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Carrie, A Estranha

Título original: Carrie
  • 1976
  • 16
  • 1 h 38 min
AVALIAÇÃO DA IMDb
7,4/10
220 mil
SUA AVALIAÇÃO
POPULARIDADE
2.037
617
Sissy Spacek in Carrie, A Estranha (1976)
Home Video Trailer 1
Reproduzir trailer1:26
12 vídeos
99+ fotos
HorrorMistérioTerror adolescenteTerror sobrenatural

Carrie White, uma adolescente tímida e sem amigos que é protegida por sua mãe religiosa e dominadora, libera seus poderes telecinéticos depois de ser humilhada por seus colegas de classe em ... Ler tudoCarrie White, uma adolescente tímida e sem amigos que é protegida por sua mãe religiosa e dominadora, libera seus poderes telecinéticos depois de ser humilhada por seus colegas de classe em seu baile de formatura.Carrie White, uma adolescente tímida e sem amigos que é protegida por sua mãe religiosa e dominadora, libera seus poderes telecinéticos depois de ser humilhada por seus colegas de classe em seu baile de formatura.

  • Direção
    • Brian De Palma
  • Roteiristas
    • Stephen King
    • Lawrence D. Cohen
  • Artistas
    • Sissy Spacek
    • Piper Laurie
    • Amy Irving
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    7,4/10
    220 mil
    SUA AVALIAÇÃO
    POPULARIDADE
    2.037
    617
    • Direção
      • Brian De Palma
    • Roteiristas
      • Stephen King
      • Lawrence D. Cohen
    • Artistas
      • Sissy Spacek
      • Piper Laurie
      • Amy Irving
    • 693Avaliações de usuários
    • 210Avaliações da crítica
    • 86Metascore
  • Veja as informações de produção no IMDbPro
    • Indicado a 2 Oscars
      • 6 vitórias e 9 indicações no total

    Vídeos12

    Carrie
    Trailer 1:26
    Carrie
    Carrie
    Trailer 2:03
    Carrie
    Carrie
    Trailer 2:03
    Carrie
    5 Iconic Prom Scenes to Watch
    Clip 0:59
    5 Iconic Prom Scenes to Watch
    What to Watch After "I Am Not Okay With This"
    Clip 3:39
    What to Watch After "I Am Not Okay With This"
    Carrie: Prom
    Clip 3:38
    Carrie: Prom
    Carrie: Mother!
    Clip 2:34
    Carrie: Mother!

    Fotos461

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    Elenco principal35

    Editar
    Sissy Spacek
    Sissy Spacek
    • Carrie White
    Piper Laurie
    Piper Laurie
    • Margaret White
    Amy Irving
    Amy Irving
    • Sue Snell
    John Travolta
    John Travolta
    • Billy Nolan
    William Katt
    William Katt
    • Tommy Ross
    Nancy Allen
    Nancy Allen
    • Chris Hargenson
    Betty Buckley
    Betty Buckley
    • Miss Collins
    P.J. Soles
    P.J. Soles
    • Norma
    Priscilla Pointer
    Priscilla Pointer
    • Mrs. Snell
    Sydney Lassick
    Sydney Lassick
    • Mr. Fromm
    Stefan Gierasch
    Stefan Gierasch
    • Mr. Morton
    Michael Talbott
    Michael Talbott
    • Freddy
    Doug Cox
    Doug Cox
    • The Beak
    Harry Gold
    Harry Gold
    • George
    Noelle North
    Noelle North
    • Frieda
    Cindy Daly
    • Cora
    Deirdre Berthrong
    Deirdre Berthrong
    • Rhonda
    Anson Downes
    • Ernest
    • Direção
      • Brian De Palma
    • Roteiristas
      • Stephen King
      • Lawrence D. Cohen
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários693

    7,4220.2K
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    Avaliações em destaque

    8Disarmed-Doll-Parts

    Outstanding horror/teen drama with a fantastic 70's atmosphere.

    Carrie White (Sissy Spacek) is a misunderstood young high schooler with a freakishly obsessive Catholic mother (an amazing performance by Piper Laurie) who borders on Neo-Nazi. She is horribly bullied at her high school, especially by the sadistic Chris Hargenson (Nancy Allen), and basically ignored by every person who isn't putting her down. So when token nice girl Sue Snell (Amy Irving) decides she wants to build Carrie's confidence by giving up her place at the prom and telling her kind hearted jock boyfriend Tommy Ross (William Katt) to invite Carrie, Carrie's mentor Miss Collins (Betty Buckley) smells trouble. Sue promises all is well and Tommy ad Carrie run along to the prom. But when Chris and her dimwitted boyfriend Billy (John Travolta's second role) devise a horrible and humiliating prank, they don't take into account what has manifested inside of Carrie after all those years of torment, and how it will effect them in the films horrifying and very memorable climax.

