Submarino Amarelo

This could have been poorly done had it not been for a sense of quality that seemed to be a part of the Beatles and their people. This is the wonderful story of society that develops over time and come under threat. But it is not the usual "save the world" kind of thing but rather the creation of a world like we've never seen. There is a surreal being to it. It is colorful and engaging. Of course, what is most impressive is the integration of Beatles music into the plot. "Lucy in the Sky with Diamonds" is a great example of psychedelic visuals. But overall, it is a movie that never bores. Its images are striking and there is an array of the most wonderful characters.

The music of the Beatles had galvanized an army of very creative artists who have accomplished the impossible, and created the movie that parallels the elegance and beauty of the music that inspired it. Many people feel that this film is a miracle, and I have the same feeling, especially when I'm watching it breathlessly from the beginning to its end.

Similar to the way the Beatles themselves have created many of their masterpieces, this film is the result of a "controlled chaos". Lennon remarked that many of his imagery and lyrics were just conceived off the top of his head, which is precisely the thing that gives them the freshness and spontaneity we adore. Same is with the rich and fulfilling imagery of this film -- it is obviously an outcome of the 'shoot from the hip' approach. It sounds unbelievable, but the film's ending (the most brilliant piece of all), was thrown in during one hectic weekend! Knowing this, it is not surprising to learn that the principal artist who designed the look and feel of the "Yellow Submarine" movie, almost went blind after finishing it (he set a grueling schedule of sleeping only four hours every other night during the making of the film! -- it took him several years to regain his health)

On a personal level, this film works as some kind of revelation for me. It is impossible to put it into words, but the film stirs the deepest, most contradictory emotions in me. It transcends space and time, and has the ability to bring me into the state where the regular, everyday thoughts do not apply. In that respect, it is as strong as the best Beatles songs.

Many criticisms of this movie are sadly missing the point. To criticise the animation as being jerky and unrealistic amounts to criticising Picasso for not painting more photo-realistic canvases. Misses the point entirely. To criticise the understatement-laden dialogue is to miss the finer points of comedy, insisting on the Three Stooges slapstick only. To say that the story line is incoherent is to betray the sitcom-infested mind in the sad state of commercial-induced eating disorder.

I must confess that I had approached the viewing of this film with a huge dose of skepticism. I thought it's going to look and feel lame, with a dated and naive hippy/psychedelia cliches. Boy, was I in for a shock!

My rating: 11 out of 10

I consider myself fortunate to have seen "Yellow Submarine" in London right after its world premiere in July 1968. I was a young teenager at the time, and my father had brought my sister, brother, and me to Europe for our first visit. The picture was showing at a large cinema called the London Pavilion in the heart of Piccadilly Circus, and The Beatles themselves had attended the opening just a few days before. It was great to see this movie on a big screen with a good sound system. We loved the music and vivid colors. When we saw it again in Boston a few months later, we were angry that the "Hey Bulldog" number and a few other bits had been cut to reduce viewing time. I think the "Eleanor Rigby" number is best. The animated montage shown during the "Lucy in the Sky with Diamonds" number was partly taken from the 1933 Hollywood musical "Dancing Lady" and in 2006 I saw this old film on Turner Classic Movies, instantly bringing back memories of "Yellow Submarine." The girl on the merry-go-round horse was none other than the leading actress Joan Crawford .... who was beautiful indeed in 1933, despite becoming a horror much later. No wonder John Lennon's character in the cartoon liked her so much in his psychedelic dream!

I will readily admit that I don't watch too many movies,unless I have heard good reviews about them or if it is an art film. While perusing the movies at the local library, I was attracted to the bright yellow case this movie was in. (I didn't know what it was at the moment.) Being a Beatles aficionado(sp?), I checked it out and brought it home. My husband was thrilled as he saw it when he was 5! Oh man. Get ready for a visual feast of color and sound.(and humor!) I was literally glued to the screen for the duration of the film. I mean, if you take your eyes off of it for just a second you will miss something. I love bright vivid contrasting colors so this was great, but it may hurt your eyes if you're into earthtones. I found it a great escape from reality and very light hearted. The art is fabulous. FABULOUS!!! I have seen a great many things in my life but NOTHING like this. Truly unique. Thanks for reading.

Over 35 years later, this is still an innovative animated film: colorful, clever and different. In fact, you'd have to look hard to find a more colorful film ever made.

The Beatles characters are fun, spouting a number of good puns and inside jokes concerning lyrics from some of their past songs. The bad guys here, the "Blue Meanies," are also fun to watch and really different from anything you've seen.

This is wild stuff which can appeal to adults even more than kids. The only improvement I would have made would have been to shorten it a bit. Even at a fairly short 90 minutes, some could have been trimmed.

The DVD is fine, except for the last 30 minutes when it gets grainy. However, the 5.1 surround sound more than makes up for that, affording the viewer to hear all these famous Beatles songs in a better format that surrounds you as a CD could never do.