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Carrie, A Estranha

Título original: Carrie
  • 1976
  • 16
  • 1 h 38 min
AVALIAÇÃO DA IMDb
7,4/10
221 mil
SUA AVALIAÇÃO
POPULARIDADE
1.871
39
Sissy Spacek in Carrie, A Estranha (1976)
Home Video Trailer 1
Reproduzir trailer1:26
12 vídeos
99+ fotos
Terror adolescenteTerror sobrenaturalTragédiaHorrorMistério

Carrie White, uma adolescente tímida e sem amigos que é protegida por sua mãe religiosa e dominadora, libera seus poderes telecinéticos depois de ser humilhada por seus colegas de classe em ... Ler tudoCarrie White, uma adolescente tímida e sem amigos que é protegida por sua mãe religiosa e dominadora, libera seus poderes telecinéticos depois de ser humilhada por seus colegas de classe em seu baile de formatura.Carrie White, uma adolescente tímida e sem amigos que é protegida por sua mãe religiosa e dominadora, libera seus poderes telecinéticos depois de ser humilhada por seus colegas de classe em seu baile de formatura.

  • Direção
    • Brian De Palma
  • Roteiristas
    • Stephen King
    • Lawrence D. Cohen
  • Artistas
    • Sissy Spacek
    • Piper Laurie
    • Amy Irving
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    7,4/10
    221 mil
    SUA AVALIAÇÃO
    POPULARIDADE
    1.871
    39
    • Direção
      • Brian De Palma
    • Roteiristas
      • Stephen King
      • Lawrence D. Cohen
    • Artistas
      • Sissy Spacek
      • Piper Laurie
      • Amy Irving
    • 694Avaliações de usuários
    • 212Avaliações da crítica
    • 86Metascore
  • Veja as informações de produção no IMDbPro
    • Indicado a 2 Oscars
      • 6 vitórias e 9 indicações no total

    Vídeos12

    Carrie
    Trailer 1:26
    Carrie
    Carrie
    Trailer 2:03
    Carrie
    Carrie
    Trailer 2:03
    Carrie
    5 Iconic Prom Scenes to Watch
    Clip 0:59
    5 Iconic Prom Scenes to Watch
    What to Watch After "I Am Not Okay With This"
    Clip 3:39
    What to Watch After "I Am Not Okay With This"
    Carrie: Prom
    Clip 3:38
    Carrie: Prom
    Carrie: Mother!
    Clip 2:34
    Carrie: Mother!

    Fotos461

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    Elenco principal35

    Editar
    Sissy Spacek
    Sissy Spacek
    • Carrie White
    Piper Laurie
    Piper Laurie
    • Margaret White
    Amy Irving
    Amy Irving
    • Sue Snell
    John Travolta
    John Travolta
    • Billy Nolan
    William Katt
    William Katt
    • Tommy Ross
    Nancy Allen
    Nancy Allen
    • Chris Hargenson
    Betty Buckley
    Betty Buckley
    • Miss Collins
    P.J. Soles
    P.J. Soles
    • Norma
    Priscilla Pointer
    Priscilla Pointer
    • Mrs. Snell
    Sydney Lassick
    Sydney Lassick
    • Mr. Fromm
    Stefan Gierasch
    Stefan Gierasch
    • Mr. Morton
    Michael Talbott
    Michael Talbott
    • Freddy
    Doug Cox
    Doug Cox
    • The Beak
    Harry Gold
    Harry Gold
    • George
    Noelle North
    Noelle North
    • Frieda
    Cindy Daly
    • Cora
    Deirdre Berthrong
    Deirdre Berthrong
    • Rhonda
    Anson Downes
    • Ernest
    • Direção
      • Brian De Palma
    • Roteiristas
      • Stephen King
      • Lawrence D. Cohen
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários694

    7,4220.8K
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    Avaliações em destaque

    8movieguy1021

    Carrie: 8/10

    Carrie boomed Sissy Spacek's and John Travolta's career. I understand why.

    Carrie starts off at a gym locker room, where we find out how much the other kids hate Carrie. But, we find out that Carrie has some powers. Like in other Stephen King book-movies, the supernatural aspect is only minor compared to the rest of the story, but it comes into play at the end. Carrie's mom (Piper Laurie) is an over-protective religious zealot who makes The Royal Tenenbaums seem normal. So Carrie tries to cope with her horrible life, but it's getting tougher and tougher.

    Spacek is exceptional as Carrie, and I now know why she was nominated for Best Actress. Her emotions are real, not some fake tear drops that make us think she's sad. Either she has great motivation, or she's one of the best actresses of the century (or both!). Laurie was equally good as her mother who locks Carrie up in a closet everytime she thinks that Carrie has sinned. This movie wouldn't be half of what it was if the acting wasn't so great. When Carrie was sad, you were sad. When the other kids ridiculed her, you felt like you wanted to kill the kids. When she smiled, you smiled. Emotions that raw couldn't come from just any movie.

    If you know me, I'm a stickler for character developement. Carrie didn't take much time, but from the opening scene you knew about Carrie and her weakness. So are the secondary characters; they're nicely developed even if their role isn't that major. Travolta had a miniscule role, but he was fine in it; it led to Grease and Saturday Night Fever.

