Interlúdio

Globally respected as among the top actors in cinema history (but sadly split in audience between his German language and English language films), there are too few available in English to us who want them all! The Austrian Werner, I understand was among his own worst enemies due to his drinking and fights with producers and directors, and died a sad shell of himself rehearsing for a low budget live appearance on the continent.

But what he gave us! This film is not only NOT an exception, but maybe his finest performance in a film where he was the top star and in the most scenes [unlike his other great English language roles, Spy, and Ship, and F451 (where Julie has the big part)]. Certain critics found him wooden and "method-y" in this--what a crock. I am very much in the market for a copy of this--it NEVER plays in California, even on late night TV. The sound track, and the orchestral scenes are matchless. Your heart will stop a few times--can't spoil that for you! I hope I live long enough to have a copy! Notice the agreement among all these (above) IMDB comments??? It's because all is true. If I were to continue, the superlatives would be boring (and endless). & John Cleese as an unknown, presaging exactly what MPFC was about to bring the world--he basically ad libs his (bit) go-fer role, saying he and his mates have an idea for comedy satire movies!!! But Oskar Werner. I'll stop now.

This is the movie I took my wife to on our first date 32 years ago and I've been looking for it forever. Just got it through eBay today and I just feel great. Not only that this is a great movie, the theme song by Timi Yuro is a great tune also.

I first saw this movie in 1968 when I was 19 years old. It struck me then (as it still does) as a very poignant story. Interestingly, it somewhat paralleled events in my own life at the time. As a consequence I found myself taking on the movie as my own. I even went and bought the soundtrack which is just beautiful. The mix of excerpts of classical pieces along with Georges Delerue's score transports me every time I hear it. I also have a copy of the movie I made from a television presentation some years ago. Interestingly, it still holds up very well today. The contrasts in both character and personality among the three main players makes for some wonderful emotional moments that highlight this age-old situation.

I, too, saw the movie on a first date - have looked for it for years -I must have checked eBay at wrong times - it's odd how my sympathies were with the girlfriend when younger- now I identify with the wife - hope this makes it into video - it's too good to lose-

"Interlude" completely caught me off guard! Finding this film was a mistake, albeit a very happy mistake. I obtained a copy of this very rare film by sheer accident. I actually had requested a copy of the 1957 Hollywood version directed by melodrama maestro Douglas Sirk. But when this British version arrived I decided to give it a try and I was immediately sucked in by the sheer scope of its romance and truly phenomenal lead stars.

This 1960s version stars Barbara Ferris and Oskar Werner as tortured lovers who must cope with the looming presence of Werner's wife and two young children. Ferris, as the sweet and innocent newspaper reporter, and Werner, as a temperamental and famed conductor, exude an overwrought chemistry and truly make you want to see them together in light of his oblivious family.

Set to a moving theme that rivals that of the famous song from "Love Story", "Interlude" is a rare gem just waiting to be rediscovered. The direction is sensitive and romantic, yet provides moments of unabashed melodrama and scope. One of the movie's most climactic moments is choreographed to a classic piece that Werner is conducting. The ending honestly left me with a lump in my throat, just waiting for more. This is what a romantic drama is supposed to be about.