AVALIAÇÃO DA IMDb
4,0/10
2,3 mil
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaCaptain S Melly has been sent to a mixed anti-aircraft battery. His mission? To instil a sense of order in the troops, who are more concerned with capturing the opposite sex than the enemy.Captain S Melly has been sent to a mixed anti-aircraft battery. His mission? To instil a sense of order in the troops, who are more concerned with capturing the opposite sex than the enemy.Captain S Melly has been sent to a mixed anti-aircraft battery. His mission? To instil a sense of order in the troops, who are more concerned with capturing the opposite sex than the enemy.
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Avaliações em destaque
During WW II., a short but aggressive major tries to regulate an experimental "mixed" military team, consisting of both men and women.
One of the worst in the series that was really at the end of its tether, a dimly unamusing comedy with feeble and well-telegraphed jokes and very uncomfortable cast. An appalling and alarming sign that too many new faces appeared on both sides of the camera, none of which having much fun.
One of the worst in the series that was really at the end of its tether, a dimly unamusing comedy with feeble and well-telegraphed jokes and very uncomfortable cast. An appalling and alarming sign that too many new faces appeared on both sides of the camera, none of which having much fun.
this is absolutely awful. I heard that Carry on Emmanuelle was the worst of the series, but this really is. I bought this and started watching it four times then turned it off...only watched it fully the fifth time around, it's really that bad.
Joan Sims looks bloated and old, Kenneth Connor's not the little bloke with humorous quirks that we know and love him for in the series...there's nothing in here that actually works. There's no gags that are humorous.
There's a hugely embarrassing scene where there's a soldier blinking heavily....and Kenneth Connor asks him 'why he's blinking'. The gag commences for a minute 'why are you blinking?' 'no I'm blinking not' 'yes you blinking are'....That unfortunately is the level of humour used in this awful film.
You can see them trying to go back to Carry on Sergeant...but that's like trying to find Debbie Harry attractive when she's an eighty year old pensioner based on 'how she used to be'.
Kenneth Connor in his first lead role for the Carry on's deserved better than this. Patrick Mower is not carry on material.
avoid.
Joan Sims looks bloated and old, Kenneth Connor's not the little bloke with humorous quirks that we know and love him for in the series...there's nothing in here that actually works. There's no gags that are humorous.
There's a hugely embarrassing scene where there's a soldier blinking heavily....and Kenneth Connor asks him 'why he's blinking'. The gag commences for a minute 'why are you blinking?' 'no I'm blinking not' 'yes you blinking are'....That unfortunately is the level of humour used in this awful film.
You can see them trying to go back to Carry on Sergeant...but that's like trying to find Debbie Harry attractive when she's an eighty year old pensioner based on 'how she used to be'.
Kenneth Connor in his first lead role for the Carry on's deserved better than this. Patrick Mower is not carry on material.
avoid.
A slow-action and grimly humourless replay of Carry On Sergeant, Carry On England misjudges the saucy seaside charm of the franchise and, in an attempt to keep pace with comedy trends, replaces it with on-the-nose smut and low-level sex action playing out like a misguided, mash-up episode of Dad's Army and It Ain't Half Hot Mum. Even with the ever-enthusiastic Windsor Davies and Melvyn Hayes playing almost carbon copies of their respective characters from the latter sitcom, the paucity of the script and concept behind it is plain to see. The sexual frustration, constant innuendo and innocent banter have been completely abandoned and in its place is a more vulgar and arrogant style of comedy that struggles even with lavatorial humour; besieged by a steady stream of dreadful puns, single-handedly having to put across the worst selection of jokes in Carry On history with conviction. The more open-minded attitude to sex, with sequences featuring topless nudity only adds to the feeling that the series is, by now, clutching at straws. Even with a couple of funny moments and a clutch of actors always worth watching regardless of poor material, for a comedy, Carry On England is a pretty dismal affair as if the entire life force and humour have been drained from it by some vampiric entity. A shambolic mess consisting of the lowest hanging fruit when it comes to lewd humour and pathetic attempts at slapstick, it plays more like an obscene parody of a Carry On film than an actual Carry On film.
