O Pássaro Azul

When my son was approximately 7-8 years old, he loved watching this movie. At that time he was really into watching the Saturday afternoon monster movies, Ultra man etc. My daughters watched it a couple of years later and they both loved it too. Elizabeth Taylor is beautiful, but the storyline was nice too. Actually anything that held my son's attention had to be really good. As an adult, I watched it with the kids a couple of times and then that was enough for me, so I think it is really for the kids. I'd like to get a DVD of this movie because now I have two granddaughters. The four and half year old would really enjoy it. It would probably be another year before my other grandchild would sit still to watch it. I recommend this story for children, if you let them watch make believe and magical movies.

The Blue Bird (1976)

** (out of 4)

George Cukor directed this USSR/USA co-production of the classic story about two children who set out to find the Blue Bird of Happiness. The all-star cast includes Elizabeth Taylor in four roles including the Mother, Witch and Queen of Light, Jane Fonda as The Night, Cicely Tyson as Tylette and Ava Gardner as Luxery. THE BLUE BIRD has been filmed countless times over the years and this one here has the reputation as being one of the worst. It's strange to see all the talent that is wasted here but at the same time I think fans of the weird and surreal will probably want to check this out and they might get a few kicks out of it. This version here is completely weird from the opening scene to the last but I think this here is what keeps it entertaining. For the most part the performances range from poor to average but with a cast like this you expect much better. Taylor seems out of place in all four of her roles but I will admit that I got a kick out of her playing the witch. Fonda seems like she's caught up in a bad dream as she never feels in place. Gardner is wasted in her small role as is Robert Morley. Poor Tyson comes off the worst with a rather embarrassing performance. I'd say that the majority of the visuals are quite nice and we're given some good cinematography but all of this is pretty much wasted since the story never fully takes off. The dance sequences really don't add anything either and in the end this here is just a strange mix of fantasy and drama.

I remember hearing the horrendous reviews when this film was originally released. Thirty-three years later, I finally managed to actually see it on YouTube. My, oh, my. Considering the budget and talent involved, it is indeed one of the worst films ever made. Most often, it comes across as a filmed stage play - one with incredibly bad performances. The technical aspects are well below par. The whole naive "political" background actually makes the film even more annoying...did these people actually think that they were performing some sort of noble gesture, bringing the world's superpowers together? If you haven't seen this, really, I suggest that you skip it. It might play as "good bad," if you've had a few drinks with friends. But watching this sober, is just plain tedious.

I watched this last night, taped it off a TCM showing. This film is a lot better than reviewers said. I'd say it's a must-see for Elizabeth Taylor fans. She obviously enjoyed her roles. Patsy Kensit is simply adorable in this. The film has deep, yet surreally portrayed concepts involving life and death, sin and love. Certainly perfect for young children with a strong moral philosophy. The story is fantasy, some sets are better than others, it's all very colorful and has an early 19th century feel. If you are a student of set construction, choreography, ballet in film, or escapes to alternate realities, you will enjoy this perhaps more than you think you should.

In childhood, I adored it. Seeing it after serious decades, the emotion was the same. The memories were only small crumbs. The larger - impressive presence of Ava Gardner. Today, the freshness of old play by Maurice Maeterlinck redivivus. The acting, the cast, the development of familiar story, the children, the balet moments. And, sure,the Soviet - American coproduction , în direction of George Cuckor. In short, just lovely, especialy for not so young public, a fantaisy respecting the play spirit and a seductive rediscover of a Hollywood age. Superior to version from 1940, în competition with seductive version of 1918, the nostalgia remains its basic gift.