Kuro tokage

I hadn't seen any of Kinji Fukasaku's work from the 1960s so I thought BLACK LIZARD would be a good place to check it out. It's a lively adaptation of an old detective novel by Edogawa Rampa, although being made in the late '60s it has more than a touch of Bond to it with a super villain, an island lair, and some hotel hijinks. The detective doesn't feature too much here, the brunt of the narrative being given over to the Black Lizard character, a female nightclub owner played by a guy in drag. It's a highly stylised and frankly bizarre little film that labours some of the plotting, but it has some interesting surrealist touches to make it worth a look.

This obscure Japanese thriller would seem to have a very good reputation among cult fans; and while I can see the appeal of the film, I do have to say that I'm surprised by all the praise it gets as aside from the odd memorable moment; the film is a mostly flawed piece. Black Lizard is directed by Kinji Fukasaku; the director who would go on to direct the seminal masterpiece Battle Royale in 2000. The film is basically a heist movie; although it often gets labelled as a comedy and that is mainly down to the thick layer of absurd comedy emanating from the central villain; although anyone going into this film expecting to laugh will be disappointed. The central character is named 'Black Lizard' - a thief with a penchant for jewels. She sets her sights on a diamond named "The Star of Egypt" and in order to get to it, kidnaps the owner's daughter and asks for the jewel in ransom. The detective on the case is named Akechi; and after a card game together, the two develop a mutual respect; and Black Lizard falls in love with the detective.

The most bizarre thing about this film is the casting of transvestite Akihiro Miwa in the lead role. Initially, I was sure that the central character was a transvestite; but as the film went on, it seemed to suggest more that the character is actually a woman, although there are some suggestions that maybe that isn't the case. The actor's performance would have been quite good if the character was meant to be a man in fact; but he really doesn't convince as a woman, and while I appreciate the idea of putting him in the lead role; I don't think it was a very good one. The plot has rather a lot to it and moves very quickly considering the running time of the film which is definitely to it's credit; although at times it does move a bit too quickly and the film does not have time to really put forward all of it's ideas. This is mainly at the expense of the characters; as we are not made to care about anyone in the film, which leaves the whole thing feeling a bit cold. There's some good style on display, however, and that's one of the main positives. Overall, this film might be of interest to some but I wasn't very impressed with it!

Rampo Edogawa is one of the most famous writers of Japan, not winner of any Nobel prize (for that we have the award nominee Yukio Mishima's more than weird cameo in this movie, who also adapts the story) but creator of the most famous Japanese detective, Akechi Kogoro, and father of the ero-grotesque genre in the country.

"Black Lizard" is one in the series of Akechi Kogoro's novels, and the movie has been able to adapt to the screen the spirit of Edogawa's writing. For that, it would be already an interesting movie, as Edogawa had a knack for the grotesque and bizarre, but the movie is interesting for what it is: a mystery, a battle of wits, with a couple of characters who are a lot of fun to be with: Akechi and the Black Lizard.

The story is pretty basic: the criminal "Black Lizard" wants to kidnap a jeweler's daughter, Sanae, and the jeweler contracts Akechi Kogoro to protect her. Cue the Black Lizard trying to kidnap the girl in different and very original ways, and Akechi trying to stop the criminal from doing so.

The atmosphere, dark and decadent, the music, the actors way of playing the characters, the 60s Japan, way different from nowadays... Fukusaku does a great job of bringing Edogawa's world to life. The way Akechi and Black Lizard meet and tease each other continuously (this movie is more in the vein of "Columbo", the detective and the criminal meeting throughout the movie and having very entertaining dialogues)... All makes for a very engrossing environment, and a really entertaining time at the movies. As with almost all of Edogawa's characters, the criminal is the most interesting character, and Akihiro Miwa does a great job of making an ambiguous character we care for. Isao Kimura as Akechi just keeps a stoic countenance, impassive and kind of heartless.

A very good movie, with a very particular atmosphere and scenery.

This movie from the king of yakuza (gang) films is a big departure from his other films. This movie is the penultimate camp/action film. Anyone who has been taken in with the martial arts films (esp. from Hong Kong) of late, should check this out. It's less focused on the action sequences than it is in developing a verbal tit-for-tat sparring between the villain & the policeman who is pursuing her (w/ whom she is also secretly in love). Having a villain who is a lovelorn but vengeful drama queen is a refreshing break from the usual Asian action fare (1970's - present) & demonstrates that despite better technical skill & more special effects, the art of cinema hasn't necessarily improved because of mastering new technology. I can't remember the last time I've laughed so hard in a movie. Seek this one out.

The most purely entertaining and amusing film I have seen in a long time. The dialogue between the two antithetically engaged principal characters reflects their exactly opposite ethics, and at the same time, their clearest view of each others thinking. Their well matched genius creates plot, foil, and counter-foil, throughout the film. I almost never watch a film twice. This one, I can't wait to see again.