Eu, Cláudio

What can one say that has not already been said about this true masterwork of television? Well, I, Claudius has been a part of my life since I was very young, when me and my mum used to sit and watch, totally rapt in the labyrinthine shenanighans of this most horrid little story...although, at 12 hours long, the story is hardly tiny, but horrid it most certainly is. Every episode is filled with intrigue, murder, violence, nudity, back-stabbing, plotting, incest, insanity and everything else one usually connects with this barbaric, nasty little page of history. The Roman Empire was probably the most corrupt moment of history and Robert Graves' epic novels, here turned into stunning drama by Jack Pulman's brilliant script, blows every other BBC drama clean out of the water. And as for the acting...Brian Blessed is a tornado as the weak-willed Emperor Augustus, while John Hurt gives one of his finest performances as the insane, decadent Caligula. But the true star of this fabulous course of debauchery is Sian Phillips' scheming, evil bitch of Rome, Livia. In one of the finest scenes in the drama, she confronts Claudius and reveals the treachery which has singlehandedly rid herself of all those who have stood in her way, including her own husband. It is a powerhouse performance, and her departure from the second part of the show is sorely missed, but this is compensated for when Hurt takes centre-stage when his unhinged Caligula (nice boy!) plunges Rome into lower depths of depravity and madness. Derek Jacobi, as the foolish, but wise Claudius gives us just enough of his presence to make us aware he is watching quietly while the murders occur, but his presence pervades the entire piece due to his diction, his amazingly baritone voice and because he narrates, even when his birth has not actually occured yet. All in all, a stunning, marvellous piece of entertainment which will never be beaten. I happen to own the entire series on video, and it gets an airing at least once a year...with each new watch revealing subtleties i missed last time. I implore anyone who lives Ancient Rome, good drama or just likes a long wallow in unrepentant horror and blood to watch this drama. You will not be disappointed. Brilliant!!

The best miniseries ever made! Smart and sexy, with characters that live and breathe. Just some of the most marvelous characters include Brian Blessed as the benevolent Augustus, George Baker as the wounded Tiberius, and Siân Phillips as Livia. Includes one of John Hurt's finest performances, and I'd go into Derek Jacobi as Claudius, but they say I have to keep it below 1,000 words. The Canadian channel Bravo runs it occasionally, or try renting it from Blockbuster, but I recommend shelling out for the entire collection on video!

After reading the reviews on IMDb, I bought the DVD set. I have watched the series countless times since and still continue to marvel at the quality of this work.

For anyone unfamiliar with the early Roman principate, the Julio-Claudian dynasty was in power for a period of about 80 years from Augustus to the death of Nero in 68 AD. This TV series covers the period from about 20 BC to 54 AD - the death of emperor Claudius.

The story is semi-autobiographical, written by Claudius towards the end of his reign and covering the history of his family from Augustus down to the young Nero, his successor.

Murder is the dominating theme, as Augustus' wife Livia artfully dispatches one imperial contender after another so that her son Tiberius can be emperor. It is not simply vanity that drives her machinations, but she is convinced that only Tiberius can keep the principate intact. Should any other candidate take over from Augustus, Rome would descend into civil war and anarchy. It is mostly Livia's actions that drives the story forward.

The acting is top notch. Much has been made about Derek Jacobi's performance, as the lame, stammering, clumsy Claudius. His family does not think much of him, but it is obvious to the viewer that he is a lot smarter and observant then he looks, as he absorbs all the goings on around him to chronicle them later in his book. Jacobi's performance deserves to go into legend, but the quality of the other performances does not allow him to run away with the film. Brian Blessed as the benevolent Augustus, Sian Philipps as Livia are fantastic. George Baker as Tiberius is very good in a particularly difficult role while John Hurt has the most interesting role to play - that of the madman emperor Caligula. The vast supporting cast are all excellent, particularly Patrick Stewart as Sejanus - Tiberius' tough, ruthless and scheming head of the Praetorian Guard.

Considering this is a BBC series with limited budget the production values are great. Direction is first class. Herbert Wise handles the vast story and the army of superb actors with great assurance.

For a drama series the story is quite accurate with history. Just two minor gripes. First the part of Tiberius as written portrays him as very much under the thumb of his mother, with a weak will and indecisive nature. Certain historical facts have contributed to this impression, such as him divorcing the wife he loved to marry Augustus' daughter. But the real life Tiberius was also very efficient and competent, keeping the empire stable during his 23 year reign and leaving the treasury rich. In this series his virtues are not highlighted enough.

