AVALIAÇÃO DA IMDb
5,5/10
1,2 mil
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaA mid-19th-century mulatto slave is torn between his success as a pit-fighter and the injustices of white society.A mid-19th-century mulatto slave is torn between his success as a pit-fighter and the injustices of white society.A mid-19th-century mulatto slave is torn between his success as a pit-fighter and the injustices of white society.
- Direção
- Roteiristas
- Artistas
Cheryl Smith
- Sophie Maxwell
- (as Rainbeaux Smith)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
After reading all the reviews about this film, I was expecting either a sleaze-fest or a camp-fest (or both), but I was pleasantly (?) surprised. Although there are undeniably exploitational elements here (incest, castrations, torture), the director doesn't really linger over them. Nobody would mistake this for a thoughtful study on the mistreatment of black slaves in early 19th-century America, but it's a surprisingly well-made film, and the recreation of the period is just fine. The major weakness of "Drum" is that the male lead, Ken Norton, simply can't act; thankfully, Warren Oates and Yaphet Kotto certainly can. Pam Grier is wasted, however, and Colicos is positively ludicrous as a gay slave-trader. (**1/2)
'Drum' is the kinda sorta sequel to 'Mandingo', a movie that tried to walk a fine line between being a "serious" drama and a silly but fun exploitation movie. The director this time around is Steve Carver who made the trash classics 'Big Bad Mama' and 'The Arena', and he doesn't even attempt to disguise the Drive-In feel of this one. Ken Norton once again stars but plays a different character than in 'Mandingo'. Warren Oates plays Hammond Maxwell who Perry King played in the first movie. The idea that they are the same man is totally ridiculous and unbelievable, but once you can get over that hurdle you are in for a good time. Oates is outrageously amusing but without resorting to the hamminess that James Mason brought to 'Mandingo'. He is simply a joy to watch, as an uncouth but charming slave owner, and is the number one reason to hunt down this movie. Oates terrific performance more than makes up for Norton's dull turn. Also very good is Yaphet Kotto ('Blue Collar') as Drum's friend turned enemy Blaise, also one of Oates' slaves. Kotto is excellent (as usual) and it's a pity he wasn't the star instead of Norton. Fiona King ('The Fury') plays Oates' wife to be and is entertaining, as is Rainbeaux Smith ('Caged Heat') as Oates slutty daughter (a similar role to Susan George's in 'Mandingo' but much more enjoyable). Also noteworthy is John Colicos ('The Postman Always Rings Twice') as a very evil and camp slave owner who vows to kill Drum who spurns his salacious advances. The impressive cast also includes blaxploitation legend Pam Grier ('Black Mama, White Mama') who sadly doesn't have all that much screen time, and Oates 'Bring Me The Head Of Alfredo Garcia' co-star Isela Vega, who doesn't have much more. 'Drum' is pure exploitative trash and proud of it. If you take it in that spirit and not as a serious study of racism in 19th century America you'll enjoy it immensely. Especially when watching Warren Oates in one of his most enjoyable and underrated performances. This movie is essential viewing for all Oates fans.
Drum, in my opinion, was much more enjoyable than Mandingo. It's more an action film than a drama. Ken Norton gets to say more dialogue, even though he's still no actor. The big plus for Drum is that it's not as long as Mandingo. The cast delivers very bizarre performances, including John Colicos as Drum's evil gay ex-boss, and Warren Oates does well as Hammond Maxwell, although he doesn't have the same wickedness that Perry King portrayed him with in the first film.
The final showdown, with the battle between black slaves and rich white people, plus the burning mansion, goes to show that there were some slaves in those days who were mad as hell and weren't gonna take it anymore!
Rating: ***
The final showdown, with the battle between black slaves and rich white people, plus the burning mansion, goes to show that there were some slaves in those days who were mad as hell and weren't gonna take it anymore!
