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IMDbPro

Quem Anda Cantando Nossas Mulheres

Título original: Greetings
  • 1968
  • R
  • 1 h 28 min
AVALIAÇÃO DA IMDb
5,6/10
4,3 mil
SUA AVALIAÇÃO
Rutanya Alda in Quem Anda Cantando Nossas Mulheres (1968)
ComédiaDramaSátira

3 amigos em Nova York discutem como evitar o recrutamento militar, sobre o Vietnã, o assassinato de JFK, voyeurismo, namoro por computador etc.3 amigos em Nova York discutem como evitar o recrutamento militar, sobre o Vietnã, o assassinato de JFK, voyeurismo, namoro por computador etc.3 amigos em Nova York discutem como evitar o recrutamento militar, sobre o Vietnã, o assassinato de JFK, voyeurismo, namoro por computador etc.

  • Direção
    • Brian De Palma
  • Roteiristas
    • Charles Hirsch
    • Brian De Palma
  • Artistas
    • Jonathan Warden
    • Robert De Niro
    • Gerrit Graham
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    5,6/10
    4,3 mil
    SUA AVALIAÇÃO
    • Direção
      • Brian De Palma
    • Roteiristas
      • Charles Hirsch
      • Brian De Palma
    • Artistas
      • Jonathan Warden
      • Robert De Niro
      • Gerrit Graham
    • 30Avaliações de usuários
    • 23Avaliações da crítica
  • Veja as informações de produção no IMDbPro
  • Veja as informações de produção no IMDbPro
    • Prêmios
      • 1 vitória e 1 indicação no total

    Fotos9

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    Elenco principal24

    Editar
    Jonathan Warden
    • Paul Shaw
    Robert De Niro
    Robert De Niro
    • Jon Rubin
    Gerrit Graham
    Gerrit Graham
    • Lloyd Clay
    Richard Hamilton
    • Pop Artist
    Megan McCormick
    • Marina
    Tina Hirsch
    Tina Hirsch
    • Tina
    • (as Bettina Kugel)
    Jack Cowley
    • Fashion Photographer
    Jane Lee Salmons
    • Model
    Ashley Oliver
    • Bronx Secretary
    Melvin Morgulis
    • 'Rat' Vendor
    Cynthia Peltz
    • Divorcee
    Peter Maloney
    Peter Maloney
    • Earl Roberts
    Rutanya Alda
    Rutanya Alda
    • Linda (Shoplifter)
    • (as Ruth Alda)
    Ted Lescault
    • Bookstore Manager
    Mona Feit
    • Mystic
    M. Dobish
    • T.V. Cameraman
    Richard Landis
    • Ex-G.I.
    Carol Patton
    • Blonde in Park
    • Direção
      • Brian De Palma
    • Roteiristas
      • Charles Hirsch
      • Brian De Palma
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários30

    5,64.3K
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    Avaliações em destaque

    6RobertF87

    Very Dated, but Fun, Satire

    This film doesn't really have any storyline to speak of. Basically it is an episodic comedy-drama, set in New York in the late 60s, revolving around three friends as they try to avoid being drafted into the Army and sent to Vietnam, while experiencing various elements of the late 1960s counterculture.

    The film uses a a style very reminiscent of the French "Nouvelle Vague" films, such as hand-held cameras, on-screen captions commenting on the action and speeded-up film.

    The film is probably most well-known today for marking an early appearance by Robert De Niro (here aged 24) as voyeuristic amateur film-maker Jon Rubin, and for being an early film from director Brian De Palma.

    The film is, luckily, worth watching for much more than this though. It is an interesting snapshot of it's times and, although very dated, it is often quite funny. The main problem is that the film hasn't aged very well and there's no structure to it, many episodes by far outstay their welcome.
    7tavm

    Greetings-"Of Robert De Niro and Jonathan Warden, the latter gives at least some evidence of talent."

    The above ironic comment was made by Howard Thompson of The New York Times when this Brian De Palma film was first released. Turns out Mr. Warden never made another movie while De Niro...anyway, besides being one of the earliest works for De Niro and De Palma, this was also the first movie to get the X rating after the Motion Picture Association of America created its rating system. Warden, De Niro, and Gerrit Graham play three New York buddies with the latter two showing Warden various ways to avoid the draft. Warden is also trying to get dates using the computer pick method. Graham is obsessed with the Kennedy assassination conspiracy, in fact, when he mentions one potential suspect, the name is always bleeped out. And De Niro is an aspiring filmmaker who tricks ladies to take off their clothes on film in the name of "art". The entire movie has an improvisational feel and meanders from scene to scene with an unevenness that shows how experimental De Palma was during his early years. Gerrit has some highlights when talking to the camera but De Niro shows how into characterization he really is when either pretending to be a right winger to someone on the steps of an army recruitment building or being nonchalant when someone offers him a stag movie. Not everything works but Greetings is very much worth a look for completists fans of De Palma and De Niro.
    6Quinoa1984

    uneven, but never too unbearable; oozes with French new-wave influence

    The problem with judging a work like Greetings is that it is by a filmmaker who is just starting to work out what's inside of him, his themes, his ideas, his sense of humor and attitudes towards society and women. Brian De Palma would follow-up Greetings with the (for my money) better satire Hi, Mom, which also features a 20-something Robert De Niro (indeed, also in a similar role here, though not by much). The reason his follow-up was better, to me, is because he had sorted out more of what he wanted with his style; here, he is skilled at infusing Nouvelle Vague into the film, and his voyeuristic attitude is prevalent in a few key scenes (one of them perhaps the funniest, involving De Niro's Jon Rubin 'directing' a woman on a bed).

