A Águia Pousou

Mussolini is rescued by German special forces. Hitler supported by Himmler (Donald Pleasence) has an idea to kidnap British Prime Minister Winston Churchill. The one-eyed Max Radl (Robert Duvall) is ordered to command the operation. He recruits IRA member Liam Devlin (Donald Sutherland) in Berlin. Churchill is visiting Studley Constable in Norfolk. Kurt Steiner (Michael Caine) leads a squad of experienced troops from the eastern front. He's weary of the Nazis and tries to save a girl from the cattle train. For that, they are forced to take part in the impossible mission. Devlin sneaks into the country and joins up with sleeper agent Joanna Grey (Jean Marsh). Local Molly Prior (Jenny Agutter) falls for charming Devlin. The squad parachutes in dressed as Polish troops. Opposing them is the pompous US Army Colonel Pitts (Larry Hagman) and his more competent second-in-command Captain Clark (Treat Williams).

This is a fun war high adventure. It's got funny scenes and some good action. The main thing holding it back is the reversal of roles. It's harder to root for the Germans in a WWII movie. It tries very hard to make Michael Caine a hero in this despite the German uniform. The story is highly unlikely but it's not really surreal. Plot believability goes out the window in this one.

OK, to respond to the "review" from Richard WA.

The movie is of course based on Jack Higgins' bestseller of the same name and like many debut books, is by far the best book he wrote - being written over a period of years as Higgins worked as a schoolteacher. It is meticulously researched and a fine read.

Now the film.

First, Of course an historically illiterate US teen would barely comprehend that history existed pre World War II or understand that the USA doesn't have a monopoly of the eagle as a national symbol. I read the book back in the mid-70's and never even thought about moon landings. For war movies/books, "eagles" are forever associated with Germany & that the USA also uses an eagle as a national symbol is purely coincidental.

Richard WA can relax in the knowledge that few outside his peer group experienced his confusion.

Second, By telling the story from the German perspective, we get a new appreciation of the German fighting man's view. Just as "Das Boot" gave us an insight into the German mind, so too does this. A similar experience can be had watching the WWII POW camp movie "The McKenzie Break" where German POW's try to escape from a British camp - quite interesting really. But I guess if you're only interested in rooting for the Red, White and Blue, this is not your thing.

Third, The accents are brilliantly done. It was decided for the movie that the comical Hollywood "German" accent would not be used. The "Ve haff vays of making you tork you schweinhund" is nowhere to be seen, instead the German characters use perfect accentless English to great effect.

Fourth, Sutherland's Irish character, Devlin, is not a Nazi sympathiser. He agrees to support the operation because the Germans offer to pay him a fortune to do so. Money for the cause etc.

Fifth, The pre-operation phase of the movie is actually too short - as the producers wanted more of an action flick than the book delivers. In the book, the planning of the operation is analysed to infinite detail, down to the uniform details and relative attributes of allied versus German parachutes. I guess if your experience is computer games, then exposure to any kind of pre-operation detail is not something you're used to.

Sixth, A newcomer in WWII Britain would certainly raise suspicion and Sutherland's character certainly does do that - not really a flaw of the book/movie but an operational problem that the Germans just had to accept given the timeframes involved.

Seventh, Jenny Agutter's character is completely unbelievable. Try to ignore that part of the movie - thankfully she's there for purely aesthetic purposes.

Eighth, The 5th columnist who already lives in the English village is actually a South African survivor of the British concentration camps - as explained in the movie. Perhaps Richard WA thought they were a German invention or more likely he's never heard of the Boer War and sleepwalked through that part of the movie.

Ninth, The "battle" scene is deliberately short to emphasise the gulf in class between German paratroops and National Guards. When the Germans are confronted by real soldiers, they're defeated in short order. Larry Hagman's character is a poor caricature and serves only to supply a comic element that's not needed - something the movie suffers from as if the producer was scared to make the movie too gritty. Richard WA's last point is most revealing. Why should Germans fight for Germany when everyone knew that they were going to lose and were on the wrong side anyway. Who ever heard of a brave German soldier fighting to the end anyway? Despite what many think, Americans don't have an monopoly on patriotism either - I doubt if he ever wonders why Steve McQueen never settled for a comfortable life in a German POW camp!