    The prom scene has got to be one of the most memorable scenes from a horror movie. That red tint is awesome; it's like a premonition. In fact, the movie is full of premonition: the red tint, the freaky looking voodoo doll, "They're all going to laugh at you." I'm assuming that director Brian De Palma meant to put that in, so it just isn't about some supernatural powers, it's also about foreshadowing. Also, I dig that camera movement during the dancing.

    The blood and gore wasn't held back, but they just put in what was necessary. De Palma obviously stole from Hitchcock's Psycho, mainly the music cue whenever Carrie is using her telepathy. Also, her school, Bates High, is another Psycho refrence.

    Carrie was also very creepy. It wasn't a thrill-a-minute, but at the ending, that was Scary with a capital S. The last ten or twenty minutes were scare-inducing for sure. That last jump scene in the dream...wow! It's still jumping at me. If there was one complaint I had to do about the movie, it's that it took too much time to get to main scene and the prom went on a little too long, but other than that it's a first class horrror/thriller that any horror buff needs to see.

    My rating: 8/10

    Rated R for nudity, some language, and blood.
    8Nazi_Fighter_David

    "Carrie" marked Brian De Palma's breakthrough

    It is a classic offbeat horror-melodrama merging harmoniously the family Gothic extravaganza, supernatural power, and a woman's movie of a peculiar kind… It remains the cinema's best adaptation of a Stephen King novel…

    The film initiated De Palma's inclination for surprise diverts between playful imagination and reality, as in the opening, which swifts from a soft-core porn fantasia of girls taking a shower in the locker room to the fact of Carrie's menstruation for the first time—the first sign of "otherness" that will reserve her as an horrifying monster from her small-minded colleagues…

    All the oppression that Carrie undergoes both at home (with a bible beating maniacal mother played by scary Piper Laurie who develops twisted bizarre ideas) and at school to suppress tension which takes the shape of super telekinetic power, the ability to move objects with the strength of her mind… We observe with ambivalence as Carrie's insatiable revenge jumps the line into uncontrolled mass murders ever filmed…

    Sissy Spacek is amazing as the mocked, helpless girl pushed over the edge… Her face and body twist like a living special effect to unleash her pent up rage, as well as her character's alarming progress from painfully shy high-school teenager to Angel of Vengeance
    8yiannos_p

    Anyone who expected just another horror movie is obviously dissapointed!

    I just came back from a special showing of Carrie in the student's cinema of my university and I must say one thing: THANK YOU to the director, for this is one of the best, most moving films I've ever seen. I honestly don't understand the "it's not scary" mentality!

    Now, whether you want to call this horror film or thriller or whatever else is up to you, but I think Carrie's scope cannot reaches beyond just one genre! It is a thriller, but at the same time a very humane movie. You can feel the girl hurting, you hate her mother, you dislike her friends! This movie wasn't made for cheap scares: every scene is brilliantly captured. The scary parts may be rare but when they are there you just can't move from your seat!

    The acting is also excellent, Sissy Spacek of course deserving most of the credit, but that is not to say that the other actors aren't great too.

    Concerning the script, all the credit goes of course to Stephen King. When you see this movie you can really tell the difference between an artist like him an some cheap Hollywood writer (Scream?). There is so much more to the story than: -Booooo! -Aaaaaa!

    So, if you want to see a "scary movie", go see Scream or some other shallow horror film. However if you are looking for a terrifying but also moving film, Carrie is just right for you. And please, if you must put this work of art into one genre, its better if you put it in social drama rather than horror film. Of course it's not scary! It's MUCH more than just that.
    tedg

    Kinetic Energy

    Youthful energy. That's what this is -- and what it is about.

    Spacek, King and Depalma are all at their most committed exuberance. Sometimes callow, but sometimes so rawly honest one often tingles quite apart from the story. See it on this basis alone. DePalma's camera has a sense of dance -- Scorcese does too, but DePalma's is more emotional. Spacek is so clean in her acting that her ability frightens. How strange it went away, like a poltergism.

    The story has a haunting tone, also centered on youth and yearning. Menarche as a horror, the innocent acceptance/fear of the basest religion, the brash director intelligently spoofing Hitchcock. Odd mix that, so an odd and intriguing experience.
    9Snake-666

    A classic!

    Perhaps one of the only genuinely good Stephen King adaptations, ‘Carrie' follows the tragic tale of Carrie White (Sissy Spacek), a young girl who is continually made to suffer at the hands of her bullying classmates and not helped by her overbearing, religious mother Margaret (Piper Laurie). Carrie, however, is not like regular teenagers as she has been blessed(?) with telekinetic powers and as the inner rage grows within Carrie so, it seems, do these potentially lethal abilities.