    What is fascinating throughout is how little De Palma shows his Hitchcock influence here; if anything, Godard is the main pulse throughout (long takes that inevitably comment upon themselves, characters reading books on camera, near political use of jump cuts and zooms). So that is one reason why it can't have everything together; as De Palma is still finding himself, and more than likely making this movie for himself (i.e. HE is the audience), it's hard for it to find what is often called 'accessibility' for a viewer like myself. I probably would've found this to be a 8/10 if I had been born thirty or forty years earlier.

    The three characters here are separated very vastly, but each with their own incredible, off-beat, and often strange behavior. The friend on with the computer dates is hit or miss; the highlight here being when he has the "Dirty Movie" date, as De Palma shoots it in a mix of pre Clockwork Orange styling and as a silent film. The friend obsessed with the Kennedy assassination, to the point of drawing diagrams on a naked woman to prove his point (tongue-in-cheek of course). And then there's De Niro's character, not really in the film that much until the last twenty or so minutes. These (not to put down the talents of the other two actors; the Assassination friend had a weird quality that made him watchable) scenes are the better ones, as even here De Niro has a grasp on what De Palma thinks he's getting. But the main problem here, which was solved in most of De Palma's later movies starting with Hi, Mom onward, is consistency. There are some scenes that just don't work, that are either funny for the wrong reasons, or not funny at all.

    The technical aspect of the film, in terms of being quintessentially 60's, is intriguing, but even here isn't always used to its best use. Overall, it almost makes me think of this as like one long Monty Python movie with sketches that sometimes work, but unfortunately don't. If you would want to see it out of curiosity, especially from a historical or sociological interest, I wouldn't dare tell you not to see it (the last scenes in "Vietnam" are just wacky enough). But if your a De Niro fan or De Palma fan just getting into their work, know what you're getting into here. Some may love it, some may dis-like it even more than I. For me, it served its purpose well.
    5mattymatt4ever

    Has its moments, but doesn't come together

    "Greetings" is cheaply made satire, which was Brian DePalma's directorial debut and one of DeNiro's first roles. That was my main reason for being very curious of this film. I was anxious to see DeNiro in early moments of his career.

    Maybe this movie is dated. I wasn't around during 1968, so maybe I just didn't get the satire. Maybe that's why most of this movie flew above my head. Nevertheless, the movie never seems to center on a basic idea. It just meanders on and on, delivering a series of satirical sketches, almost as if they were coming up with ideas as they continued shooting the film. This would be typical of an experimental student film, and I'm sure it would get top honors if DePalma, DeNiro and the other people who took part in this movie submitted this to their film class in college. But I'm not going to purposely lower my standards just because a movie is cheaply made by a couple of ambitious filmmakers who simply tried to salvage whatever they can with their fledgling budget. I'm not going to feel pity for the film's cheapness, like it's some struggling vagrant. I've seen much better films made on low budgets that didn't contain shaky camera work and bad sound. You can at least do something fancy with the camera to show off your skills. Most of the shots you see in this movie are wide shots. There are very few close-ups. It wasn't until fifteen minutes through the film where I realized which one DeNiro was. It's like at those Christmas gatherings where one of the family members doesn't feel like lugging the camera around, so he/she mounts the camera atop some sort of aparatus to capture what's going on but it's just one boring still shot.

    Anyway, I don't think DePalma will be putting this movie on his most-cherished list. Sometimes early work can be the best work. Like Martin Scorcese with "Mean Streets." I saw him on an interview recently and he claims "MS" is still his favorite out of all films he's ever done. I wouldn't be surprised if DePalma has this movie resting in the receptacle in his backyard.

    Almost every great filmmaker started out making little forgettable, crappy, no-brain films with their camcorders at an early age. This is like one of those films, except it isn't completely devoid of intelligence and does have some direction. Just not enough consistency.
    Michael_Elliott

    Fair

    Greetings (1968)

    ** (out of 4)

    Early Brian DePalma film has three friends walking around NYC talking about various subjects including how to dodge the draft and the Kennedy assassination. Most reviewers gave this thing glowing reviews and I'd been wanting to see it for over a decade now but it turned out to be a major disappointment. There really isn't any plot, instead just small sequences about various issues. Some of this is funny but most of it isn't. Most notable for being Robert DeNiro's debut and the first film to get an X rating. This is an interesting film but it should have and could have been a lot better.

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    Enredo

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    Você sabia?

    Editar
    • Curiosidades
      Robert De Niro's first credited feature film role.
    • Citações

      Jon Rubin: You've heard of 'Pop Art' right? Well this is 'Peep Art'.

    • Versões alternativas
      Original theatrical version was rated X. Some sexual material was cut to be re-rated R.
    • Conexões
      Featured in The 50 Worst Movies Ever Made (2004)
    • Trilhas sonoras
      Greetings!
      Written by Eric Kaz

      Performed by The Children of Paradise

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    • How long is Greetings?Fornecido pela Alexa

    Detalhes

    Editar
    • Data de lançamento
      • 28 de janeiro de 1970 (Dinamarca)
    • País de origem
      • Estados Unidos da América
    • Idioma
      • Inglês
    • Também conhecido como
      • Saludos infernales
    • Locações de filme
      • Bookmasters Book Store, Manhattan, Nova Iorque, Nova Iorque, EUA
    • Empresa de produção
      • West End Films
    • Consulte mais créditos da empresa na IMDbPro

    Bilheteria

    Editar
    • Orçamento
      • US$ 39.000 (estimativa)
    Veja informações detalhadas da bilheteria no IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      1 hora 28 minutos
    • Cor
      • Color
    • Mixagem de som
      • Mono

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