    Brian De Palma's famous horror film, adapted from Stephen King's chilling novel, is often noted as the ultimate in teenage revenge films. De Palma used his distinctive style to make a chilling and original horror film that really is the best example of 1970's horror, the style, music, clothes, acting, dialogue and pretty much everything in the film is like a time-warp. The editing very original and you can tell the makers of the film enjoyed creating it.

    The acting is very fine, some of the best in any horror film out there. Sissy Spacek is great as the sympathetic freak, but at times you wanna slap her, she's so incredibly pathetic. Like when she's screaming about her period, running around nude. I can understand that she didn't realise what was happening, but running around like a lunatic, and bleeding on people through your vagina isn't gonna inspire sympathy from them. But since I read the book, I understand that was the intention. Piper Lurie was absolutely fantastic as the looney mother, and all the other performances were pretty passable. I have to mention PJ Soles. Her character was so awesome, I'd even go as far a to say that she was one of the (many) highlights of the film. Her character added a quirky charm the film that couldn't be matched by anybody else.

    Some of the themes explored was Carrie's journey into adulthood, shown through the way she learnt to control her powers and discovering different parts of her body and different things she can do, most obviously her first period and her telekinesis.

    Overall, CARRIE is an outstanding horror/drama. Any horror fan, or general film fan should check it out. 9/10
    9Snake-666

    A classic!

    Perhaps one of the only genuinely good Stephen King adaptations, ‘Carrie' follows the tragic tale of Carrie White (Sissy Spacek), a young girl who is continually made to suffer at the hands of her bullying classmates and not helped by her overbearing, religious mother Margaret (Piper Laurie). Carrie, however, is not like regular teenagers as she has been blessed(?) with telekinetic powers and as the inner rage grows within Carrie so, it seems, do these potentially lethal abilities.

    Brian De Palma directed this amazingly stylish adaptation of Stephen King's first novel which is arguably the best Stephen King adaptation ever to be made. Sissy Spacek's performance is one of the greatest to ever grace a horror film. Somehow managing to perfectly embody the typical school life of the usual high school outcasts, Spacek was able to bring to everyone the appalling life that so many teenagers are forced to tolerate. From the opening scenes where Carrie is utterly humiliated at the hands of her classmates after Carrie's hysterical reaction to her first menstruation, to the painfully wretched ending it becomes nigh on impossible not to sympathise with Spacek's character. Spacek was quite rightly Oscar-nominated for this performance. Spacek's performance was enhanced by fellow Oscar-nominee Piper Laurie in the role of the religious-nut Margaret White. In some ways the naivety shown towards Carrie and what is happening to her is amusing but at the same time it is terrifying to think that any mother could allow her daughter to go though such a generally horrendous life. Piper Laurie was able to make this all too abhorrent character her own with a thoroughly convincing and unsettling performance.

    De Palma cleverly directs this movie. Instead of immediately introducing us to Carrie's powers he focuses on the torment (and the tormentors) of Carrie first. This allows the viewer to feel for Carrie and will her towards revenge while ensuring that she is not made into a one-dimensional killer. The movie is very well paced and is presented in a brutally clear fashion. De Palma refrains from using any visual effects with the exception of the infamous `Prom Night' scene which was incredibly well crafted and immersed the viewer in this horrifying display of rage. The final twenty minutes of Carrie are some of the most intense and gripping moments to have been portrayed in horror cinema. These scenes without a doubt helped to build one of the most artistic and and incredible climaxes in all of film.

    ‘Carrie' is not for those who just want to see people sliced up or prefer fast-paced horror as it is presented as a heart-breaking drama with a horrifying twist. The magnificent cast (which features John Travolta in an early role) was also graced with fantastic performances from Betty Buckley as the kindly gym teacher and Nancy Allen as Chris, the deplorable ring leader of this atrocious bullying. In my opinion ‘Carrie' is unquestionably worth a look for horror fans. 'Carrie' is very well directed, with a superb screenplay from Larry Cohen and featuring two of the greatest performances in horror. My rating for ‘Carrie' – 9/10.
    8lasttimeisaw

    Carrie

    Now this Stephen King's horror classic has been confirmed for a remake which stars Chloë Grace Moretz and my diva Julianne Moore (highly likely to take on the role of the religion- maniac mother), both reinterpret two Oscar-nominated performances from Spacek and Laurie, with the juicy fodder, a belated Oscar finally seems to be approaching for my goddess (finger crossed). So it seems to be a properly perfect time for me to watch the original version for the very first time.

