Memórias do Subdesenvolvimento

Título original: Memorias del subdesarrollo

1968
14
1 h 37 min

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Adicionar um enredo no seu idiomaA Cuban man cycles through his opinions and memories as the threat of foreign invasion intensifies and the rest of his family moves to Miami.A Cuban man cycles through his opinions and memories as the threat of foreign invasion intensifies and the rest of his family moves to Miami.A Cuban man cycles through his opinions and memories as the threat of foreign invasion intensifies and the rest of his family moves to Miami.

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AVALIAÇÃO DA IMDb

7,6/10

5 mil

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Prêmios
- 2 vitórias e 2 indicações no total

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Curiosidades
The first film to be made in post-revolutionary Cuba to be released in the United States.

Citações
Sergio Carmona Mendoyo: One thing about people that upsets me is their inability to sustain something without collapsing. Take Elena: she was totally inconsistent. Didn't relate things. That's a symptom of underdevelopment: the inability to relate things, to gain experience, develop. It's difficult here because women are conditioned by sentiments and culture. A soft environment. People waste talents on inconsistent adaptations. They always need someone to think for them.

Conexões
Edited into Le huitième étage, jours de révolte (2023)

Avaliações de usuários25

Avaliação em destaque

Emotional Existentialism

"Memories of Underdevelopment" (Cuban, 1968): Made in 1968, set and shot (b/w) in 1961-62 Cuba, using a frighteningly smooth blend of documentary footage, and flash-backs, with new sets, locations, and actors in present-time, we watch a man at an airport say goodbye to most everyone he's ever known. THEY are escaping the new Castro Cuba, to start over in Miami, USA. HE has decided to remain (although we're never given much of an explanation why), and use (what must be) his independent wealth. Now living in the big city with only strangers, he wanders about looking for relationships. Instant closeness. Replacements. Although carrying the demeanor of a suave, patient, aging bachelor, he has the desperation of a teenage boy, driven by appearances and hormones. As archival footage is used to expand the vision of Castro's Cuba, it is clear the lonely man is the one making the bigger mistake. I thought of this "story" as Emotionally Existential.