Tenth, Yeah, the tunnel is something of a contrived device...it's not in the book BTW.

Eleventh, The reason for not spiriting "Churchill" away after the attempt to kidnap him was precisely because the British wanted Germany to think he was there and not in Tehran! The whole point of a decoy is that it's visible and attracts the attention while the real principal is concealed.

In summery, the Eagle has Landed is a solid attempt to film a great book. I doubt, given the plot, that a universally appealing movie could've been made but the greatest movies ever are not universally appealing. Movies you love as children are not regarded in the same way in adulthood.

The Eagle has Landed is in many ways like "The Day of the Jackal". Most of the action goes on inside the principals' heads. Deception, mental thought processes and subterfuge don't make good cinema. However the movie has some very good points:

Great locations. Great actors doing good jobs (Jenny Agutter excepted) - especially Donald Pleasance doing the best ever spine-chilling portrayal of Himmler. Good twist at the end. Challenging portrayal of "the enemy".

I recommend it - it's not "A Bridge Too far" but it's pretty good.

Based on a best-selling tall story by Jack Higgins, and featuring an all-star cast that must've cost half the budget just to get to sign up for the project, The Eagle Has Landed is an enjoyable but slightly overlong wartime actioner.

German soldier Max Radl (Robert Duvall) comes up with an audacious plot to deliver a devastating blow to the Allied forces by kidnapping Winston Churchill from a Norfolk village. A team of deadly German spies, led by Kurt Steiner (Michael Caine), are smuggled into England to carry out this sinister scheme. Aided by an Irish mercenary (Donald Sutherland), the German forces rapidly and ruthlessly close in on their target. Only an inexperienced American garrison, posted in a quiet corner of Norfolk, can stand in the way of a devastating German victory.

The Eagle Has Landed is one of the few films where the all-star cast doesn't have a detrimental effect. In films like A Bridge Too Far and The Longest Day, the presence of so many stars actually results in a game of "star-spotting", and this diverts the audience's attention away from important plot developments. In The Eagle Has Landed, each actor brings depth and charisma to their strongly written roles (especially Sutherland as the devious Irish rogue, and Duvall as an eye-patch wearing Nazi). This film's faults lie elsewhere. The opening hour and a quarter goes on rather too much and ought to have been trimmed by at least fifteen minutes. Also, the plot rides its luck with increasingly less likely, less plausible developments (especially the unpersuasive "twist" ending). For these reasons, The Eagle Has Landed isn't quite the excellent film you might be hoping for. What it is, however, is an enjoyable, well-acted and very watchable slice of escapism.

I almost gave up on this film after the first hour. It was just too slow for me and I was having difficulty picking up some of dialog with the foreign accents (no subtitles are offered on the DVD).

However, once the "invasion" started the film was very interesting. The only ridiculous part was the role played by Larry Hagman. Liberal Hollywood loves to portray every Southerner as a gung-ho, out-of-control military freak. If I was from the South, I would have been highly offended at this stereotype.

What's really different about this film is that it's a World War II story told from the German side where the Germans are pictured as humane people. You don't see that too much from English-speaking filmmakers.

Michael Caine is the most likable of these people, one of those given the assignment of kidnapping Winston Churchill (interesting premise, off the best- selling book by Jack Higgins). Donald Sutherland plays an Irishman recruited to help in the kidnapping and he's fun to watch.

This is really a man's movie, something like "The Guns Of Navarone," but they inserted Jenny Agutter in here to give the viewers a pretty face and some romance, even though it has absolutely no bearing on the story.

Robert Duvall, Jean Marsh, Treat Williams, Donald Pleasance and Anthony Quayle are some of the other "name" actors who contribute. All in all, a pretty good movie if you can get by that first hour!

This is an exceptional war movie about a supposed plot by the Nazis to kidnap Churchill. Michael Caine is a German officer who speaks perfect English and leads a team of paratroopers who are disguised as Poles. The cover story is that they are a Free Polish regiment on maneuvers in Britain. At the same time, IRA leader Donald Sutherland helps lay the groundwork for their arrival.

The story is very complex and the acting is first-rate. Provided you don't think too much, this is a highly entertaining film. Sure, the Nazis didn't attempt such a mission, but I enjoyed this alternative history movie.