A Midsummer Night's Dream

Yes, there are flaws in editing, lighting and the like. These are probably the results of a relatively low production, and, perhaps of the fact that this was originally conceived as a TV film, and therefore as relatively ephemeral. The superb service given by director and cast to Shakespeare's language and characters far more than make up for any shortcomings. A better production of "Dream", for screen or stage, can hardly be imagined!

A fine, and sadly forgotten, version of Shakespeare's most amusing play. I suppose I am not the only male person who discovered a simultaneous love for the Bard and Diana Rigg in what was (then) a scandalously scantily clad television spectacular. This is, if nothing else, one of the many evidences that the Brits breed actors in a way we don't. The cast, which is by British standards only second-tier, outdoes anything that we could scrape together. Sheer fun; it's us, and not just Shakespeare, in love.

There were little jumps and quirks in this production by the Royal Shakespeare Company - but in reality they merely added to the otherworldly and ethereal overall effect. I liked the art design very much and found it charming. The cast was superb - and for those who only know Judi Dench as dowdy or as Queen Elizabeth, in this film she plays the queen of the fairies, Titania, in a costume consisting only of three small leaves! She might have been the sexiest Titania ever.

This is not only the best version of the play available on film, it is easily one of the five best Shakespearian films of all (at least in English).

The fact that it was made on less than a shoestring budget is totally irrelevant. Whether or not there are any special effects, the photography by the renowned Peter Suschitzky ("Dead Ringers", "Empire Strikes Back", "Spider") is excellent. It's not only pictorial, but contributes greatly to the spontaneous, irreverent, slapstick-esquire approach to the whole production, which Peter Hall and his marvelous actors worked so hard to achieve. The locations are also ideal, given the modernized, anglicized look of the production.

Director Hall's interpretation of the play comes as close to 'perfection' as an enthusiast of the Bard could possibly ask for. He refuses to reduce the play to an erotic fantasy, as so many other have done (i.e. the 1999 film), and he rejects the even more common temptation to turn it into a loud, garish costume-ball. In other word, Hall presents the play as Shekespeare wrote it.It relies for its appeal on marvelous words and gestures, not on costumes and special effects.

As for the cast, one only need to look at the big names on the list to see that this production was literally one-of-a-kind. Actually the least famous major player in this company is the one most worthy of note: Paul Rogers, a wonderful character actor and a frequent collaborator of Alec Guinness, is quite possibly the best Bottom that most of us (in this day and age) are ever likely to see. Both Cagney and Kevin Kline were terrific in the major films, but Paul Rogers IS Bottom.

It says something about both film audiences and readers that the 1935 Warner Bros. film with James Cagney is rated more highly on the IMDb than this production. In that pretty but vapid collection of songs and dances, you could hardly hear any of Shakespeare's words, and if you could you would have to cringe, since almost none of the actors could adequately speak the lines. Cagney was good, but the rest was silence. GO WITH THIS VERSION INSTEAD! Fortunately, it was recently made available on DVD.

I originally expected to watch a few seconds of this and turn to another channel; however, the film style intrigued me, so I kept watching. Then, I saw Titania...

She was beautiful. Her acting was sublime. The enthusiasm she had for the ass-headed Bottom was palpable. I had to tape it. Fortunately, there was another showing later in the day.

To my surprise, the beautiful Titania was none other than a youngish Judy Dench. Diana Rigg also appears as Helena, the spurned lover, who joins three other young people for the familiar comedy of errors.

Besides the fairies, the actors dress in modern garb...casual: Button-up shirts, mini-skirts, go go boots. The acting is wonderful and the choppy editing very appropriate. Was it as good as Propero's Books? No, but it gives it a run for its money...