Ano 2003: Operação Terra

Westworld was the film that put Michael Crichton well and truly on the map as a writer and sometime director to watch out for. His story of an amazing theme park gone wrong was revisited twenty years later, only with raptors in the place of cowboys. It could have been revisited a lot earlier, had Futureworld been a lazy, hurried sequel to it's successful predecessor. Instead the filmmakers produced something entirely original that stands on its own with no prior knowledge of the first film necessary to the average viewer.

The film begins two years after the disaster at Westworld, with the newly improved theme park Delos ready to open its doors again to the rich and influential public. Peter Fonda however smells a rat, and following a tip-off that all is not well he takes a holiday there himself, with his ex-girlfriend and fellow journalist in tow. Of course it would be a short and uneventful film if he turned out to be wrong, so he doesn't. He's right. In fact, things there are worse than he thought, but I won't give it away here. Suffice it to say that it's not only the robot technology that has improved at Delos.

Futureworld plays on the question that audiences raised following the release of Westworld - can you have sex with these robots? The answer is yes, and whilst we're not shown any (this is a family film after all) both the robots and some of the guests discuss it openly. One even quips "Once you've had sex with a robot, you'll never go back!" If Futureworld was a real place, the implications would be scary indeed.

This film seems to have attracted a lot of negative reviews which surprises me, as I felt it was a well paced science fiction thriller. It was produced by American International Pictures, with Samuel Z. Arkoff at the helm, and as such it is a very slick looking film on a very low budget. It never looks cheap, despite some of the costumes looking a little too theatrical. And why shouldn't they? After all, it's a holiday camp, not a re-enactment society.

I would recommend Futureworld to anyone who is a fan of Westworld, or of seventies science fiction in general. I would imagine if you're reading this you probably fit into the latter category!

As "Futureworld" opens, the Delos Corporation is determined to make up for all of the bad publicity they received when the robots of their Westworld environment malfunctioned. They invite several dignitaries, as well as reporters Chuck (Peter Fonda) and Tracy (Blythe Danner), convinced that they've eliminated the bugs in their program. Well, Chuck is suspicious from the start, even more so when he makes contact with a former Delos employee who wanted to spill some vital information. So when he arrives at Delos's vacation resort, he does a lot of snooping around before finding out that there's a nefarious plan being hatched by resort employees. As one can see from this synopsis, this sequel is more in the conspiracy thriller vein than the action movie vein. The summary in the Leonard Maltin paperback is quite accurate when it says "short on action, but intelligently done". It's an interesting plot, to be sure, not developing in the way one might expect it to. The pacing is deliberate, and things never really build to a fever pitch, which could disappoint those viewers hoping for a more exciting experience. It also reduces the memorable character of the robot Gunslinger (Yul Brynner briefly reprises the role) to an afterthought; it's truly disappointing to see it reduced to starring in a dream sequence. Still, this is pretty entertaining stuff that benefits from very good performances. Fonda and Danner are both appealing as always, generating some good chemistry. (One amusing touch is having Chuck always address Tracy as "Socks"!) The excellent supporting cast includes Arthur Hill as Delos employee Duffy, John P. Ryan as stiff and humourless scientist Dr. Schneider, Jim Antonio as upbeat guest Ron Thurlow, and the highly engaging Stuart Margolin as blue collar worker Harry, with bit parts played by the likes of Robert Cornthwaite, Darrell Larson, John Fujioka, and 'Password' host Allen Ludden. The film also has a good look going for it thanks to art director Trevor Williams and cinematographers Gene Polito and Howard Schwartz; the rousing music is courtesy of Fred Karlin. All in all, "Futureworld" isn't going to appeal to people who love a fast pace and major set pieces, but those looking for a more low key sci-fi flick just might want to give it a look. Seven out of 10.

Sci-fi thriller set in a park filled with robots.

The problem this movie faces is that Westworld (1973) was just so good and, a bit like Planet Of The Apes (1968), the story begins and ends in one film. Making a sequel to this sort of material is a struggle. Perhaps they should have stopped after one movie?

The other reviewers have pointed out what is wrong with Future World so I will point out what is right with it. There is an oddly touching goodbye scene between a less important park worker and his defective faceless robot pal. This scene and a few other moments make Future World worth watching.

In this infamously unnecessary (and inferior) sequel to "Westworld", Fonda and Danner play hotshot reporters invited to Delos, a fantastic (and fantastically expensive) amusement park. They are brought there, ostensibly, to relay to the public the vast changes made to the park since an unfortunate mishap a few years earlier (in which 50 people were killed!) In actuality, Fonda is there to look into the murder of a man who warned him about evil doings there, but there's still another reason that the duo was invited. The executives of the park have them in mind as part of a bigger master plan! The park is actually made up of four "worlds" with another one in the works. The reporters go to Futureworld where they are promised such exciting activities as skiing the Martian slopes (which turns out to be regular snow shot through a red gel) and riding an asteroid (?! How exactly would one do that and how could it be considered remotely entertaining?) There are a few neat gimmicky treats at Futureworld such as a chess game with holographic pieces that really move and actually take each other out of the game violently and a boxing game in which glove-like handles control the arms of two real-looking pugilists in satin shorts. However, Fonda and Danner aren't really there long enough to enjoy much more of it (and only fleeting - and boring - shots are ever shown of the other worlds.) The reporters wind up staying in a sort of dormitory, sneaking out and around whenever possible to find the real story behind the place. On one guided tour, Danner is induced into having a dream which can then be presented in video format. This is the low point of the film (or high point if one is a camp lover!) as Danner drifts around in chiffon and fake hair while Brynner (a memorable villain in the first film) pursues her all over the place. Eventually, he wards off other attackers and does a tacky, fog-shrouded dance with her and kisses her. Wow..... This is all there is to his appearance! What a rip off. Almost from the start, the film is mindless and tedious, but as it goes along, it gets more and more illogical. Just one of the many nagging questions is this: WHY, in a place where every single thing is monitored continually, are Fonda and Danner able to skulk around in highly restricted areas, flipping on lights and making noise THROUGHOUT the movie? It's ridiculous. There are two fairly decent supporting performances from Hill as an administrator and Margolin as a helpful repairman. Most of the other acting is abysmal. The leads are out of their element and share very limited chemistry. It matters little anyway because the film is so wrong-headed 90% of the time. Even though this cost more than "Westworld", it looks cheaper, with cruddy lighting, unimaginative direction and the space costuming being a particularly glaring miscalculation. Also, any potential surprise about the nature of Delos is completely spoiled during the opening credits. Skip it.

Futureworld is the sequel to 1973's Westworld. It differed from the first movie in that while Westworld could be genuinely scary, with the gunslinger marching down on everyone, (Almost like an early seventies Terminator) this movie is more like a detetctive story, as Peter Fonda and Blythe Danner try to figure out what sinister things are going on in Futureworld.

Peter Fonda was acceptable, but Blythe Danner's scratchy voice begins to grate on your nerves after a while. Yul Brynner does show up briefly, but in a contrived appearance.

This movies is mainly notable as one of the very first to use computer animation, albeit on a scale that seems laughable compared to today's movies. Worthwhile to see on cable, but don't go out of your way.