Rating: ***
Ha ha ha ha .....this movie was out there. Okay i'm a 31 year black male and a movie buff.I like movies good and bad, but a really love campy movies. Drum is now my favorite movie on all time!!!! The acting was terrible, the direction was worst,but i loved it!!! The plantation owner and his slutty daughter were the most outrageous characters in the entire movie...i love slavery movies or any movie set in the antibellum south..i saw mandingo and loved it!!!...i didn't even know drum existed until i saw it on late night cable tv. It was explicit,funny and probaly insulted half the viewing population! It was WILD and most of all POLITICALLY INCORRECT..WHICH IS WHAT FILMMAKING SHOULD BE!!!!!Most black people who watch this movie will probally laugh there ass off, I did! Those people who were offended, cool out. Its just really a fun movie.
For those who don't know: MANDINGO and DRUM are both adaptations of books from the Falconhurst plantation series of novels by Kyle Onstott and, later, Lance Horner. There were several books in the series; thus far I've run across about five or six of them!
DISCLAIMER: let me state right now that I am black and can totally understand how people are easily offended by these films. The thing is these films feature such sheer, unadulterated exploitation and overripe acting/dialogue that hardcore bad movie addicts will have a hard time NOT finding these films majorly entertaining! I flat-out admit that both MANDINGO and DRUM are among my favorite guilty pleasures, and I view them both as what would happen if John Waters could have gotten away with making a really sleazy soap opera set on a plantation. Some of the dialogue is so ridiculous that it's nearly impossible for me to take these films seriously at all, although the rape and torture does bring one back to the wretchedness of the situation.
Anyway, I don't know where those of you who claim that DRUM is not a sequel to MANDINGO got that idea. Warren Oates is playing the same character that Perry King did in the first film, only this story takes place about fifteen years later. He even makes veilled references to what happened at the end of MANDINGO, specifically the fates of Ken Norton and Susan George. In other words, PAY ATTENTION! And if you think this is exploitativve, go back and watch the uncut version of ROOTS again. Sure it's more "legit" than MANDINGO and DRUM, but it is every bit the exploitative soap opera that they are. For the real flavor and excellence of ROOTS, read the book.
DISCLAIMER: let me state right now that I am black and can totally understand how people are easily offended by these films. The thing is these films feature such sheer, unadulterated exploitation and overripe acting/dialogue that hardcore bad movie addicts will have a hard time NOT finding these films majorly entertaining! I flat-out admit that both MANDINGO and DRUM are among my favorite guilty pleasures, and I view them both as what would happen if John Waters could have gotten away with making a really sleazy soap opera set on a plantation. Some of the dialogue is so ridiculous that it's nearly impossible for me to take these films seriously at all, although the rape and torture does bring one back to the wretchedness of the situation.
Anyway, I don't know where those of you who claim that DRUM is not a sequel to MANDINGO got that idea. Warren Oates is playing the same character that Perry King did in the first film, only this story takes place about fifteen years later. He even makes veilled references to what happened at the end of MANDINGO, specifically the fates of Ken Norton and Susan George. In other words, PAY ATTENTION! And if you think this is exploitativve, go back and watch the uncut version of ROOTS again. Sure it's more "legit" than MANDINGO and DRUM, but it is every bit the exploitative soap opera that they are. For the real flavor and excellence of ROOTS, read the book.
Você sabia?
- CuriosidadesThe "Falconhurst" novel series of books are (in order of publication): Mandingo (1957), Drum (1962), Master of Falconhurst (1964), Falconhurst Fancy (1966), The Mustee (1967), Heir to Falconhurst (1968), Flight to Falconhurst (1971), Mistress of Falconhurst (1973), Six-Fingered Stud (1975), Taproots of Falconhurst (1978), Scandal of Falconhurst (1980), Rogue of Falconhurst (1983), Miz Lucretia of Falconhurst (1985), Mandingo Master (1986), and Falconhurst Fugitive (1988).
- Citações
Regine: And titties! You likes big titties, don't ya?
Hammond Maxwell: Oh, you know I loves big titties.
- ConexõesFeatured in Warren Oates: Across the Border (1993)
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- How long is Drum?Fornecido pela Alexa
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