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6,0/10
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Adicionar um enredo no seu idiomaMurdered on Bourbon Street in 1942 New Orleans, a gangster returns from the dead 34 years later possessing the body of a young, black law student in his quest for revenge.Murdered on Bourbon Street in 1942 New Orleans, a gangster returns from the dead 34 years later possessing the body of a young, black law student in his quest for revenge.Murdered on Bourbon Street in 1942 New Orleans, a gangster returns from the dead 34 years later possessing the body of a young, black law student in his quest for revenge.
Louis Gossett Jr.
- Rev. Elija Bliss
- (as Lou Gossett)
Carl W. Crudup
- Tony
- (as Carl Crudup)
Julian Christopher
- Carl
- (as James Louis Watkins)
Avaliações em destaque
A solid standout from most Black flicks of the middle 70's, JD's Revenge provided an early platform for Glynn Turman (Cooley High) to prove his acting prowess. By playing essentially two characters at once, Turman's passion for the roles combines with the spookiness of the New Orleans setting for memorable results. Louis Gossett plays an excellent preacher with a sordid past. The horror edge of this film is a little heavy-handed, but it is considerably better than most of the genre. A great Black thriller.
Accomplished, but unspectacular blaxploitation horror with a tremendously ripe lead performance by Glynn Turman in presenting two very different (from placid to extreme) personalities. He plays a genuinely high flying and collected law student Isaac that during a hypnosis session experiences shocking visions and begins to undergo a personality change of a brutally hot-headed and jive-talking 1940's street hustler J.D. Walker. Through flashbacks that erupted in Isacc's mind we learn that J.D was wrongly accused of murder and then killed. Now he's seeking revenge beyond the grave and he's using Isaac to do so.
Director Arthur Macks doesn't generate anything particularly frightening with the flipped-out supernatural current, but works well with the gritty and murky air to cement tough groundwork. There is a ruthlessly razor-sharp vibe throughout, even though the make-up is cheaply done, it's Turman's tour-de-force performance that sells it. Despite a well-rounded story, there are moments in the script that seem to linger and succumb to repetitiveness with a conclusion that feels all too convenient. Robert Prince's unhinged music amusingly experiments with psychedelic sounds from foreboding electronic stings to funky cues. The rest of the performances are efficiently fair with Louis Gossett Jr. and Joan Pringle.
Director Arthur Macks doesn't generate anything particularly frightening with the flipped-out supernatural current, but works well with the gritty and murky air to cement tough groundwork. There is a ruthlessly razor-sharp vibe throughout, even though the make-up is cheaply done, it's Turman's tour-de-force performance that sells it. Despite a well-rounded story, there are moments in the script that seem to linger and succumb to repetitiveness with a conclusion that feels all too convenient. Robert Prince's unhinged music amusingly experiments with psychedelic sounds from foreboding electronic stings to funky cues. The rest of the performances are efficiently fair with Louis Gossett Jr. and Joan Pringle.
This is a startling movie starring Glynn Turman and Louis Gossett Jr. Here Glynn Turman is the innocent laid-back Ike who is a law student. Then he becomes possessed by a violent fornicating 1940s gangster. This reminds me of a Jekyel and Hyde movie. The setting of the movie is gloomy and the flashback scenes couldn't be any more eerier. The way he slapped around actress Joan Pringle when he (Glynn) was JD seem so real. To me this role fits Glynn Turman because he does it so naturally. If you are in for some suspense and thriller from the old school. This is the movie to check out.
In 1942 New Orleans gangster J.D. Walker (David McKnight) is shot to death by Elija Bliss (Lou Gossett). It is believed that he killed his wife (he didn't). Cut to 1976. Mild mannered young law student Ike (Glynn Turman) is possessed by the spirit of J.D. He immediately becomes cruel and vicious and treating his beautiful girl friend Christella (Joan Pringle) like dirt. Then he realizes his ex rival Elija is still alive as a preacher and J.D. sets out to get his revenge.
