Onde Estavas Quando as Luzes Se Apagaram?

Okay, 'Where Were You When the Lights Went Out?' is not as awful as the review summary implies but it is not a good representation of Doris Day's (nor the rest of the talented cast's) talents. Seriously the amount of talent here is enormous but sadly it is not used well.

Saw 'Where Were You When the Lights Went Out?' as somebody who loves Day and as part of my completest quest seeing the rest of her not yet seen. While there are a couple more to go, 'Where Were You When the Lights Went Out?' to me is definitely one of Day's worst films (apparently even Day herself thought so) in a career that did see some wonderful films and near-classics, 'Calamity Jane' and 'Pillow Talk' are my two favourites of hers. It is really a film only to be seen if like me you like Day and want to see all her films.

While she has given better performances Day is the best thing about the film, even though she spent most of its production in traction following a back injury (what the film is most notable for). There is the sense that she knew that the script was not good and that the film, writing and character she plays were beneath her (also think that she did this against her will, then again that's probably just me), but Day was always an effervescent and conscientious performer who always gave her all regardless of the quality of the material or the genre, and she does show charm and decent comic timing here.

The film is hardly cheap-looking, not lavish but there is a simple elegance. 'Where Were You When the Lights Went Out?' does boast a few very funny moments, though these moments are too far and between.

However, Hy Averback directs unimaginatively and, despite being talented performers, the supporting cast are not worthy of Day and struggle with very poorly written characters and an insipid script with a bad mix of overplaying and blandness. Patrick O'Neal is a vacuous and wooden leading man, sharing very little genuine chemistry with Day. Robert Morse goes through the motions and looks truly uninterested, on the other side of the spectrum Terry-Thomas tries to play it for laughs but this is one painfully hammy performance from him.

Despite a few moments, the script as said is insipid and borderline dumb. Nothing is hilarious here and hardly any of it is sophisticated or insightful. The story is horribly contrived and muddled and also suffers from a turgid pace and a staginess. The ending feels tacked on and doesn't feel right with the rest of the film.

Overall, a disappointment as a Doris Day vehicle and as an overall film. 4/10 Bethany Cox

this movie was next to the very last movie that miss day made....it has been criticized as being a terrible movie....i disagree....this movie has some very funny moments, mostly because of miss day but the cast is not bad.....most of miss day`s movies around this time were being laughed off with doris being wrongfully accused of trying to hold on to her virginity which was groundless because really if they were to examine miss day`s films, she actually was married in most of her films including this movie " where were you when the lights went out?" so really all those tired jokes about her playing a virgin all the time were and are, erroneous...while this movie is not the best movie she ever made, she still gives it her all and it is indeed worth watching and so interesting to see miss day take a movie such as this and milk it into a pleasing comedy, which, is a tribute to her talent and professionalism...have a great day with doris day!!

Doris Day and Patrick O'Neal are husband and wife in this permissive comedy based on a stage play with Terry-Thomas as a stinker, playing a Hungarian but apparently with received pronunciation.

A young man is passed over for promotion by the bosses stupid son so he hatches a plan to steal the companies dividends. When there is a black out in New York, he has difficulty escaping and ends up sleeping with Doris Day.

Its a jolly and pretty well made film and I'm don't really understand all the negative comments. Perhaps because it's a foreign script, or because it's not dripping in gee-schucks All-American schmaltz like the other Doris Day films ?

Product placements - Kodak, The New York Times and Pan- Am. The Kaiser Group (Checker) provided the vehicles, an S series Valiant breaking down.

Doris Day has always been fun to watch as she brings her characters to life on the screen. She can play such a broad scheme of emotions, often switching gears in a second. She was particularly delightful as Maggie Garrison, the very happily married wife of Peter Garrison. Then they hit a bump in their relationship--the same night that the the power goes off in New York and the NE part of the country. Maggie retreats to their country home and Peter follows. But this is made more challenging by the loss of power and all the people stranded everywhere. Doris Day is at her funniest when her husband finally does catch up with her and she's so sleepy she can't stay awake. Various coincidences and misunderstandings add up to an amusing and enjoyable film. Also of note is Steve Allen's performance as the Radio Announcer and it was fun to see Pat Paulsen as the Conductor. Both of these characters contributed to the atmosphere during the blackout. It's interesting to note how these New Yorkers in the 1960s handled the power outage, now that we've experienced 9/11.

Only the most ardent DORIS DAY fan could find this one even bearable to watch. When one thinks of the wealth of material available for a story about New York City's most famous blackout, a film that could have dealt with numerous real-life stories of what people had to cope with, this scrapes the bottom of the barrel for lack of story-telling originality.

Once again Doris is indignant because she suspects she may have been compromised on the night of the blackout when she returned to her Connecticut lodgings, took a sleeping potion and woke up in the morning with a man who had done the same, wandering into the house by mistake.

Nobody is able to salvage this mess--not Doris, not ROBERT MORSE, TERRY-THOMAS, PATRICK O'NEAL or LOLA ALBRIGHT. As directed by Hy Averback, it's the weakest vehicle Day found herself in, committed to do the film because of her husband's machinations and unable to get out of it. Too bad.