wrath of Amit – for Amit was a failure in love himself and it hurt him to see that Sweetie would have to live-on with unrequited love – more or less like father, like daughter – also like mother – since her mother (Waheeda) too had been in love with someone else and was afraid to confess to Amit about her pre-marital sex, pregnancy and even delivery! Such a huge secret was hidden by Waheeda!! So a sad Amit reluctantly married an even sadder Waheeda (she was a mother after all who had given birth to a 'nanhi-pari' but never could shower her love on her – sob-sniff) and they 'copulated' lovelessly – thereby giving birth to an entity like Sweetie – whose love for Vicky went unrequited! Like Parent, Like Children – amazing huh!!

Mind it – a 1976 film – pre-marital sex and associated lochas are ramphant – why on earth do the oldies scream and shout at the youngsters saying that the current generation has gone to the dogs! Even they were not adhering to chastity or virginity – how come they expect their sons and daughters...kith and kin to behave all nice and decent and chaste!? Pooja's heart, mind and soul remains with Amit – body with Vijay. Only Vijay is the one who seems to not have had any locha affair – but what does he get as a reward? Pooja's body – well most Indian husbands will quite agree that it is enough – heart, mind and soul are difficult things to handle – it is better that the female handles it all alone – which maximum wives do by dwelling in their reverie – with some distant (existing or non-existing) dream lover!

Life & Compromise - So Pathetic Indeed!

A year after the classic 'Deewaar' (1975), the Yash Chopra-Amitabh-Shashi combination joined forces once again. But unlike the hard-hitting action-drama, this time they teamed up for a simple, poetic romantic drama.

I am normally a big fan of multi-starrers and family dramas and this is a big reason for my liking this film. The film has about 9 central characters and all of them manage to leave a mark. Also a film starring Big B and Shashi Kapoor is always a must-watch for me. The crackling chemistry they shared between them was far superior to any of the leading heroines of those times. No wonder they did more films together than with any particular heroine!

But in most of these films there is a perennial complaint of Big B tending to overshadow Shashi. But 'Kabhi Kabhie' is a heart-warming exception. Not just compared to Bachchan; but out of the entire bouquet of characters, it's Shashi who creates the biggest impression. His ever- smiling charming persona with a big heart of gold, is a complete delight. My favourite scene was where he went under the table to snoop on his son's telephonic conversation. Also the confrontation scene between him and Bachchan towards the end was terrific. It's just for him, that one could see the film time and again!

The other attraction of the film is we get to see stars like Big B, Shashi, Rakhee and Waheeda Rehman, who were in their youth; being projected in older roles. If these characters were to be played by actors who matched the age, then the film would lose half the charm.

One expects a tight narration in multi-starrers; but here the tone was kept deliberately simple. It's obvious from the start that it's gonna be a very poetic film. But unfortunately this makes the film quite boring and monotonous at parts. In fact the original premise of the Amitabh- Rakhi romance ultimately turns out to be a mere subplot. One certainly expected something more here. But just on the verge of the climax where it appeared we were headed for a melodramatic finish, we are treated to a sudden chase-sequence which was a delightful surprise. The sequence is brilliantly shot with horses, jeeps and motorbikes embroiled in a trail with blasts going off on the picturesque Kashmir mountains behind. It's the ideal finish required for a film like this.

Music by Khayyam and lyrics by Sahir Ludhianvi are highlights of the film. But there are just too many songs in the 2nd half which obstructs the pace of the film.

This was a terrific example of the versatility of Chopra who could switch effortlessly between two diverse genres. Although, he is mostly remembered as a 'King of Romance', personally I find him more capable in the action-ventures like 'Deewaar', (1975) 'Trishul' (1978) and 'Kala Patthar' (1979). As a result, 'Kabhi Kabhie' fails to match up to those standards; but is still the best romantic film of Chopra after 'Chandni' (1989).

Many consider it to be a great romantic film or even a poetic film. But for me, this film is special just because of Shashi, the star-cast and for getting to see a whole bunch of actors playing characters far older than their real age!

I was very interested in seeing this movie for a long time. It was a huge hit when it came out and it was acclaimed by critics as well.

After seeing it, I wondered if this movie would be a success if it came out today. The characters act in weird and sometimes nonsensical ways. Rishi Kapoor's character's actions really have no justification. I did like Shashi Kapoor's character, though.

