Vixen!

'Vixen!' is satirical softcore ride with the energy and mood of lighthearted sitcom. Only Russ Meyer is capable to fill all the quiet caps between almost unstoppable sex and nudity with sly satire and not always subtle, but every time warm humor that works. Beautiful camera-work and dynamic fast editing transform this seemingly trashy film into form of pure art (most of the modern directors/editors/cinematographers need to learn from Meyer's movies).

Erica Gavin stars as Vixen Palmer, the wife of Canadian bush pilot Tom (Garth Pillsbury). The man is often away from home, and Vixen, who is unable to control her appetite for sex, starts to feel bored quickly in the wilderness on Canada, so her misadventures and sexual manipulations begin. Even when Tom returns home together with a married couple to take them to a fishing trip, Vixen can't go without seducing them both. Non-stop sexual adventures continue until veering off into taboo territories of incest and racism until all this finds conclusion in the manner of creeping threat of communism.

'Vixen!' is not your typical guilty pleasure movie, it is genuinely (feel) good film without any guilt. Nudity and sex (that are tame compared today's standards), although, have always been driving force in Meyer's films, there is lot of hart and warm humor between bare skin. Even the nasty racial slur doesn't sound very awful thanks to the tongue in cheek handling of the subject matter and the satisfying ending.

The movie is like its main character - besides offering eye-candy and wildness, there are lot hidden in the deep underneath. Strangely charming movie with quirky but somehow likable characters with all their flaws.

I find it amazing nobody has yet commented on this film, which it's certainly impossible to ignore (just like any other Russ Meyer fare).

So I'm not going to comment either. I won't talk about how ignored Russ Meyer is as a genuine auteur or how misinterpreted his films are by the vast majority of critics. And I won't mention how I think Russ Meyer has a great talent for writing dialogue with deep, philosophical implications (though some people would never know it).

If I have one complaint, it's that the film (or filmette) is rather too short at only 70 mins US, 63 mins Deutschland. Those poor Germans had fully 10% of the movie slashed, and one wonders why; it was rated 18 or X anyway, and though the film has "adult themes" (in case you didn't notice) it's in no way "pornographic" (for that matter, neither is ANY Russ Meyer film, in my opinion).

The most entertaining aspect of the movie is undoubtedly the unique style of acting. Actually, I don't think the acting in this movie (or for that matter ANY Russ Meyer movie) is "bad". It's just self-consciously mannered in a style that immediately tells you, as soon as you switch on the TV, that you're watching a Russ Meyer movie. Russ worked hard (I'm sure) to coax such performances from his interesting casts. There is no other director I can think of whose work is so strongly styled that it's immediately identifiable as one of his films. When you watch a Russ Meyer film, you enter a parallel universe much stranger than reality.

Vixen! (1968)

*** (out of 4)

Vixen Palmer (Erica Gavin) is the wife of a bush pilot in Canada and when he's out of town she undresses and does anyone she can get her hands on. Vixen's sexual charms turns on her brother who she will have sex with without an issue but she refuses to sleep with any black man as she feels they are dirty animals. Yes, this is Russ Meyer's take on racism mixed in with everything the cult director is known for. If you're afraid of sex and nudity then you might as well skip this film because we see the beautiful Vixen taking on various men, her brother and even a woman. Needless to say, Gavin has very big breast and Meyer isn't afraid to show them at any chance he gets. Gavin's beauty certainly shines through and I also felt she gave a pretty good performance as she's able to handle Meyer's dialogue and deliver all the goods. Harrison Page is also very good as the black guy Vixen is constantly throwing racial slurs at. It's rather strange how Meyer deals with the racism because he clearly gives the message off that it's wrong but the first half of the film tries and gets comedy from the subject as Vixen throws out all sorts of watermelon jokes as well as other slurs. At the end of the film is when the comedy stops and Meyer pours on the drama about racism in general as well as the Vietnam war. It's rather amazing at how he can make you laugh for half the film and then turn on a dime and deliver a message but he pulls it off. The film runs 70-minutes, which is the right running time to get everything covered and in the end the cult director manages another fine film if you can handle his type of movie.

Russ Meyer's VIXEN was one of the first films to receive the newly-formed MPAA's X rating. There were stories that in some theatres, people would pay just to see the trailer for it then leave before the main feature(shades of THE PHANTOM MENACE!). Comparing it to other adult films of that era or even to some of Meyer's other films, VIXEN looks almost tame. Erica Gavin stars as a sexually voracious woman who lives in Canada with her bush pilot husband. During the course of the film, Gavin has sex with her husband, a Mountie (apparently they always get their WOMAN too), both members of a married couple that they guide through the Great White North and her own brother(!). Oddly enough, the only name I recognized from this movie was Harrison Page, the black friend of Vixen's brother. Page, like Gavin, also appeared in Meyer's BEYOND THE VALLEY OF THE DOLLS, but he also had a sitcom in the Seventies (LOVE THY NEIGHBOR . . . and no, it wasn't about wifeswapping!). As with Meyer's other work, there is no way you can watch this and keep a straight face . . . nor should you want to.

The print I saw was in terrible condition, with several minutes eliminated by jumping and scratching and the colour a uniform washed-out pink. On the bright side, this added an even more surreal layer to Meyer's already fairly radical editing style. Anyway, a lot of it, although entertaining enough, is pretty basic stuff of Gavin pouting and staring and flaunting herself and jumping on every man in sight with an infectious shameless pleasure. It gets radical when she seduces her own brother in the shower, with little moral hesitation (at that point she's already gone through another woman, a Canadian mountie and a couple more guys). The most intriguing aspect is embodied by the black character whom she relentlessly and openly taunts; he then falls in with the IRA guy and...well, see for yourself. The juxtaposition of nudie exploitation with such open rabble-rousing politics is fairly startling just as an idea, but Meyer pushes it so far that the woman goes beyond mere feistiness and carefreeness into a systematic challenger of all niceties and convention - she calls the black guy every racist epiphet, but her lack of bull ultimately opens his eyes.