    Brian De Palma directed this amazingly stylish adaptation of Stephen King's first novel which is arguably the best Stephen King adaptation ever to be made. Sissy Spacek's performance is one of the greatest to ever grace a horror film. Somehow managing to perfectly embody the typical school life of the usual high school outcasts, Spacek was able to bring to everyone the appalling life that so many teenagers are forced to tolerate. From the opening scenes where Carrie is utterly humiliated at the hands of her classmates after Carrie's hysterical reaction to her first menstruation, to the painfully wretched ending it becomes nigh on impossible not to sympathise with Spacek's character. Spacek was quite rightly Oscar-nominated for this performance. Spacek's performance was enhanced by fellow Oscar-nominee Piper Laurie in the role of the religious-nut Margaret White. In some ways the naivety shown towards Carrie and what is happening to her is amusing but at the same time it is terrifying to think that any mother could allow her daughter to go though such a generally horrendous life. Piper Laurie was able to make this all too abhorrent character her own with a thoroughly convincing and unsettling performance.

    De Palma cleverly directs this movie. Instead of immediately introducing us to Carrie's powers he focuses on the torment (and the tormentors) of Carrie first. This allows the viewer to feel for Carrie and will her towards revenge while ensuring that she is not made into a one-dimensional killer. The movie is very well paced and is presented in a brutally clear fashion. De Palma refrains from using any visual effects with the exception of the infamous `Prom Night' scene which was incredibly well crafted and immersed the viewer in this horrifying display of rage. The final twenty minutes of Carrie are some of the most intense and gripping moments to have been portrayed in horror cinema. These scenes without a doubt helped to build one of the most artistic and and incredible climaxes in all of film.

    ‘Carrie' is not for those who just want to see people sliced up or prefer fast-paced horror as it is presented as a heart-breaking drama with a horrifying twist. The magnificent cast (which features John Travolta in an early role) was also graced with fantastic performances from Betty Buckley as the kindly gym teacher and Nancy Allen as Chris, the deplorable ring leader of this atrocious bullying. In my opinion ‘Carrie' is unquestionably worth a look for horror fans. 'Carrie' is very well directed, with a superb screenplay from Larry Cohen and featuring two of the greatest performances in horror. My rating for ‘Carrie' – 9/10.

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    Mistério

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    Você sabia?

    Editar
    • Curiosidades
      When Sissy Spacek was preparing for her character, she isolated herself from the rest of the ensemble, decorated her dressing room with heavy religious iconography and studied Gustave Doré's illustrated Bible. She studied "the body language of people being stoned for their sins," starting or ending every scene in one of those positions.
    • Erros de gravação
      Stephen King's name is spelled "Steven King" in the trailer.
    • Citações

      Margaret White: [referring to Carrie's prom gown] Red. I might have known it would be red.

      Carrie: It's pink, Mama.

      [presenting her corsage]

      Carrie: Look what Tommy gave me, Mama. Aren't they beautiful?

      Margaret White: I can see your dirty pillows. Everyone will.

      Carrie: Breasts, Mama. They're called breasts, and every woman has them.

    • Versões alternativas
      The original network TV version opens with an alternate pan across the girl's locker room with most girls wearing at least bras and panties - Nancy Allen is naked but covers herself with a towel. There is a mid-scene dissolve and some brief additional slow motion in a sloppy effort to re-sync the soundtrack, because this shot was shorter than the original one. This alternate take of the shower scene was shot specifically for the network television version of 'Carrie'. Also notable during this sequence, the on-screen credits are white (instead of red) and centered on the screen. Most profanity, especially during the scene with John Travolta and Nancy Allen arguing while he is driving, is re-looped to remove bad language. However, alternate, non-profane takes are used when Travolta and Allen are stopped in a parking lot just before the oral sex scene (which of course is deleted). In recent years, this print of the movie has vanished from circulation.
    • Conexões
      Edited into A Noite do Terror Rastejante (1976)
    • Trilhas sonoras
      Education Blues
      (uncredited)

      Written by Glen Vance and Mike Towers

      Performed by Vance or Towers

      Courtesy of A&M Records

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    Perguntas frequentes37

    • How long is Carrie?Fornecido pela Alexa
    • Why does Carrie's house cave in on itself and catch fire at the end?
    • Why does Carrie's mom try to kill Carrie?
    • Whatever happened to the band Vance Or Towers who performed for the School Prom? Are the Singer-Musicians in that band still rocking nowadays?

    Detalhes

    Editar
    • Data de lançamento
      • 8 de agosto de 1977 (Brasil)
    • País de origem
      • Estados Unidos da América
    • Central de atendimento oficial
      • Facebook
    • Idioma
      • Inglês
    • Também conhecido como
      • Carrie: Extraño presentimiento
    • Locações de filme
      • 124 N 7th St, Santa Paula, Califórnia, EUA(Carrie White's house, demolished)
    • Empresa de produção
      • Red Bank Films
    • Consulte mais créditos da empresa na IMDbPro

    Bilheteria

    Editar
    • Orçamento
      • US$ 1.800.000 (estimativa)
    • Faturamento bruto nos EUA e Canadá
      • US$ 33.800.000
    • Faturamento bruto mundial
      • US$ 33.861.748
    Veja informações detalhadas da bilheteria no IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      • 1 h 38 min(98 min)
    • Cor
      • Color
    • Mixagem de som
      • Mono
    • Proporção
      • 1.85 : 1

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