Overall, this makes me wonder if we see a lot of older movies through rose tinted glasses.

"Kabhi Kabhie Mere Dil Mein" who can forget that song by the late Mukesh and Lata Mangeshkar. I first saw this movie in the mid 1970's when it was first released. The cinemas were totally packed - "House Full." The songs were already famous before the release of the movie.

Amit Malhotra, recites one of his poems at a college / university where he meets Pooja" and they both fall in love. But parents have other plans and Pooja gets married to an architect, Vijay Khanna while Amit returns home and joins his father's business - a construction company. As time passes, Pooja and Vijay have a son, Vikram, also known as "Vicky", who falls in love with Pinky Kapoor while studying and the two plan to get married. The two families meet and realise that Pinky is Doctor R.P Kapoor's daughter and that Vijay is his patient. In the meantime, Pooja who has her own TV show, interviews Amit Malhotra, who informs her that he has given up writing poetry. In the meantime, Doctor R.P. Kapoor informs his wife that he is worried about what Vijay will think when he finds out about Pinky's past.

"Kabhi Kabhie," directed by Yash Chopra, stars Amitabh Bachchan, Rakhee Gulzar, Shashi Kapoor, Waheeda Rehman, Rishi Kapoor, Neetu Singh, Parikshit Sahni, Simi Garewall and Nasreen. Ifteqar and Deven Varma make a special appearance.

This movie is "poetry in motion" totally and that is not to mention the acting, the story, cinema photography and lastly the songs. This is a typical Yashraj film where the scenery is concerned - mountains and snow.

Conclusion: This is a worthwhile to watch whenever you have the chance for "Love Is Life."

Yash Chopra's ability to make a mainstream film which is hopelessly romantic on the one hand but then, at the same time, infuse it with a sort of delicate realism when it comes to his portrayal of relationships, is quite a rarity in commercial Hindi films. Mind you, Kabhie Kabhie is neither an art film nor a middle-of-the-road, Hrishikesh Mukherjee-style sort of film, but it has this believability about it which makes it entirely different and superior to the usual fare of the times. Due credit goes of course to the script by Sagar Sarhadi and Chopra's direction. Few mainstream films of the times showed a husband and wife lying on their bed and having a casual conversation after waking up, the wife taking a bath, other female characters sitting and sewing for leisure or reading a newspaper. This situational matter-of-factness, which is also true of the poetic but rich dialogue, is characteristic of Chopra's profound narrative style, as evidenced in his other films of the time, like Deewar, Trishul, and Kaala Patthar, and it makes his films consistently engaging.

At the same time, the film never gives up its commercial mass appeal. The characters are mostly affluent and urban, although like always Chopra presents how flawed they are, how many mistakes they make, and of course the price they pay for their actions. As one would expect, the setting is pretty gorgeous, with our players all living in big, often luxurious houses, and their lifestyle is one to envy. Indeed, Kabhie Kabhie is a melodrama, but, as mentioned above, the delivery makes it always ring true even if sentimentality is unavoidable in this kind of story. It's just much more subtle than most films of its kind, and its poetic quality makes even less appropriate parts fit well within the context the film. As a cinematic experience it is just great entertainment - the film is beautifully shot, and the music, oh the music - Khayyam, the legendary musician does wonders to the film and it is his songs which make the film so memorable today. The songs give life to the film and inject meaning even into the weaker parts.

Kabhie Kabhie is an ensemble film, and needless to say, those were the days of Amitabh Bachchan's consistent rise to cinematic immortality. His depth and restraint work so well for both the character and the film, playing well in accordance with Chopra's controlled direction. Raakhee is also quietly dignified and authentic. Sadly, their appearance once the story jumps many years forward, is not entirely convincing, but they do well. Shashi Kapoor plays second-fiddle to Bachchan like in so many other films from Deewaar to Trishul, and he does a typical job, which is good. Waheeda Rehman can be counted on to give exactly what she gives here - a remarkably realistic performance. The weak links for me, not because of their acting, but because of their placement in the story, the lovely couple of Rishi Kapoor and Neetu Singh, both working hard to highlight how young and bubbly they are. Singh of course gets meatier part which carries the narrative forward. Simi Garewal is very good in a smaller part. Flawed it may be, but Kabhie Kahbie is a classic worth revisiting.