Clamor de Justiça

The release of "Seargant Ryker" on tape was beautifully timed to take advantage of Lee Marvin's 'discovery' after 25 years of character acting. There was a brief shining moment when he won an Oscar, top billing and much better parts. However, this movie is a cobbled-together version of a two-part television drama. This drama originally served as the pilot for the series "Court Martial" which predated "JAG" by a few years. (When 'Court Martial hit the air, it was moved to WWII England, as opposed to the Korean War locale of "Ryker.") A few combat sequences were tacked on to "Ryker" make it look like an action film, which it isn't. It's a talky courtroom drama - but some of the talk is first-rate, as is BradfordDillman's performance as the reluctant defender. He's the one that's on screen most of the time, holding the plot together with the strength of baling wire. Vera Miles was always a competent actress, but never a star; she exuded a likable prettiness. If I sound mild about Miles, it's because she never moved me much. Dillman, on the other hand, did - he labored under a terrible handicap in the movies:he couldn't hide the fact that he had been to school, knew which fork to use, and was obviously bright. He was a better-than-good actor (see the underrated "Circle of Deception") and is definitely worth watching here.

The Korean War has been dubbed Americas's forgotten war. So many unanswered questions were buried along with the 50 thousand men who died there. Occasionally, we are treated to a play or movie which deals with that far-off, ghostly frozen graveyard. Here is perhaps one of the finest. It's called " Sergeant Ryker. " The story is of an American soldier named Sgt. Paul Ryker (Lee Marvin) who is selected for a top secret mission by his commanding officer. His task is to defect to the North Koreans and offer his services against United Nations forces. So successful is his cover, he proves invaluable to the enemy and given the rank of Major. However, he is thereafter captured by the Americans, put on trial as a traitor and spy. Stating he was ordered to defect, he sadly learns his commanding officer has been killed and has no evidence or proof of his innocence. He is convicted and sentenced to hang. However, his conviction is doubted by Capt. Young (Bradford Dillman), his prosecutor. Convincing commanding Gen. Amos Baily, (Lloyd Nolan) of his doubts, he is granted a new trial and if found guilty will be executed. The courtroom drama is top notch as is the cast which includes Peter Graves, Murray Hamilton and Norman Fell as Sgt. Max Winkler. Korea was a far off place but the possibility of convicting a Communist and hanging him hit very close to home in the 1950's. Due to its superior script and powerful message, this drama has become a courtroom Classic. Excellent viewing and recommended to all. ****

Sgt Ryker is to be executed if it is the will of some military who see him as an evil traitor. In the war against Korea he was sent behind the fine lines and now that there is no record of it and the former commanding officer is dead, things get tight for him when it is learned that Ryker has good friends among "the Reds" . Great movie!

Engaging, riveting tale of captured US army turncoat who has to prove his innocence to avoid the hangman. Paul Ryker dodges friendly fire in a seemingly doomed attempt to convince a military court that he was actually a US spy on a secret mission in Korea. In the vein of classic courtroom dramas, "Sergeant Ryker" is an extremely well crafted mystery, ably guided by an outstanding cast, director Kulik's constant momentum, and effective plot twists and turns.

This film was originally made for television in 1963 (released theatrically in '68 to capitalise on Marvin's ascendance) and spawned the short-lived TV series 'Court Martial' also starring Dillman, spot-on as the doubting defence attorney, whose attentions sometimes stray to the personal plight of Ryker's supportive, yet somewhat distant wife, played with aplomb by Vera Miles. Rounding out the frontline is Peter Graves for the prosecution, and Norman Fell and Murray Hamilton in key supporting roles.

Marvin's interpretation of the Paul Ryker character is a balanced depiction of a simple but dedicated man whose normally laid back demeanour is challenged by the desperate circumstances in which he's placed. Marvin switches perfectly from resigned indifference, to impassioned denial of the charges, giving a convincing, often intense performance that is the highlight of this otherwise small-scale drama. It's this performance that should elevate the film to a platform where it occupies a place on the best-ever lists of courtroom dramas.

However, despite its apparent obscurity, 'Sergeant Ryker' (released as 'Torn Between Two Values' on VHS in Australia) still remains a taut and compelling examination, like a book that you just can't put down. Highly recommended.

In this legal drama -- not unlike Anatomy of a Murder, A Few Good Men, and Compulsion -- ambiguity permeates the courtroom like humidity in August -- in Florida. Who's right? Who's wrong? No one can tell, yet decisions have to be made. Peppering the proceedings with plot twists and flashbacks that recall film noir and Sergio Leone, the story maintains a quick pace that overcomes its clearly low cost shooting budget. Lee Marvin burns brightest in the film's constellation of great character actors (like Peter Graves, Murray Hamilton, and Norman Fell), largely because of The Big Gray One's tendency to switch from calm menace to scary violence, on a dime. Jaded critics bang and hack at Sgt. Ryker, calling it trite and stale. The film doesn't warrant this sort of hostility. It is simple, direct, and powerful. Who cares if it isn't a re-invention of a very old sort of wheel?