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IMDbPro

O Poder Negro

Título original: Uptight
  • 1968
  • M
  • 1 h 44 min
AVALIAÇÃO DA IMDb
7,3/10
1,2 mil
SUA AVALIAÇÃO
O Poder Negro (1968)
DramaSuspense

Adicionar um enredo no seu idiomaIn this landmark collaboration between activist and actress Ruby Dee and director Jules Dassin, Black revolutionaries are betrayed by one of their own. Based on the 1935 classic "The Informe... Ler tudoIn this landmark collaboration between activist and actress Ruby Dee and director Jules Dassin, Black revolutionaries are betrayed by one of their own. Based on the 1935 classic "The Informer."In this landmark collaboration between activist and actress Ruby Dee and director Jules Dassin, Black revolutionaries are betrayed by one of their own. Based on the 1935 classic "The Informer."

  • Direção
    • Jules Dassin
  • Roteiristas
    • Jules Dassin
    • Ruby Dee
    • Julian Mayfield
  • Artistas
    • Raymond St. Jacques
    • Ruby Dee
    • Frank Silvera
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    7,3/10
    1,2 mil
    SUA AVALIAÇÃO
    • Direção
      • Jules Dassin
    • Roteiristas
      • Jules Dassin
      • Ruby Dee
      • Julian Mayfield
    • Artistas
      • Raymond St. Jacques
      • Ruby Dee
      • Frank Silvera
    • 19Avaliações de usuários
    • 18Avaliações da crítica
  • Veja as informações de produção no IMDbPro
  • Veja as informações de produção no IMDbPro
  • Fotos93

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    Elenco principal35

    Editar
    Raymond St. Jacques
    Raymond St. Jacques
    • B.G.
    Ruby Dee
    Ruby Dee
    • Laurie
    Frank Silvera
    Frank Silvera
    • Kyle
    Roscoe Lee Browne
    Roscoe Lee Browne
    • Clarence
    Julian Mayfield
    • Tank
    Janet MacLachlan
    Janet MacLachlan
    • Jeannie
    Max Julien
    Max Julien
    • Johnny
    Juanita Moore
    Juanita Moore
    • Mama Wells
    Dick Anthony Williams
    Dick Anthony Williams
    • Corbin
    • (as Richard Williams)
    Michael Baseleon
    Michael Baseleon
    • Teddy
    John Wesley
    John Wesley
    • Larry
    • (as John Wesley Rodgers)
    Ji-Tu Cumbuka
    Ji-Tu Cumbuka
    • Rick
    • (as Jitu Cumbuka)
    Ketty Lester
    • Alma
    Robert DoQui
    Robert DoQui
    • Street Speaker
    James McEachin
    James McEachin
    • Mello
    Kirk Kirksey
    Errol Jaye
    Isabel Cooley
    Isabel Cooley
    • Direção
      • Jules Dassin
    • Roteiristas
      • Jules Dassin
      • Ruby Dee
      • Julian Mayfield
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários19

    7,31.1K
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    Avaliações em destaque

    8ericbell

    Very Good Movie

    I saw this movie when it was first released with my girlfriend (later, my wife). I would love to see it again but it seems to have disappeared. Not only can't I find a copy of this movie, I can't find anyone else who has seen it. If I did not have the sound track, I would start questioning if I saw it or not.

    It was not a "great" movie but much better than many of the Black subject movies made at that time. I also saw the "Informer" from which this was taken but I prefer "Up Tight". I hope someone re-releases this movie. A generation has passed without anyone knowing that several "large", named stars acted in this largely unknown movie.
    8mark-pearce-1

    Great movie -Must be found.

    I recall seeing Uptight when it came out. I was in high school. This was promoted very much like the Blaxploitation movies of the period, but it had much more substance and message. The plot line taken from the John Ford movie the Informer, adapts well to the political climate of the sixties for inner city African Americans. The cast was exceptional. Many like Ruby Dee, Raymond St. Jacques and Dick Anthony Williams came out of theater. These talents were important for this piece, as the movie is driven more by the the drama and conflict than action scenes. I was taken with the movie but I know that much of the nuance was lost on me because of my age at the time. I'd love to see it again. I believe that if it were found, a revival would have much appeal.
    8sfdphd

    Belongs on double bill with Judas and the Black Messiah

    I was very impressed by this film and am glad it was finally released on DVD. It is still relevant in 2021 and has even deeper meaning given how little has changed since 1968. It would make a great double bill with the recent film Judas and the Black Messiah. Similar themes but with significant differences.