    Brian De Palma, has been considered Hitchcock at his time by his devotees, the similarity is both haven't received much awards-crammed recognition, but arguably De Palma is a lesser player as his oeuvre encompasses more run-of-the-mills, but CARRIE is by any standards not among them, and it could be his PSYCHO (1960) because De Palma shows off his artistry in a full-fledged sweep. For instance, there are many eye-dropping stunts: the opening credit, slow-motion of volleyball girl's changing room until Carrie's first bloody period running through her fingers; the multi-prisms perspective images after the blood splattering all over Carrie after a long-stewed happiness-hanging-by-a-thread preparation; the havoc of massacre at the prom is more supernaturally gratifying than scary.

    The mother-daughter face-off and subsequent house caving into debris scenes may be attributed to produce a more crowd-please impression (despite of its low-budget SFX and the well-expected surprise at the coda), the film could hardly be pigeonholed as a horrorfest, as Carrie is ubiquitous in every school, every class, a bully-defying story has much more drama empathy even after 35 years after its debut, which could nicely explain the ground for a remake now.

    Sissy Spacek is against the grain to portray a teenage girl due to her actual 27 years old age, the immense age difference is rarely perceivable if one doesn't know it before and Ms. Spacek is on fire in it, renders an extraordinary transformation from vulnerability to malice. Piper Laurie as well doesn't betray her Oscar nomination to give birth to a conflicting mother role which is hauntingly unforgettable. All in all, thanks to Stephen King's story to surmount many genre clichés and continue to stagger us with the rosy remake in 2013.
    lukasiak

    the first post-modern horror film

    At its heart, Carrie is not a 'horror film', but a film about horror.

    The subject matter is physical and emotional abuse; time and time again DePalma returns to the theme of abuse to create a sense of anxiety and dread. And although our hapless heroine is the primary target of abuse (from her mother, her peers, and 'authority') abuse is also meted out liberally to others---violence against women (Travolta/Allen), and public humiliation by authority figures (Buckley/her gym class) also add to the discomfort level (the John Travolta-Nancy Allen relationship is defined solely by abuse---and they in turn are the initiators of Carrie's humiliation).

    Except for Betty Buckley's gym teacher, all the characters are cartoonish archetypes---and almost all of these achetypes are brilliantly drawn. Sissy Spacek and Piper Laurie deservedly have been singled out for praise, but DePalma even managed to get the right performance out of decidedly untalented performers like Nancy Allen, William Katt (who is immeasurably aided by the kind of meticulous lighting that would have made Joan Crawford envious), and P.J. Soles.

    Buckley deserves special mention, because she does amazing things with a completely underwritten role. By humanizing what could have been just one more cartoon (the lesbian gym teacher---lesbianism is never mentioned, but Buckley's subtle performance affirms what she has acknowledged in interviews--that she played her character as a lesbian) she provides a central point of reality that keeps the film from spinning completely out of control.

    DePalma's intent was clearly not to scare the audience, but to make the audience watch the film from a distance, deliberately plagarizing two of the most notable sequences in film history---Hitchcock's shower sequence and Eisenstein's use of the three-perspective split screen. The shower scene takes place early in the film, cuing the audience into the fact that this is a film ABOUT film. And in the climactic prom sequence, DePalma distances himself, and the audience, from the bloodbath on the screen by reminding us through the 'theft' from Eisenstein that its just a movie at the most critical moment.

    There are two significant flaws in the film. For some reason, DePalma interjected a 'fast forward' comedy sequence involving the purchase of tuxedos--the sequence serves no purpose in the film, other than to restate the obvious fact that this is 'just a movie'.

    The second flaw is Amy Irving's performance. Its not horrible by any means, but it just doesn't work. Irving has grown as an actress since then (she was the only decent thing about the execrable sequel to Carrie) but the demands made of her in Carrie were beyond her skills at the time it was made. 'Chris' was supposed to be the conscience of the film, but winds up as wishy-washy.

    Oh, and DON'T watch this film on commercial television--rent the video. DePalma engages in some sacriligeous imagery that is ALWAYS cut from the film when it is shown on television---imagery that justifies the penultimate sequence of the film itself, and brings closure to it.
    Nick-337

    the original and best

    Watching the TV remake of Carrie last week just made me miss the original version all the more. There were so many elements that made the 1976 movie a classic, but I will try to name just a few...

    First of all, the original actresses could never be replaced. Sissy Spacek as Carrie White goes without saying. Sissy gave Carrie a child-like quality that no other actress can touch. You not only root for Spacek's Carrie, but you want to reach in and hug her. Equally irreplacable was Piper Laurie who brings a manic energy to her role as the religious-wacko Mrs. White. I loved how Piper and Sissy's southern accents enhanced their characters. I don't know if it was Stephen King's intention or not, but the way Carrie said "Momma" was just so southern. It was fun seeing Piper and Sissy reunited onscreen as southern sisters in the Grass Harp.

