O Império dos Sentidos

Sure, everyone (or most everyone) has heard about "Sex, Lies, and Videotape" and its remarkable statement about human sexuality. However, it is unlikely that as many people have heard about this film, which in a totally different way makes perhaps as profound a statement about that topic.

In fact, if you see an uncut version of this film, you are in essence watching pornography. That is, you are watching incredibly graphic sexual content that simply would not be allowed in an American film. I won't spell it out for you, but I will say this...do you know what they can't show you in American movies? This one shows that. And quite a bit more. This is not the type of sex you would see in a film like "Sex, Lies, and Videotape" or "Bliss" or some of the other decent American films about sex (though I can't think of any others). This is more like the sex shown in "Last Tango in Paris." The characters are so self-destructive and dangerous that the sex (one of the most inherent of all human practices) becomes an expression of their inhumanity. This is not easy stuff. But if you are willing to find an uncut version and experience the true power of this film, you may find yourself moved by the things you see.

This film blurs the line between pornography and art, and I believe that it stays one inch to the art side, but decide for yourself. Either way, I think that it is about time for American films to truly explore that distinction.

It's clear that a lot of people can't get past the explicitness of this film, which is a shame. I recall a lot of embarrassed giggling last time I saw it at the cinema. The art/pornography debate seems futile to me - this is a film about an obsessive sexual relationship/love affair and it tells it like it is. But it's about as far away from the likes of "Debbie Does Dallas 26" as you can get. The film is clearly serious in intent and there is a lot of beauty in it.

The subtle political content/context of the film is often overlooked - some of the few scenes shot outside the bedroom show groups of soldiers marching the other way from the direction our characters travel - and we all know where the rising Japanese militarism and nationalism of the 1930's led.

I think the best comparison is probably with a film like "Last Tango in Paris" which dealt with similar themes in a similar way - and was probably also pretty boring for those with a short attention span.

Nagisa Oshima has achieved what few other directors have managed in dealing with the very touchy subject of sex, in this instance, with sexual obsession. If you plan to watch this movie for a cheap sexual thrill, you will be most disappointed. Oshima has drawn from a real incident reported in a 1936 Japanese newspaper. The film centers around the love between two people expressed physically, graphically, into realms of the senses where few dare to tread. And with good reason. This is a very intense film as it progresses from the attraction of two people through increasing experimentation in an effort not only to express their passion but to try to find the outer most limits of passion itself. Oshima must have had something metaphorical in mind but the journey as chronicled in the film also has retained the feel of the specifics. It's quirkey and eccentric. The backdrop of the story is as interesting as the story itself. It is an amazing spectacle to observe, giving the viewer a perspective on Japanese life not usually rendered but often alluded to in some historical accounts. One wonders what this experience must have been like for the actors. Oshima has managed what I have always believed should be done in order to treat the subject of sex fully and without shrinking from its' less savory aspects. This is serious minded erotica and quite unlike anything else on screen. The only other film I can recall that compares at all is "Taxi Zum Klo" which was autobiographical and starred a number of actual people playing themselves.Obviously a different catagory in that regard from what is going on here, but both films draw much of their power from explicitly sexual scenes without compromising the integrity of the story being told. This is a film experience that should not be missed.

'Empire Of The Senses' is one of the least seen and much debated movies of the Seventies. "Least seen" because in many countries, including the one I live in, it has been banned, or only available in censored versions for many years. This movie divides people - those that like it hail it as ART, those that don't dimiss it snobbishly as PORN. Both camps are fooling themselves! 'Empire Of The Senseless' is BOTH.

Is it "serious"? Yes. Is it voyeuristic and prurient? Yes. Is it a masterpiece? Not quite. Is it worth watching? Very much so. In fact I'd say it was essential viewing for anyone interested in extreme or taboo-breaking movies.

The Seventies were the decade where the boundaries of screen sex, violence and disturbing imagery were repeatedly stretched. Peckinpah's 'Straw Dogs' and 'Bring Me The Head Of Alfredo Garcia', Bertolucci's 'Last Tango In Paris', Scorsese's 'Taxi Driver', Kubrick's 'A Clockwork Orange',were all milestones, and the the art movies of Herzog, Warhol, Pasolini, and Jodorowsky battled it out with the horror and exploitation of Russ Meyer, Dario Argento, John Waters,and David Cronenberg. Add to that the unexpected crossover success of 'Deep Throat' and the very existence of shockers like 'Ilse, She Wolf Of The SS' and 'Cannibal Holocaust', and what do you get? The artificial and meaningless divisions of genres, "high art" vs "trash", new ways of thinking vs new ways of making money, it was all on the table. For one brief decade it looked like a brave new world.

Then everything that was gained was lost - Spielberg and Simpson/Bruckheimer cleaned up (financially and aesthetically), and things have never been the same since. Watch 'Empire Of The Senseless' with that in mind. It may be flawed - you'll be alternatively fascinated and bored - but it is an important movie from an important period in movie history.

I saw this film the first time in the movies in holland about 78; I was sitting next to a nice girl wiht her boyfriend and felt terribly upset. I knew this was very real. Not romantic at all. It shows what sex can do to people and although in the ending the dramatics are overdone to my taste; this is a classical tragedy. The acting is incredible; i think the one big problem making movies showing real sex that the actors can't cope with it. These actors could. Everybody who can't see through the pornografic explicities is sexually unfree and morally limited. This film isn't a happy one and doesn't show us the freedom that sex can bring us; it shows the slavery which sex can bring about; it's problably the best film ever about sex addiction there is. It's a problem that is hardly publicly debated; or if in the hands of Christian crusaders, who want to take us all the fun. In other critics you read about th Art question : "is this Art?" Not an important question, but for me it is; it has learnt me very much about the human condition and how we cope with it.