Secondly the performance of John Hurt as Caligula. Herbert Wise himself expressed his astonishment at the greatness of Hurt's performance and Hurt certainly gives it a real go. But personally I was disappointed in the way Caligula was portrayed by Hurt. In his interpretation Caligula is a one dimensional madman with cruelty as his dominating urge. No one could disagree given the historical facts, but perhaps due to the freedom allowed in this role Caligula could have been portrayed with more depth, rather than a screaming shouting spoilt young man who believes himself a god. The real Caligula did believed himself to be a god, but perhaps as a result of the absolute power he held in his hands rather than some sort of mental disease. In the way Hurt has chosen to play the role he plays it well. But a more sophisticated interpretation would have rendered Caligula even more believable, and more frightening.

This series has everything, even length - it runs to over 600 minutes. The quality is unwavering throughout. A real treasure to own. It is extremely rare for a work of this quality to be to be realised over such a length, all the more pleasurable for the viewer.

Several writers here have commented that I, Claudius is the greatest ever TV series, the series by which all other TV work should be judged. I cannot agree more.

One of the best British imports on Masterpiece Theater in the USA, the series was a real bicentennial gift from the United Kingdom.

Over a dozen chapters, the series held the interest throughout, there's not a moment that it flagged. So many wonderful performances by the players. Derek Jacobi got his career role in this series as the club footed stuttering Claudius who survives by just making sure everyone thinks him a fool and not worth bothering about. In the meantime he secretly records his family's inner history.

The really evil one here is Livia played by Sian Phillips. I'm pretty sure that such prime time bitch goddesses as Joan Collins on Dynasty and Jane Wyman in Falcon Crest modeled their characters on Livia because these women were Girl Scouts compared to Livia. Livia was the wife of Augustus Caesar played by Brian Blessed and Phillips also got a career role.

I'd be hard pressed to decide who was the best Caligula ever. John Hurt in this series is up against some pretty stiff competition in Malcolm McDowell in the title role of the film Caligula or Jay Robinson in The Robe and Demetrius And The Gladiators. Insanity gallops in the Caesar family as in The Brewsters and in the case of Caligula it breaks the three minute mile.

George Baker is very good as the pleasure seeking Tiberius whose succession to the throne Sian Phillips is working overtime to achieve. Patrick Stewart with a full head of hair plays the opportunistic Sejanus who reaches for power, taking advantage of the increasing hedonistic tendencies of Tiberius in his later years. Sejanus would have been his career role had he not become Jean-Luc Picard.

Margaret Tyzack who was Queen Anne in The First Churchills gets another fine role as Antonina, mother of Claudius. Her other son Germanicus falls victim to Caesar court politics and her daughter takes up with Sejanus. Her children disappoint her throughout and she like the others fail to see that Claudius is not the fool he appears to be.

Probably Sheila White's Messalina is far closer to the truth than Susan Hayward's worldly woman in Demetrius and the Gladiators. White plays her like the Catherine Howard of her day, like the legendary nymphomaniac wife of Henry VIII who was one of the two who Henry executed. You've got to love that coitus contest between Messalina and the head of the guild of prostitutes. Guess who wins.

Robert Graves lived long enough to see his historical fictionalization come to life and I'm sure he must have approved. Graves did some considerable research into ancient texts for I, Claudius. His interpretation is as valid as any others we'll find of those wild and crazy ancient days of the Caesars.

I won't add to the many superlatives ascribed to this wonderful series, well-deserved though they are. But I would like to point out a few vital details that help explain just why it is so wonderful.

(1) Much has been said about Siân Phillips' intense projection of evil, but just how does she do it? If you watch carefully, you'll see she never blinks in her close-up takes, some of which are very long. This gives her a snakelike appearance, which enhances her voice and cold beauty in imparting such an air of menace to everything she says.

(2) Much has also been said about the lack of expensive sets, location shots, or special effects. But the point is that this series is successful because of these apparent deficiencies and not despite them. So much modern cinema and TV is swamped by expensive irrelevances to the detriment of the basics -- writing, acting, and timing. 'I Claudius' shows just how important these things are, and how unimportant those expensive special effects can be.

(3) I had the good fortune to read both books before the series was made, and then to watch it with a critical eye. It was satisfying to see such an expert adaptation, but especially so to see how the central point of the story has not been lost: the inability of any ruler, however powerful, to control what happens at the end of the long chain of command that inevitably forms. I found this a message of lifelong importance in both politics and management, and it is rare indeed that such a remarkable piece of drama and entertainment is also so fundamentally educational.