    Two supporting actresses in the film who get little credit are Amy Irving and Betty Buckley. Irving brought an intelligent, thoughtful depth to the character of Sue Snell. Buckley as the caring gym teacher stole every scene she was in. One of the most touching moments was Miss Collins taking Carrie in front of the mirror and telling her that she is a pretty girl. Then the terrible realization on her face as she wonders if it is another cruel joke. And who didn't love it when Buckley slapped Nancy Allen's face?

    Maybe the single most important element in Carrie is the suspense-building music. I can't express how perfectly the music framed every scene. It should have won an oscar for the soundtrack alone. The two beautiful themes still stick in my mind, "Born To Have It All" which was playing in the shower scene and "I Never Dreamed Someone Like You (Could Love Someone Like Me)" which Carrie and Tommy danced to at the prom. Even the cheesy band playing at the prom fit the mood just right with the lyrics, "The Devil's Got a Hold Of Your Soul".

    Carrie is campy nostalgia. It really is a time capsule of that era in history. The polyester, the gym shorts and knee socks, the afros and farrah-hair just take you back to 1976. Where else can you see the stars of Welcome Back Kotter and Eight Is Enough in the same movie?

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    Enredo

    Editar

    Você sabia?

    Editar
    • Curiosidades
      When Sissy Spacek was preparing for her character, she isolated herself from the rest of the ensemble, decorated her dressing room with heavy religious iconography and studied Gustave Doré's illustrated Bible. She studied "the body language of people being stoned for their sins," starting or ending every scene in one of those positions.
    • Erros de gravação
      Stephen King's name is spelled "Steven King" in the trailer.
    • Citações

      Margaret White: [referring to Carrie's prom gown] Red. I might have known it would be red.

      Carrie: It's pink, Mama.

      [presenting her corsage]

      Carrie: Look what Tommy gave me, Mama. Aren't they beautiful?

      Margaret White: I can see your dirty pillows. Everyone will.

      Carrie: Breasts, Mama. They're called breasts, and every woman has them.

    • Versões alternativas
      The original network TV version opens with an alternate pan across the girl's locker room with most girls wearing at least bras and panties - Nancy Allen is naked but covers herself with a towel. There is a mid-scene dissolve and some brief additional slow motion in a sloppy effort to re-sync the soundtrack, because this shot was shorter than the original one. This alternate take of the shower scene was shot specifically for the network television version of 'Carrie'. Also notable during this sequence, the on-screen credits are white (instead of red) and centered on the screen. Most profanity, especially during the scene with John Travolta and Nancy Allen arguing while he is driving, is re-looped to remove bad language. However, alternate, non-profane takes are used when Travolta and Allen are stopped in a parking lot just before the oral sex scene (which of course is deleted). In recent years, this print of the movie has vanished from circulation.
    • Conexões
      Edited into A Noite do Terror Rastejante (1976)
    • Trilhas sonoras
      Education Blues
      (uncredited)

      Written by Glen Vance and Mike Towers

      Performed by Vance or Towers

      Courtesy of A&M Records

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    Perguntas frequentes37

    • How long is Carrie?Fornecido pela Alexa
    • Why does Carrie's house cave in on itself and catch fire at the end?
    • Why does Carrie's mom try to kill Carrie?
    • Whatever happened to the band Vance Or Towers who performed for the School Prom? Are the Singer-Musicians in that band still rocking nowadays?

    Detalhes

    Editar
    • Data de lançamento
      • 8 de agosto de 1977 (Brasil)
    • País de origem
      • Estados Unidos da América
    • Central de atendimento oficial
      • Facebook
    • Idioma
      • Inglês
    • Também conhecido como
      • Carrie: Extraño presentimiento
    • Locações de filme
      • 124 N 7th St, Santa Paula, Califórnia, EUA(Carrie White's house, demolished)
    • Empresa de produção
      • Red Bank Films
    • Consulte mais créditos da empresa na IMDbPro

    Bilheteria

    Editar
    • Orçamento
      • US$ 1.800.000 (estimativa)
    • Faturamento bruto nos EUA e Canadá
      • US$ 33.800.000
    • Faturamento bruto mundial
      • US$ 33.861.748
    Veja informações detalhadas da bilheteria no IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      • 1 h 38 min(98 min)
    • Cor
      • Color
    • Mixagem de som
      • Mono
    • Proporção
      • 1.85 : 1

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