Unable to raise a few laughs, CARRY ON ENGLAND is the swan song of the serie. Even afterwards, CARRY ON EMMANUELLE or/and COLOMBUS made it too painful to live through.
The screenplay is simply non-existent, just a symptom of one. The lead characters are poor. The cinematography is plain Tv-movie like. The routine is based on trousers taken off, shoutings, lovemaking then trousers taken off, shoutings, lovemaking then, oh, I forgot, some breasts quickly shown. Simply NOT FUNNY.
Joan Sims has a ridiculous part and it's real shame, being the only decent actress all around. Judy Geeson is awfully bad, giving the worst performance of her career with Norman J Warren's INSEMINOID. Peter Rogers & Gerald Thomas were incapable of finding a new breath in the Carry On serie : the new actors just don't work together and the screenwriters (they were two!!!) just try to put some rehash of some stuff made years ago and way much better.
I really missed Hattie Jacques, Kenneth Williams, Barbara Windsor and the whole bunch. They were worth watching any Carry On even though the screenplays were really poor, like in CARRY ON AT YOUR CONVENIENCE. But I guess everything has an end, but this one is really painful to watch. My fast forward button still remember it!
If you want to try something really funny, then get CARRY ON MATRON or CARRY ON UP THE KHYBER, these are are true gems. But you can pass that one.
2/10
The screenplay is simply non-existent, just a symptom of one. The lead characters are poor. The cinematography is plain Tv-movie like. The routine is based on trousers taken off, shoutings, lovemaking then trousers taken off, shoutings, lovemaking then, oh, I forgot, some breasts quickly shown. Simply NOT FUNNY.
Joan Sims has a ridiculous part and it's real shame, being the only decent actress all around. Judy Geeson is awfully bad, giving the worst performance of her career with Norman J Warren's INSEMINOID. Peter Rogers & Gerald Thomas were incapable of finding a new breath in the Carry On serie : the new actors just don't work together and the screenwriters (they were two!!!) just try to put some rehash of some stuff made years ago and way much better.
I really missed Hattie Jacques, Kenneth Williams, Barbara Windsor and the whole bunch. They were worth watching any Carry On even though the screenplays were really poor, like in CARRY ON AT YOUR CONVENIENCE. But I guess everything has an end, but this one is really painful to watch. My fast forward button still remember it!
If you want to try something really funny, then get CARRY ON MATRON or CARRY ON UP THE KHYBER, these are are true gems. But you can pass that one.
2/10
Rotten script Wrong actors. Patrick Mower was not suited to comedy and neither was judy gleeson.this should of had Trevor Bannister and wendy richard it would of been better.Kenneth Connor looks like he would rather be somewhere else only Windsor Davis comes out with any credit.
Você sabia?
- CuriosidadesThe film was poorly received by the public and was pulled by some cinemas in England three days after opening. It only recovered the production cost after sales to television companies and international releases. It was the worst performing "Carry On" movie at the box office since Carry on at Your Convenience (1971).
- Erros de gravaçãoWhen the female recruits parade topless, only half of them assemble. This was due to the refusal of the principal cast to take their tops off.
- Citações
Capt. S. Melly: Are you a ventriloquist?
Bombardier Ready: Oh no. Church of England.
- Versões alternativasTwo versions of the plane recognition scene exist. On the 2001 VCI/Cinema Club DVD, Patrick Mower's ad lib "No, but I know a Fokker when I see one" is used. This was removed prior to the film's theatrical release in favour of a different take featuring the scripted response "well, Bristols usually come in pairs" in order to get to get a lower certificate. The Bristols version is the one used on BBC TV and the later 2003 Special Edition DVD release included both versions.
- ConexõesEdited into What a Carry On: Episode #1.1 (1984)
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- How long is Carry on England?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Central de atendimento oficial
- Idioma
- Também conhecido como
- Ist ja irre - Retter der Nation
- Locações de filme
- Empresa de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- £ 220.000 (estimativa)
- Tempo de duração
- 1 h 29 min(89 min)
- Mixagem de som
- Proporção
- 1.85 : 1
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