    I hope this film becomes more well-known. It truly deserves attention by everyone interested in civil rights and the political conflict between people who want to be non-violent and the people who are willing to use weapons. In the middle are people who just need some money to live day to day and get basic needs met.
    8rondd5

    ...A true classic

    ...this was actually a great movie...it was made during a tumultuous time in urban black America and it reflected the conflict...outstanding performances from max julien (don't want to even HEAR about the mack) this was a real blood and soul performance..raymond st. Jacques, ruby dee, dick williams, frank silvera, roscoe lee brown...this was a tremendous movie with a heart and soul you just don't see...if you ever, EVER, get a chance to see this....do it. There would not be many movies that combined intelligence and substance for numerous black actors and actresses in the same setting. Way ahead of it's time. These folks were truly inspired, hats off to the director (Jules Dassen) for creating a lasting work..
    10tobyradloff

    Excellent story set in a grim post-riot Cleveland circa 1968

    I saw "Up Tight" yesterday (3/25/08) at the Cleveland Cinematheque. It is an interesting, but violent, story about a person who "snitched" on a criminal. The 1968-vintage scenes from Cleveland, ranging from downtown to the steel mills to a post-riot Hough, as well as other east side inner city scenes, is both historic and breathtaking. As a lifelong Clevelander, I enjoyed comparing the 1968-vintage east side scenes to what they look like today, especially the scene at East 55th and Woodland, which is desolate today compared to how it looked in 1968-the Cleveland Trust bank building is now a vacant lot, the Shell station is currently on its third rebuilding, the Sohio station now the site of a post office, the "Saveway" gas station...which advertised 28.9 cent gas!!!...now the site of a fish and chicken restaurant-that was once a Burger King...so many changes over 40 years. Seeing "Tank" going out on the town, buying everyone rounds at the bar with the stolen money, then staggering drunk all over Cleveland broke, makes this film a must-see. I also liked the scene where guns were stolen from a warehouse, with the old-geezer security guard chasing them, then falling. I also liked the scenes, as well as the old pinball machines and shoot-em-up games, at that arcade in the film, which, I believe, was once at East 105th and Euclid. A lot of easily recognizable locations if you are a lifelong Clevelander, or have once lived in the area around the time this film was shot. Sadly, this film was rarely seen since its December, 1968 theatrical release...I would love to see Paramount release this piece of Cleveland cinematic history to DVD someday. I highly recommend it.

    Enredo

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    Você sabia?

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    • Curiosidades
      Producer/director Jules Dassin wanted to remake O Delator (1935) with an all-black cast, set in inner-city America. The original Liam O'Flaherty story was based on the Irish rebellion against the English in the early 1920s. Dassin felt it mirrored black-white relations in the US in the 1960s.
    • Citações

      Kyle's associate: Damn, I've known you since you were a baby. I don't recognize you no more.

      Jeannie: You can't! I'm off my knees now. I like my man with a gun.

      Kyle's associate: Jeannie, the nonviolent program...

      B.G.: Is dead! Killed by white violence, April 4th, 1968 in Memphis.

      Kyle: The man who died...

      B.G.: Was murdered! As were four little girls in Sunday school house. As was Medgar Evers, and after him, 47 others. Now how many of their killers went to jail? Nobody. That's over! We gotta make them know that every time they even *think* of picking up a gun against a Black man, there's a black gun waiting for them!

      Kyle: That's not the way, B.G. You'll bring the whole military machine down on our heads! You, you will be the excuse for fascism in this country! You'll bring on the camps.

      B.G.: Well, what the hell do you think we got now?

      Kyle: Then you have no idea what it could be. I don't hate you, B.G. I don't want to see you in a camp. I don't want to see you killed. And I don't want to see you responsible for other people being killed.

      Corbin: Now you listen: when you're born Black in this country, you're born dead. Don't talk to us about being killed. We know about that. You're an honest man, Kyle. Go ahead, have your meeting. Nobody's gonna bother you. You go get those bills passed. Bills the whites won't obey, anyway. You do your thing, and we'll do ours. But get this straight: I don't know about a revolution without arms, and I don't know about a revolution that doesn't punish its enemies.

    • Conexões
      Featured in A História do Cinema Negro nos EUA (2022)
    • Trilhas sonoras
      Johnny, I Love You
      Written and performed by Booker T. Jones

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    Perguntas frequentes13

    • How long is Uptight?Fornecido pela Alexa

    Detalhes

    Editar
    • Data de lançamento
      • 28 de dezembro de 1968 (Estados Unidos da América)
    • País de origem
      • Estados Unidos da América
    • Idioma
      • Inglês
    • Também conhecido como
      • Uptight
    • Locações de filme
      • Cleveland, Ohio, EUA
    • Empresa de produção
      • Marlukin
    • Consulte mais créditos da empresa na IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      • 1 h 44 min(104 min)
    • Cor
      • Color
    • Mixagem de som
      • Mono
    • Proporção
      • 1.85 : 1

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