I've wanted to see this since it came out in 1976. I was 14 then and a newspaper ad showed a drawing of a gravestone and a pretty young woman lying dead in front of it with a look of horror on her face (needless to say nothing like that appears in the film). But the film only played one week and quickly disappeared--but I've never forgotten that drawing. I'm glad I finally got the chance to see it. It's not a great film but it's an interesting psychological horror film more than a blood and guts one. There's only one bloody attack scene and a shot of a dead animal being cut open (which was repeated at least 8 times).
This concentrates more on Ike being possessed and trying to fight back. It's a hard role but Turman pulls it off. The only part where he goes too far is at the end when J.D. takes complete control and Turman REALLY overdoes it. It's also kind of fun seeing Gossett (REALLY chewing the scenery) as a preacher. His speeches at church are energetic (to say the least) and a highlight. The only thing that bothers me here is the disgusting misogynistic attitude. There's a truly sick scene where Turman viciously tries to rape Pringle. The only other female roles are TWO cheating wives who eagerly jump into bed with other men and Bliss's daughter who seduces Ike (J.D.) almost immediately. Also Ike has a friend who talks about women like they should be beaten up and controlled. This attitude permeates the film and makes it a chore sometimes to watch. Still this is a somewhat interesting reincarnation movie. I give it a 7.
I've wanted to see this since it came out in 1976. I was 14 then and a newspaper ad showed a drawing of a gravestone and a pretty young woman lying dead in front of it with a look of horror on her face (needless to say nothing like that appears in the film). But the film only played one week and quickly disappeared--but I've never forgotten that drawing. I'm glad I finally got the chance to see it. It's not a great film but it's an interesting psychological horror film more than a blood and guts one. There's only one bloody attack scene and a shot of a dead animal being cut open (which was repeated at least 8 times).
This concentrates more on Ike being possessed and trying to fight back. It's a hard role but Turman pulls it off. The only part where he goes too far is at the end when J.D. takes complete control and Turman REALLY overdoes it. It's also kind of fun seeing Gossett (REALLY chewing the scenery) as a preacher. His speeches at church are energetic (to say the least) and a highlight. The only thing that bothers me here is the disgusting misogynistic attitude. There's a truly sick scene where Turman viciously tries to rape Pringle. The only other female roles are TWO cheating wives who eagerly jump into bed with other men and Bliss's daughter who seduces Ike (J.D.) almost immediately. Also Ike has a friend who talks about women like they should be beaten up and controlled. This attitude permeates the film and makes it a chore sometimes to watch. Still this is a somewhat interesting reincarnation movie. I give it a 7.
Found half-hidden in the back of my local video store, the cheesy packaging made it look like a tongue in cheek blaxploitation horror movie good for a few laughs. But the packaging misled, this is a surprisingly serious and effective supernatural revenge thriller. Nice guy cabbie/law student Ike (Glynn Turman - 'Cooley High') becomes possessed by nasty Forties pimp J.D. Walker (David McKnight). Ike/J.D. is intent on avenging the murder of his sister. Local Preacher Reverend Bliss (b-grade favourite Lou Gossett Jr.) is somehow involved.
Not a great movie, but a good one, and worth watching for Turman's excellent double turn if nothing else. This movie deserves to be better known.
Not a great movie, but a good one, and worth watching for Turman's excellent double turn if nothing else. This movie deserves to be better known.
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- CuriosidadesGhostface Killah sampled the "That was the best fuckin I ever had/That's because you been dealin with Dasheese/You gotta leave? Where you goin sugar?/I got business to take care of" dialogue for the song "Wildflower" on his 1996 album "Ironman".
- ConexõesFeatured in The 50 Worst Movies Ever Made (2004)
- Trilhas sonorasI Will Never Let You Go
Lyrics by Joseph A. Greene
Music by Robert Prince and Joseph A. Greene
Sung by Joseph A. Greene
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