Alice no País das Maravilhas Eróticas

A lovely librarian, played by Playboy model Kristine DeBell, falls asleep and dreams herself into a strange world filled with extremely uninhibited people… These people love to sing and dance and fool around… Alice has a series of sensual adventures among these characters…

The film was originally shot as a poem to eroticism with few explicit sex scenes, which were eventually cut from its theatrical release… Videocassette versions, however, have had some of the original erotic encounters joined at the end with them…

For an extremely low-budget picture, the producers of this film did an extremely good job… The cinematography is full of life and energy, the dances and numbers quite professional, and the acting lovable… Without a doubt, it is one of the best adult fairy tales around

I agree with Rick who previously reviewed this. The soft core "R" version is excellent. The hard core version released later is so disjointed that it is a hardship to watch. The extra hard core scenes detract from the great movie and are truly extraneous.

While originally intended to be a true hard core porno, but the first with a true big budget and quality, Bill chickened out and opted to release an edited "R" rated version instead. That version is the one that everyone loves.

Years later, he succumbed to the pressure from curiosity seekers and added in much of the footage originally left on the cutting room floor, and released the X rated version.

It's pretty obvious when watching the X rated version when these scenes appear.

If you like adult spoofs of fairy tales, quality acting, singing, costumes and sets, then by all means get the "R" rated version. You'll enjoy it.

If you're an avid collector, get both versions.

I'm not much for porno films,to me,if you've seen one then you've seen them all but Alice in Wonderland is a cut above the rest. I remember seeing Kristine Debell on a daytime soap opera (The Young and the restless) back in 1982 and I instantly thought she was something special so I looked into her career and of corse found out about Alice in Wonderland. Anyway,I have seen both soft core and hard core versions of this film and I have to say,I think the best thing would have been if the hard core version was NEVER released. I think it totally ruins the movie for what it was and turned it from a masterpiece into just another XXX movie not to mention that I think it ruined Kristine's career (who I thought was not only beautiful but very talented as an actress) I miss her.

In fact, by today's standards, it would probably garner an R rating. This witty, appealing fantasy musical skinflick treatment of the Lewis Carroll classic would likely make the author proud. With songs like "What's a Girl Like You Doing On A Knight Like This", you will laugh a LOT as familiar characters such as the Caterpillar, the Mad Hatter and the White Rabbit put a titillating twist on the children's tale. Certainly not for the kiddies, but it doesn't have the hardcore, unemotional edge common to the genre. It's just pure silliness and fun, fun, fun.

Alice in Wonderland: An X-Rated Musical Comedy may indeed be one of the earliest examples of erotic fan fiction to ever surface. Receiving a considerably wide release in the late 1970's, the film became one of the defining pornographic parodies and continued to capitalize on the pornography craze in America during that time. To this day, it's something so quirky, as an idea and a feature-length film, that it practically begs you to watch it just by its title and its cluttered poster of sex-starved misfit characters.

The film revolves around Alice (Kristen De Bell), who falls asleep while reading the classic novel Alice in Wonderland and wakes up in a sexual wonderland, guided by the white rabbit (Terry Spelman) and other classic characters, now bearing some sort of sexual attribute to their personalities. Alice, who prides herself on being a good-natured woman, very dainty and puritanical, has never before seen such sexual freedom and advances run rampant, and the film chronicles her sexual awakening in the land as she assists other characters, such as Humpty Dumpty and the Mad Hatter, in their own personal escapades.

Kristine De Bell is a real find of an actress here, largely because B. Anthony Fredericks gives her character something to do rather than owning the title of the key masturbatory fantasy in the picture. De Bell's Alice is placed into one incredibly silly and deranged setpiece after another, yet through all this insanity, she not only keeps a straight face, but she keeps her persona straight too, naive and well-meaning. Her charisma as an actress is fairly strong and, much like Fredericks' silly screenplay, she's given a lot of creative range as an actress.

Despite bearing an "X" rating, a rating no longer used in the United States, the film is pretty mild - it's no more graphic than Flesh Gordon (which was produced by Alice in Wonderland producer William Osco two years before) because it largely focuses on the story structure and trying to parody something in a memorable way. Pornographic films like these are interesting species largely because they are not focused on the endlessly and emptily scored/shot sex scenes, but more concerned with infusing some cheap, sexualized humor into the screenplay.

Both this and Flesh Gordon are far more innocent pictures than you probably think, but both have the same problem of failing to be very erotic. Because they are bent on setting up a story and characters that mirror their original source material, they falter in the respect of trying to be erotic in addition to making an admirable attempt to cater to more people than those who would frequent a Grindhouse theater on a lonely Wednesday evening. Alice in Wonderland: An X-Rated Musical Comedy also features a handful of songs composed for the film and even those can distract from the eroticism the film wants to create but can't consistently maintain.

Still, much like Flesh Gordon, there's fun to be had here. De Bell is a real find of an actress, the set decorations are largely attractive, and the songs provide for momentary diversions of plot and point-A-to-point-B structure. This is another one of those see-it-to-believe-it-pornos that would only benefit from being shown on a projector in a room equipped with about two dozen well-worn seats, a sticky floor, an incense odor, and a few shady characters down in front.

Starring: Kristine De Bell, Terry Spelman, Alan Novak, Bradford Armdexter, Gila Havana, and Ron Nelson. Directed by: Bud Townsend.